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The Prism Sound Mastering Series MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.
Top recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.
The MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording/mixing applications.
The MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.
The second to appear in the range of Maselec Master Series products, the MLA-2 was developed for Prism Sound by engineer/producer Leif Mases. Leif's work with a diverse range of artists including Abba, Led Zeppelin, Jeff Beck and Black Sabbath as well as co-ownership of the renowned Marcus Studios in London provided the essential experience using the "tools of the trade" needed to define and implement new and improved professional audio components.
Also qualified in electronic design, Leif Mases developed the highly acclaimed Maselec 9001 retrofit equalizer for SSL 4000 mixing consoles used in film sound and recording studios and currently also builds custom consoles and equipment for mastering and other applications.
The combination of Leif Mases' experience with the creative process and Prism Sound's focus on engineering and technical excellence ensure that the Maselec Master Series delivers great-sounding audio in an intuitive and easy-to-use package.
Top recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.
The MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording/mixing applications.
The MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.
The second to appear in the range of Maselec Master Series products, the MLA-2 was developed for Prism Sound by engineer/producer Leif Mases. Leif's work with a diverse range of artists including Abba, Led Zeppelin, Jeff Beck and Black Sabbath as well as co-ownership of the renowned Marcus Studios in London provided the essential experience using the "tools of the trade" needed to define and implement new and improved professional audio components.
Also qualified in electronic design, Leif Mases developed the highly acclaimed Maselec 9001 retrofit equalizer for SSL 4000 mixing consoles used in film sound and recording studios and currently also builds custom consoles and equipment for mastering and other applications.
The combination of Leif Mases' experience with the creative process and Prism Sound's focus on engineering and technical excellence ensure that the Maselec Master Series delivers great-sounding audio in an intuitive and easy-to-use package.