{"product_id":"steinberg-spectralayers-pro-12-audio-restoration-software-electronic-delivery","title":"Steinberg SpectraLayers Pro 12 Audio Restoration Software - Electronic Delivery","description":"\u003cp\u003e\u003cstrong\u003eSteinberg SpectraLayers 12\u003c\/strong\u003e delivers a powerful lineup of new features, which push technical and creative boundaries throughout the application.  Updated music unmixing algorithms shine in all categories — especially vocals! Enjoy expanded drum kit unmixing, and extract user-profiled instruments. In post, break soundtracks down into distinct dialogue, music, and effects layers. Speech processing now offers more clarity, less noise, and fewer artifacts, with automatic plosive attenuation, voice resynthesis, and faster transcriptions. New workflows include editing multiple layers at once, new copy\/paste functions, enhanced fade controls, and more. All this, rounded out with additional utilities and visualization options, keeps SpectraLayers at the forefront of innovative spectral audio production.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eNEW AND IMPROVED UNMIX MODULES\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eImproved Unmix Song Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eUnmix Song now delivers significantly improved quality across the board, with dramatically better vocal separation, major enhancements to drum, bass, and sax\/brass unmixing, and subtle improvements to guitar and piano unmixing. This means cleaner stems, less time spent on corrections, and more professional-sounding results right from the start. The Unmix Song dialog now includes an option called Unmix Sax \u0026amp; Brass before Vocals. When enabled, the module focuses on sax and brass unmixing before addressing other stems. It is worth trying both modes to find the best separation for the track.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Unmix Drums Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eUnmix Drums now features updated algorithms and can extract toms, hi-hats, ride cymbals, and crash cymbals, for a total of six discrete kit pieces. This process is designed for isolated drum kit tracks: applying Unmix Song first, then using Unmix Drums to separate the kit components. This gives more precise control over individual drum elements, making it easier to rebalance, process, or replace parts of the kit with greater accuracy and less manual editing.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eNew Unmix Instrument Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eUnmix Instrument isolates and extracts user-identified instruments. Select up to ten seconds of the target instrument to be registered in the module dialog, and then run process. The Sensitivity parameter allows the separation to be fine-tuned for optimal results. This new feature provides the flexibility to extract custom elements from mixes, making it easier to rework arrangements, apply targeted processing, or create stems for remixing and restoration.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eNew Unmix Soundtrack Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Unmix Soundtrack module separates audio into dialogue, effects, and music layers. This module is especially useful for post-production workflows involving mixed content such as film soundtracks, trailers, and radio broadcasts. By isolating the core audio components, it enables more precise dialogue cleanup, music replacement, and effects enhancement. Whether localizing content, restoring archival material, or preparing stems for remixing, Unmix Soundtrack gives the control and flexibility needed to meet professional delivery standards with greater efficiency.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Unmix Noisy Speech Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Unmix Noisy Speech module has been significantly improved, delivering much clearer speech\/noise separation along with a substantial reduction in artifacts. This results in cleaner dialogue tracks, enhanced intelligibility, reduced listener fatigue, and easier preparation for broadcast or post-production work.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eNEW AND IMPROVED VOICE PROCESSING MODULES\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eNew Voice Enhance Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Voice Enhance module uses generative AI to literally reconstruct poor-quality voice recordings. It can correct issues such as clipping, limited bandwidth, compression artifacts, excess reverb, noise, and more. Voices are intelligently processed to address these problems, resulting in clearer, more natural-sounding speech that improves intelligibility and overall audio quality, while preserving the speaker’s unique identity.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eNew DePlosive Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe DePlosive module automatically eliminates distracting plosives in speech recordings. Adjustable Threshold, Frequency, and Reduction Ratio controls let the process be fine-tuned for optimal results. This module can be combined with the precise control of the Eraser tool, to take full advantage of the seamless integration of automatic processing and manual editing. This is a hallmark of SpectraLayers, which sets it apart as a uniquely powerful application.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Voice DeNoise Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Voice DeNoise module has also been substantially improved, providing exceptionally clean results whether the background is noise or music. This versatility makes it ideal for diverse audio restoration and post-production tasks, delivering clear, artifact-free results across many use cases.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Unmix Transcription Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Unmix Transcription module has been greatly enhanced, resulting in transcription quality that is twice as accurate and supporting twice as many languages. A high-quality mode is now available across all languages, enabling more reliable and precise transcriptions for a wider range of projects and multilingual workflows.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eWORKFLOW IMPROVEMENTS\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eEdit Multiple Layers at Once\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThis headline feature enables tools and processes to operate on multiple selected layers simultaneously. In standalone mode, tools and processes operate vertically across layers. Events spanning multiple stems can be targeted and edited in one go — ideal for refining performances captured with multiple microphones. The feature extends horizontally in Cubase or Nuendo in ARA mode — for example when using SpectraLayers speech processing tools in post, on multiple clips located anywhere in the project. Importantly, this functionality extends to all SpectraLayers tools and processes.