{"title":"Rupert Neve Designs","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look At Rupert Neve Design's History\u003c\/h2\u003e\n  \u003csection class=\"brand-description__video\"\u003e\n    \u003cdiv class=\"brand-description__video-embed\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/SvmeqE-Puvw\" title=\"Rupert Neve Designs\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd_bottom_1.jpg?v=1784152878\" alt=\"Rupert Neve Designs\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eRupert’s iconic recording equipment hardly needs an introduction; the 1073 is often considered the best sounding mic preamp of all time, while the 80 Series consoles are beloved by top-level engineers the world over. Now based in Texas, Rupert is back to offer new outboard units and consoles that blaze new trails while improving upon the classic transformer-based, all-discrete tone that is a hallmark of Rupert’s pieces.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd_bottom_2.jpg?v=1784152882\" alt=\"Rupert Neve Designs\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eOfferings like the 551 EQ and the Shelford Channel hark back to vintage sounds, while elements like the Silk feature allow users to dial in harmonic content, bringing even more vibe to your recordings. The Portico series of channels has already garnered praise from engineers both big and small, making it clear that Rupert still has a magic touch when it comes to gear design.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd_bottom_3.jpg?v=1784152885\" alt=\"Rupert Neve Designs\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eWhen engineers hear Rupert’s name, the thought of rich, smooth tone imparted by transformers and inductors comes to mind, a trait that RND continues to bring to the table. With custom-wound transformers, diode bridge compression, and controls to dial in saturation, these pieces clearly bring the best of Rupert’s classic sounds back, now with an even larger tonal palette featuring amenities not found on vintage favorites. Mixing modern features like Silk texture controls with quintessential  Class A sounds, each product blends the sonic possibilities of old favorites with new, unique designs. Simply put, RND units capture sounds in a euphonic way, feeling polished and complex from first use.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd_bottom_4.jpg?v=1784152889\" alt=\"Rupert Neve Designs\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eWith the release of the 5088 console, Rupert Neve Designs has solidified its place in the modern recording industry; the consoles are found in some of the biggest studios in Los Angeles, Nashville, and beyond. Engineers of yesterday and today alike will recognize the iconic tone offered by these units. The forward-thinking features on each Rupert Neve Designs piece will inspire you to create previously unimaginable sounds. Rupert Neve may have established himself as a master of gear design decades ago, but his work today shows that he continues to be at the top of his game.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"rupert-neve-designs-portico-511-mic-pre","title":"Rupert Neve Designs 511 500 Series Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e 500 Series microphone preamp combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application. This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk\/Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834436538505,"sku":"30499","price":849.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-511_30499_1.jpg?v=1780350922"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator","title":"Rupert Neve Designs Portico 542 500 Series Tape Emulator","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 542 500 Series Tape Emulator\u003c\/strong\u003e is the ultimate \"color box.\" In addition to the 100% analog tape emulation circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, variable Silk Red \u0026amp; Blue for an infinite variety of transformer tones, and a blend control to dial in in the perfect amount of saturation.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTRANSFORMERS IMITATING TAPE\u003c\/h3\u003e\r\n\u003cp\u003eUnlike digital emulations, the “True Tape” drive circuit works by feeding a custom-designed interstage transformer acting as a “record head”, which in turn is coupled to a correctly-equalized replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eWHAT IS SILK?\u003c\/h3\u003e\r\n\u003cp\u003eIn addition to the tape circuit, the continuously variable Texture control with Silk Red and Silk Blue modes provides a whole other level of control over the harmonic density and tonality of your tracks \u0026amp; mixes. The Silk Red mode accentuates transformer saturation in the high and high-mid frequencies to amplify the vibrant midrange harmonics associated with Rupert’s vintage equipment, while Silk Blue accentuates saturation of the lows and low-mids to add thickness and weight to any source – especially useful for “thin-sounding” tracks or mixes. Unlike EQ, these Silk \u0026amp; Texture controls saturate the output transformers, and add highly musical harmonics to the source material according to the amount of Texture applied.\u003c\/p\u003e\r\n\u003cp\u003eDrive the 542 hard, choose your Silk flavor, and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for a more purist, hi-fi tape effect. The choice is yours.