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The PSP 84 is a high-quality processor, capable of producing a wide variety of delay-based effects. Two independent delay lines operating with variable sampling rate and precise tape saturation algorithm with adjustable gain, allow for convincingly sounding simulation of tape delay, including all the exciting effects resulting from tape speed instability. A filtration section consisting of three 2nd order switchable resonant filter types can be used to process input, feedback or wet signal. The adjustable slope of the filter ranges from a gentle curve, which is useful for simulating high frequency absorption typical for tape delay and wet signal equalization to an extremely steep curve with a high cutoff frequency peak, making all the wild wah-wah and resonance effects easily available. Delay line sampling rate and filter cutoff can be modulated by any of the 5 LFO waveforms that are automatically synchronized to the sequencer tempo or envelope follower with adjustable sensitivity and attack/release. Moreover, the PSP 84 contains the fully functional reverb unit, with simplified settings carefully tuned to exactly reproduce the sound of classic spring and plate reverberators.
The PSP 84 Features:
Applications:
The PSP 84 is primarily meant for applying to individual tracks within a mix and experimenting with drum and synth loops. The included presets reveal its huge potential in processing vocal, guitar and bass tracks. Though it can be succesfully used for adding classic sounding delay, its capabilities go far beyond that. The PSP 84's independent channel settings and cross-channel feedback allow for creating animated delay effects that are more spacial and cut better through the mix than a simple center-panned delay. Resonant filters and a modulation section that synchronizes to the host tempo make it possible to create superb auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures, as well as to easily shape the wet signal's spectral contents. The PSP 84 can create both pristine clean sounding echoes or degenerate the signal to great extent - all depending on your needs -, thanks to the variable internal sampling rate allowing the pitch-twist effects, rich vocal doublers, flangers and unsurpassed detune effects to be achieved. Guitarists that are not satisfied with dry and cold sounding tracks recorded using direct-boxes will appreciate saturation algorithm, great for adding mild overdrive and harmonic contents enrichment. Last but not least, the unique reverberation unit allows for adding space and warmth that most of the digital reverbs lack.
Minimum system requirements:
Windows XP with ServicePack 2 or later
MacOS X 10.4.0 or later
MacOS 8.5
The PSP 84 Features:
- High quality, unique signal processing algorithms,
- Up to 10 seconds of delay time per channel (depending on internal sampling frequency),
- Continuous control over the delay time with little harmonic distortion,
- Cross-channel feedback and independent channel settings with channel link mode,
- Tape saturation simulation with adjustable gain based on the algorithm used in the line of our mastering processors,
- Modulation section consisting of LFO and envelope follower mixed in any proportions,
- 5 click-free LFO waveforms and variable LFO channel phase offset,
- LP, BP, HP filter with adjustable cutoff and resonance,
- Flexible filter routing capabilities,
- Vintage reverberation module for faithful simulation of spring and plate reverb characteristics,
- Parameter filtration for smooth and click-free operation,
- Support for sampling rates of up to 192kHz,
- MIDI and VST automation of all parameters,
- Logic Control support,
- 60 presets for easy start.
Applications:
The PSP 84 is primarily meant for applying to individual tracks within a mix and experimenting with drum and synth loops. The included presets reveal its huge potential in processing vocal, guitar and bass tracks. Though it can be succesfully used for adding classic sounding delay, its capabilities go far beyond that. The PSP 84's independent channel settings and cross-channel feedback allow for creating animated delay effects that are more spacial and cut better through the mix than a simple center-panned delay. Resonant filters and a modulation section that synchronizes to the host tempo make it possible to create superb auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures, as well as to easily shape the wet signal's spectral contents. The PSP 84 can create both pristine clean sounding echoes or degenerate the signal to great extent - all depending on your needs -, thanks to the variable internal sampling rate allowing the pitch-twist effects, rich vocal doublers, flangers and unsurpassed detune effects to be achieved. Guitarists that are not satisfied with dry and cold sounding tracks recorded using direct-boxes will appreciate saturation algorithm, great for adding mild overdrive and harmonic contents enrichment. Last but not least, the unique reverberation unit allows for adding space and warmth that most of the digital reverbs lack.
Minimum system requirements:
Windows XP with ServicePack 2 or later
- VST or RTAS compatible host application
- ProTools TDM/LE 7.3 or later for running RTAS
- 256 MB RAM
- Pentium III 600 MHz
- High Color S-VGA, 1024x768
MacOS X 10.4.0 or later
- IntelMac or PowerPC G4 or G5
- 512 MB RAM
- AudioUnit, VST or RTAS compatible host application
- ProTools TDM/LE 7.3 or later for running RTAS
MacOS 8.5
- VST or RTAS compatible host application
- 256 MB RAM
- G3 300 Mhz
- High Color S-VGA, 1024x768
Specifications
| iLok Required | No |
|---|---|
| Plugin Type | Reverb / Delay |
| Software Delivery | |
| Software Format | |
| Operating system | macOS, Windows |