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Cut to… \/ Copy to…\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe “Cut to” and “Copy to” actions now allow any layer within a project to be selected as target. Once a target layer is established, additional actions can be immediately applied to it. This makes multi-layer editing of workflows faster and more intuitive, reducing the number of steps needed to move and manipulate content.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSelection Editing\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eActive selections can be resized directly on the spectrograph, just by dragging their edges. At the same time, selection fades can now be resized in active selections. Achieve the desired edits with a new level of ease and accuracy.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Frequency Selection\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eFrequency selection has been improved across the board to track narrow frequencies more accurately. Additionally, frequency selections are now elastic: if you move beyond a desired point or encounter drifting in the spectrum, simply move back slightly to the last safe position to correct it. These enhancements make it easier to perform precise, frustration-free spectral edits — especially when working with fine or shifting frequency content\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Harmonics Selection\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eExtending the improvements in frequency selection, the Harmonics selection tool introduces a new, more intuitive way to select harmonics — no parameter tweaking required. Simply drag over the most accessible harmonic in the target, then shift to an adjacent one; the tool automatically calculates and selects all harmonics in the corresponding series. No more guessing or manually setting parameters before starting a harmonic selection!\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved Transient Selection\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eTransient selection is now more accurate and flexible. The tool locks onto the target with greater precision and can include or exclude surrounding spectral content, based on its power. This results in cleaner, more focused selections and reduces the time spent on manual fine-tuning.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003ePRODUCTIVITY AND USER INTERFACE IMPROVEMENTS\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eNew Phase Rotation Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe Phase Rotation module allows asymmetrical waveforms to be corrected for maximize gain before clipping, resulting in cleaner, more balanced audio with improved headroom. By fixing these imbalances in waveform shape, this process reduces distortion and increases overall loudness.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eTime Estimate\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen applying modules, the processing time estimate now updates continuously and more precisely as the operation progresses. The user interface remains fully responsive, allowing processing to be canceled at any point, saving time and maintaining an uninterrupted workflow.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eOctave Units\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eFrequency fading now scales by octaves instead of hertz, resulting in a more natural and consistent visual representation across the spectrum. Fades now appear smoother and more predictable from top to bottom, better reflecting how sound is actually perceived.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved VST 3 Effects Module\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe VST 3 effects module can now display multiple plug-in interfaces simultaneously. Entire chains can be previewed and interacted with at once, improving the workflow and making it easier to fine-tune complex effect setups in real time.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eFilter Panels by Typing\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe view filtering options in relevant panels — including default categories and custom presets — have been enhanced by the addition of a keyword-based search option. For example, typing “noise” in the Modules panel instantly filters and displays all available noise shaping processes. This makes it faster and easier to locate specific tools, streamlining your workflow and minimizing interruptions during editing.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eImproved History Panel\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eThe History panel now consolidates successive operations from a single tool (typically a drawing tool) into a single undoable step, based on a user-configurable time window. This optimizes the edit history list and simplifies the undo process. The feature is always active, with a default setting of 1,500 ms. This helps to keep the history list clean and manageable, making it easier to navigate and reverse recent edits.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eGroup ARA Clips by Track\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIn ARA mode, selecting Group by Track from the SpectraLayers Clip menu displays all ARA-engaged clips on any selected DAW track, both as layers and as project tabs. This enables faster navigation and editing by limiting the view to clips located on individual tracks. The default clip grouping choice can be assigned as a preference, allowing you to maintain an organized workspace, tailored to your editing workflow.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSYSTEM REQUIREMENTS:\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003emacOS Monterey, macOS Ventura, macOS Sonoma, macOS Sequoia\u003c\/li\u003e \u003cli\u003eIntel Core i5 (mid 2013 or later) or Apple silicon\u003c\/li\u003e \u003cli\u003e8 GB free HD space\u003c\/li\u003e \u003cli\u003eMinimum 1920x1080 display resolution\u003c\/li\u003e \u003cli\u003eOpenGL 3.3 capable graphics adapter\u003c\/li\u003e \u003cli\u003eCoreAudio-compatible audio hardware (Mac)\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003e\u003cstrong\u003ePC\u003c\/strong\u003e\u003c\/p\u003e  \u003cul\u003e \u003cli\u003eIntel Core i5 (4th Generation) or AMD Ryzen or Qualcomm Snapdragon X\u003c\/li\u003e \u003cli\u003e8 GB free HD space\u003c\/li\u003e \u003cli\u003eMinimum 1920x1080 display resolution\u003c\/li\u003e \u003cli\u003eDirectX 11 compatible graphics card (DirectX 12 recommended\u003c\/li\u003e \u003cli\u003efor AI processing)\u003c\/li\u003e \u003cli\u003eOpenGL 3.3 capable graphics adapter\u003c\/li\u003e \u003cli\u003eCoreAudio-compatible audio hardware (Mac)\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eAn internet connection is required for activation, account setup and personal\/product registration. A download is required for the installation.\u003c\/p\u003e","brand":"Steinberg","offers":[{"title":"Default Title","offer_id":47249440997513,"sku":"485724","price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/steinberg-spectralayers-12_485725_1.jpg?v=1784051409","url":"https:\/\/vintage-king-staging.myshopify.com\/products\/steinberg-spectralayers-pro-12-audio-restoration-software-electronic-delivery","provider":"Vintage King Staging","version":"1.0","type":"link"}