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eCONTROLS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTAPE IN: Sends the signal through the “True Tape” circuitry, which is affected by the saturation, blend and 15 \/ 30 IPS controls.\u003c\/li\u003e\r\n\u003cli\u003eTRIM: Provides ±12 dB adjustment of level on incoming signal levels, prior to the tape circuit.\u003c\/li\u003e\r\n\u003cli\u003eSATURATION: Controls the signal level being sent to the “tape head” circuit. As the saturation level increases, the level on the “record” head rises, and the replay gain is reduced so that the overall output signal level remains more or less constant. In a real tape recorder, you would adjust the record and replay gain controls separately – however, in the 542 the record and replay gain controls are coupled so that the overall signal level only varies as the “Tape” saturation level changes. As you approach maximum saturation setting, the output signal level will drop due to the effect of extreme saturation and soft clip. Additionally, to compensate for low frequency loss at low “record head” levels, the saturation knob also controls a low frequency compensation circuit that boosts low frequencies more at low saturation levels, and tapers off at higher levels. This function can be useful on many sources like bass and kick drum to find the balance between a clean, boosted low end (low saturation) and a denser, more saturated low end (high saturation).\u003c\/li\u003e\r\n\u003cli\u003e15\/30 IPS: Selects the pre-emphasis \/ de-emphasis, record \/ replay tape characteristic. The 15IPS mode has a significant “head bump” in the low frequencies centered around 60 Hz, as well as a more pronounced roll of in the high frequencies. The 30 IPS mode is generally a flatter response through the high-end with a “head bump” around 120 Hz.\u003c\/li\u003e\r\n\u003cli\u003eBLEND: Controls the mix of pre and post tape signals. This allows the engineer to dial in a subtle amount of the tape effect, to better control the amount of saturation, tone and soft clipping in the post blend signal. As the signal gets more saturated, dialing back the blend can be a great way to impart the feel of tape, while maintaining a similar level of detail and transparency. NOTE: The blend control does not affect the Silk and Texture controls, as that circuitry is located at the physical output of the unit.\u003c\/li\u003e\r\n\u003cli\u003eSOFT CLIP: A soft clip engages in the “True Tape” circuitry when the drive meter hits 5 (first yellow LED), and becomes more apparent at higher levels. The soft clip can be used as a way to tame overly transient material like drums, and can be controlled further by using the blend control.\u003c\/li\u003e\r\n\u003cli\u003eSILK \/ TEXTURE: Pushing the Silk button engages the Silk Red circuit, and pushing it a second time introduces Silk Blue circuitry. Silk reduces the negative feedback on the output transformer, adding desirable harmonic content as the texture is increased. Silk Blue mode features more saturation in the lows and low mids, whereas Silk Red accentuates the saturation in the high mids and highs.\u003c\/li\u003e\r\n\u003cli\u003eLEVEL \/ DRIVE METERS: Two eight segment LED bar-graph meters are fitted to the 542 for output level and drive metering. The level meter shows the output level of the 542 before the Silk circuit, and the drive meter reflects the level on the “record head” when the tape effect is engaged. The soft clip circuit is present at Drive levels above 5.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834436669577,"sku":"30500","price":999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd-portico-542_30500_1.jpg?v=1780350925"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator-demo-deal","title":"Rupert Neve Designs Portico 542 Tape Emulator (Demo Deal)","description":"\u003cp\u003eAs a 500 Series follow-up to the Portico 5042, the \u003cstrong\u003e542\u003c\/strong\u003e delivers the same thick, musical simulation of tape while drastically enhancing creative control via a number of new features. In addition to the the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation. \u003cbr\u003e\u003cbr\u003e The Portico 542’s “True Tape” emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape, and can offset the harshness often found in digital recordings. Unlike digital emulations, the “True Tape” drive circuit works by feeding a tiny magnetic “record head”, whichin turn is coupled to a correctly equalized, replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eGetting the Most Out of the 542\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile in the olden days, tape’s non-linearity was generally looked upon as more of a curse than a “feature”, the advent of digital systems that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. \u003cbr\u003e\u003cbr\u003e The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape circuit can significantly impact tone, depending on the position of the saturation control and the drive level on the tape circuit. As saturation is increased, low frequency compensation is decreased, and at a drive level of 5 the soft clipper enters the circuit. Finding the best balance point between low frequency response, total harmonic distortion, and desired soft clipping require playing with a combination of the saturation, trim and blend controls, and may also include using dynamics processing and proper gain staging before the 542. \u003cbr\u003e\u003cbr\u003e As a rough guide, we recommend starting with an input signal from around 2-10dBu and applying saturation, 15 \/ 30 IPS, Silk, and blend to taste. However, it always behooves the engineer to experiment with the balance between the pre-tape signal level and the level of the saturation control to find the best results for each source. \u003cbr\u003e\u003cbr\u003e To get a better idea of what is happening at different saturation and “Tape Head” levels, look through the frequency response and THD by frequency response graphs in the Technical Specifications section at the end of the manual. \u003cbr\u003e\u003cbr\u003e Also, like a real tape machine, the flux loops in the “True Tape” circuitry can pick up signals from strong nearby magnetic fields (The most likely sources are nearby power supplies, power amplifiers and computer monitors). Although we have shielded both the unit as a whole and the tape circuit to minimize stray inductance, if you have issues with hum when engaging the tape circuit, try moving the 542 to other spots away from magnetic field radiators until the hum subsides.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eAdding Texture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBoth Silk modes are modified and fine tuned by the “Texture” control. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly four times the amount of coloration found in Silk from the original Portico Series. With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s vintage class-A designs. These controls add another realm of tonal control to the 542, and should be explored creatively in conjunction with the “True Tape” for best effect.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRupert Neve: “While creating functional 500 Series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating our Portico 500 Series Modules, we experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, our 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest-caliber.” \u003cbr\u003e\u003cbr\u003e The Portico 542 consists of a line driving amplifier having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems, they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35-40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834438078601,"sku":"34461","price":764.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_542_1.jpg?v=1780350976"},{"product_id":"rupert-neve-designs-portico-511-mic-pre-demo-deal","title":"Rupert Neve Designs 511 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e 500 Series microphone preamp combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application. This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk\/Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834442403977,"sku":"37266","price":759.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-511_30499_1_1.jpg?v=1780351087"},{"product_id":"rupert-neve-designs-portico-517-517e00026-used","title":"Rupert Neve Designs Portico 517 #517E00026 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834446729353,"sku":"52481","price":650.0,"currency_code":"USD","in_stock":false}]},{"product_id":"rupert-neve-designs-portico-517-517e00512-used","title":"Rupert Neve Designs Portico 517 #517E00512 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834448171145,"sku":"64461","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e00512-used-6875507.jpg?v=1780351363"},{"product_id":"rupert-neve-designs-portico-517-517e00894-used","title":"Rupert Neve Designs Portico 517 #517E00894 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834454954121,"sku":"115024","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e00894-used_115024_1.jpg?v=1780351752"},{"product_id":"rupert-neve-designs-portico-517-517e01591-used","title":"Rupert Neve Designs Portico 517 #517E01591 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834455314569,"sku":"116214","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e01591-used_116214_1.jpg?v=1780351777"},{"product_id":"rupert-neve-designs-511-with-se4400-bundle","title":"Rupert Neve Designs 511 with sE4400a Bundle","description":"\u003cp\u003eFor a limited time, save on the Rupert Neve Designs Portico 511 500-series mic preamp bundled with the sE Electronics 4400a large diaphragm condenser microphone.\u003c\/p\u003e\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003eRupert Neve Designs Portico 511\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511 Mic Pre\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis transformer based, Class-A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003chr\u003e\u003cbr\u003e\r\n\r\n\r\n\u003ch3\u003esE Electronics sE4400a\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMuch like a few particularly well-known classic European condensers, the \u003cstrong\u003esE Electronics 4400a\u003c\/strong\u003e is a true all-rounder. You can put it up on just about anything and it'll sound great.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnfortunately for many studio owners, those \"classic condensers\" are often not what they used to be. Capsule designs change over time, capacitors dry out, metal switches are replaced with plastic buttons and LEDs, and the mics that were once so versatile are now mere shadows of their former selves.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHAND-CRAFTED CAPSULES\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs with all sE mics, the 4400a's back-to-back brass-ringed capsules are hand-built and hand-tuned by our skilled technicians, just like any fine musical instrument.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCUSTOM SHOCKMOUNT \u0026amp; CHASSIS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe flat, round-edged chassis design and custom suspension mount allow the mic to be centered within the shock, flipped around and used flat against a drum head or guitar cab, or angled outwards and pushed through inside of a kick drum. And at less than 3\/4\" thick, it fits neatly in the palm of your hand, but is built to take a beating on the road.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: 20 Hz - 20 kHz\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: 14.1 mV\/Pa -37 dBV ±1 dB\u003c\/li\u003e\r\n\u003cli\u003ePolar Pattern: Cardioid, Figure 8, Omni, supercardioid\u003c\/li\u003e\r\n\u003cli\u003eImpedance: ≤50 Ohms\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Noise Level: 17 dB(A weighted)\u003c\/li\u003e\r\n\u003cli\u003eMax SPL for 0.5% THD @1000 Hz: 130 dB\u003c\/li\u003e\r\n\u003cli\u003ePower Requirement: Phantom power 48 V ±4 V\u003c\/li\u003e\r\n\u003cli\u003eConnector: 3-pin\u003c\/li\u003e\r\n\u003cli\u003esE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834456756361,"sku":"122227","price":1044.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd-511-se-4400a-bundle_122227_1.jpg?v=1780351809"},{"product_id":"rupert-neve-designs-portico-517-517e01637-used","title":"Rupert Neve Designs Portico 517 #517E01637 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834457378953,"sku":"130340","price":595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e01637-used_130340_1.jpg?v=1780351848"},{"product_id":"rupert-neve-designs-portico-517-517e02006-used","title":"Rupert Neve Designs Portico 517 #517E02006 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834460917897,"sku":"157814","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e02006-used_157814_1.jpg?v=1780351946"},{"product_id":"rupert-neve-designs-portico-517-517e01930-used","title":"Rupert Neve Designs Portico 517 #517E01930 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834460950665,"sku":"157813","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e01930-used_157813_1.jpg?v=1780351948"},{"product_id":"rupert-neve-designs-portico-517-01256-used","title":"Rupert Neve Designs Portico 517 #01256 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834461966473,"sku":"176731","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-01256-used_176731_1.jpg?v=1780352016"},{"product_id":"rupert-neve-designs-portico-517-01258-used","title":"Rupert Neve Designs Portico 517 #01258 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834462064777,"sku":"176730","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-01258-used_176730_1.jpg?v=1780352020"},{"product_id":"rupert-neve-designs-portico-517-517e01438-used","title":"Rupert Neve Designs Portico 517 #517E01438 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834462589065,"sku":"179370","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e01438-used_179370_1.jpg?v=1780352053"},{"product_id":"rupert-neve-designs-portico-517-517e01436-used","title":"Rupert Neve Designs Portico 517 #517E01436 (Used)","description":"Based on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs Portico 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Pre and Instrument Amplifier\u003c\/strong\u003e\u003cbr\u003e The 517?s Mic Pre includes 66dB gain, and is based on the Portico 5017 design. The Mic Pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eBlended Use\u003c\/strong\u003e\u003cbr\u003e Used as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Compressor\u003c\/strong\u003e\u003cbr\u003e Based around a new LDR (light dependent resister) design, the 517?s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eVari-Phase\u003c\/strong\u003e\u003cbr\u003e In addition to the standard polarity reverse, the 517?s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003cbr\u003e \u003cbr\u003e For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003cbr\u003e \u003cbr\u003e This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSilk\u003c\/strong\u003e\u003cbr\u003e Much could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003cbr\u003e Mic gain is from 0dB to 66dB. Overall gain to restore the apparent program level\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003cbr\u003e DI Gain is from 0dB to 30dB\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eDI input\u003c\/strong\u003e\u003cbr\u003e Balanced or unbalanced Hi-Z input for instruments\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003cbr\u003e Provides 48v phantom power to microphones. Controlled by the 48V switch.\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003cbr\u003e Reverses the polarity of the mic input\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eThreshold\u003c\/strong\u003e\u003cbr\u003e When signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cstrong\u003eIndicators\u003c\/strong\u003e\u003cbr\u003e Indicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834462621833,"sku":"179371","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-517e01436-used_179371_1.jpg?v=1780352055"},{"product_id":"rupert-neve-designs-portico-511-500-series-microphone-preamp-12126-used","title":"Rupert Neve Designs Portico 511 500 Series Microphone Preamp #12126 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e \u003cp\u003eThis transformer based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834467963017,"sku":"212235","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-12126-used_212235_1.jpg?v=1780352201"},{"product_id":"rupert-neve-designs-portico-517-500-series-mic-pre-02440-used","title":"Rupert Neve Designs Portico 517 500 Series Mic Pre #02440 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834467995785,"sku":"212234","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-mic-pre-02440-used_212234_1.jpg?v=1780352202"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e02200-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E02200 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834468061321,"sku":"212035","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e02200-used_212035_1.jpg?v=1780352204"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e02283-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E02283 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834468094089,"sku":"212034","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e02283-used_212034_1.jpg?v=1780352206"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e02442-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E02442 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834468126857,"sku":"212036","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e02442-used_212036_1.jpg?v=1780352208"},{"product_id":"rupert-neve-designs-portico-517-demo-deal-open-box","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a single-slot 500 Series module. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMP AND INSTRUMENT AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe 517's mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBLENDED USE\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eBased around a LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVARI-PHASE\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517's vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSILK\u003c\/h3\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. 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The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e \u003cp\u003eThis transformer based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834470912137,"sku":"464592","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-8892-used_464592_1.jpg?v=1780352316"},{"product_id":"rupert-neve-designs-portico-511-500-series-microphone-preamp-8895-used","title":"Rupert Neve Designs Portico 511 500 Series Microphone Preamp #8895 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. 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A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834470944905,"sku":"464593","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-8895-used_464593_1.jpg?v=1780352318"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e00498-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E00498 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472026249,"sku":"479266","price":689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e00498-used_479266_1.jpg?v=1780352388"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e00502-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E00502 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472059017,"sku":"479269","price":689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e00502-used_479269_1.jpg?v=1780352390"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e00506-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E00506 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472124553,"sku":"479268","price":689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e00506-used_479268_1.jpg?v=1780352392"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e00509-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E00509 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472157321,"sku":"479267","price":689.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e00509-used_479267_1.jpg?v=1780352394"},{"product_id":"rupert-neve-designs-portico-517-b-stock","title":"Rupert Neve Designs 517 500 Series Microphone Preamp\/Compressor (B-Stock)","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a single-slot 500 Series module. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMP AND INSTRUMENT AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe 517's mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBLENDED USE\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eBased around a LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVARI-PHASE\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517's vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSILK\u003c\/h3\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. This enhances the source’s harmonic content by utilizing the custom Rupert Neve Designs output transformer.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472583305,"sku":"486536","price":809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-517_486536_1.jpg?v=1780352422"},{"product_id":"rupert-neve-designs-portico-511-mic-pre-b-stock","title":"Rupert Neve Designs 511 500 Series Microphone Preamp (B-Stock)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e 500 Series microphone preamp combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application. This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk\/Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472616073,"sku":"486535","price":719.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-511_486535_1.jpg?v=1780352423"},{"product_id":"rupert-neve-designs-portico-511-500-series-microphone-preamp-e4751-used","title":"Rupert Neve Designs Portico 511 500 Series Microphone Preamp #E4751 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e \u003cp\u003eThis transformer based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834473468041,"sku":"503511","price":679.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-e4751-used_503511_1.jpg?v=1780352491"},{"product_id":"rupert-neve-designs-portico-511-500-series-microphone-preamp-9953-used","title":"Rupert Neve Designs Portico 511 500 Series Microphone Preamp #9953 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e \u003cp\u003eThis transformer based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834473730185,"sku":"504694","price":679.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-9953-used_504694_1.jpg?v=1780352509"},{"product_id":"rupert-neve-designs-portico-511-500-series-microphone-preamp-9975-used","title":"Rupert Neve Designs Portico 511 500 Series Microphone Preamp #9975 (Used)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 511\u003c\/strong\u003e combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application.\u003c\/p\u003e \u003cp\u003eThis transformer based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion. With the 511, the Texture control allows the preamp to be pushed even further, adding about 10 times the desirable THD of the original signal. A trim pot is included on the front panel for the perfect input to the preamp.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834473762953,"sku":"504695","price":679.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-511-500-series-microphone-preamp-9975-used_504695_1.jpg?v=1780352510"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-517e00321-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #517E00321 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e  \u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e  \u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e  \u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e  \u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e  \u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e  \u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834474057865,"sku":"500622","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-517e00321-used_500622_1.jpg?v=1780352525"},{"product_id":"rupert-neve-designs-portico-517-500-series-microphone-preamp-e01899-used","title":"Rupert Neve Designs Portico 517 500 Series Microphone Preamp #E01899 (Used)","description":"\u003cp\u003eBased on the \u003cstrong\u003eRupert Neve Designs Portico 517 500 Series Microphone Preamp\u003c\/strong\u003e, the Rupert Neve Designs Portico 517 provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a 500 Series model. As the first 500 Series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e\u003ch3 id=\"toc_0\"\u003eMic Pre and Instrument Amplifier\u003c\/h3\u003e\u003cp\u003eThe 517′s mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e\u003ch3 id=\"toc_1\"\u003eBlended Use\u003c\/h3\u003e\u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e\u003ch3 id=\"toc_2\"\u003eThe Compressor\u003c\/h3\u003e\u003cp\u003eBased around a new LDR (light dependent resister) design, the 517′s opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e\u003ch3 id=\"toc_3\"\u003eVari-Phase\u003c\/h3\u003e\u003cp\u003eIn addition to the standard polarity reverse, the 517′s vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined.\u003c\/p\u003e\u003cp\u003eFor instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned.\u003c\/p\u003e\u003cp\u003eThis technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSilk\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMic Gain\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMic gain is from 0 dB to 66 dB. Overall gain to restore the apparent program level\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDI Gain\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDI Gain is from 0 dB to 30 dB\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDI input\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eBalanced or unbalanced Hi-Z input for instruments\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eProvides 48 V phantom power to microphones. Controlled by the 48V switch.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePolarity reverse\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eReverses the polarity of the mic input\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWhen signals exceed the \"threshold\" level, the gain is reduced at a controlled 2:1 ratio, with fixed attack and release time constants.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIndicators\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIndicators on the 517 denote signal presence and clipping on both DI and mic signals, as well as compressor activation.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834474188937,"sku":"509488","price":779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-portico-517-500-series-microphone-preamp-e01899-used_509488_1.jpg?v=1780352535"},{"product_id":"rupert-neve-designs-portico-5012-vertical","title":"Rupert Neve Designs Portico 5012 Mic Preamp - Vertical","description":"The \u003cb\u003ePortico™ 5012\u003c\/b\u003e is a dual channel mic pre featruring Mr. Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a ‘Silk’ circuit which yields the rich warmth and presence of the renowned classic designs. \u003cp\u003eA single Rupert Neve Designs 5012 comes with a Power Adapter (Model # 5100-PS) that will work from virtually any public Mains supply world-wide. The Power Adapter is designed to power up to two modules. A U.S. type power cord is also supplied when ordered direct from Rupert Neve Designs. A different power cord would be supplied if ordered from an overseas distributor or if specified at the time of ordering. \u003c\/p\u003e\u003cp\u003eWhen two 5012 modules are ordered together, a Horizontal Joining Kit (Model # 5221-RM) and a Y-Splitter Cable (Model # 5122-YC) will be supplied free of charge. For quantities greater than two, please consult Technical Sales for the best way to mount and power multiple Portico™ modules. Many powering options are available. Portico™ modules actually require any external DC supply from 9 volts to 18 volts. \u003c\/p\u003e\u003cp\u003eModules can be daisy-chained so that, for example, a group of Portico™ 5012's in a flight case could work for many hours off a 12-volt car battery without any limitations of performance - ideal for field work. \u003c\/p\u003e\u003cp\u003eThe Rupert Neve Designs PORTICO™ Series of modules (5000 Series) is designed to form an integrated modular console system that may include modules already on hand in the control room! These may include high quality vintage modules and their modern equivalents manufactured to my original specifications. \u003c\/p\u003e\u003cp\u003eIn order that modules can work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico™ module is a complete integral signal processor that delivers its specified performance independently. This is one of the reasons we use transformers. \u003c\/p\u003e \u003cp\u003e\u003cb\u003eWhy Transformers?\u003c\/b\u003e\u003cbr\u003eA complete discussion on transformers is out of place at this point but a technical discussion will be posted at a later date. Here it is helpful to review some of the essentials where it will be seen that a design needs to be viewed as a whole, not simply from the point of view of a single component. \u003c\/p\u003e\u003cp\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20 kHz affect the way in which humans perceive sound quality. But, long before scientific evidence emerged a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different. \u003c\/p\u003e\u003cp\u003eIncredibly small amounts of musically dissonant odd harmonics have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. \u003c\/p\u003e\u003cp\u003eMany control rooms make use of outboard gear that is not well protected from external signals. Poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits much used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329296521,"sku":"6623","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_5012_vertical_1_c6c093bb-dae0-42d7-8888-14a18c653935.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5012-h-duo-mic-pre","title":"Rupert Neve Designs Portico 5012 Mic Preamp - Horizontal","description":"The \u003cb\u003eRupert Neve Portico™ 5012\u003c\/b\u003e is a dual channel mic pre featuring Mr. Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a ‘Silk’ circuit which yields the rich warmth and presence of the renowned classic designs. \u003cbr\u003e\u003cbr\u003eA single Rupert Neve Designs 5012 comes with a Power Adapter (Model # 5100-PS) that will work from virtually any public Mains supply world-wide. The Power Adaptor is designed to power up to two modules. A U.S. type power cord is also supplied when ordered direct from Rupert Neve Designs. A different power cord would be supplied if ordered from an overseas distributor or if specified at the time of ordering. \u003cbr\u003e\u003cbr\u003eWhen two 5012 modules are ordered together, a Horizontal Joining Kit (Model # 5221-RM) and a Y-Splitter Cable (Model # 5122-YC) will be supplied free of charge. For quantities greater than two, please consult Technical Sales for the best way to mount and power multiple Portico™ modules. Many powering options are available. Portico™ modules actually require any external DC supply from 9 volts to 18 volts. \u003cbr\u003e\u003cbr\u003eModules can be daisy-chained so that, for example, a group of Portico™ 5012's in a flight case could work for many hours off a 12-volt car battery without any limitations of performance - ideal for field work. \u003cbr\u003e\u003cbr\u003eThe Rupert Neve Designs PORTICO™ Series of modules (5000 Series) is designed to form an integrated modular console system that may include modules already on hand in the control room! These may include high quality vintage modules and their modern equivalents manufactured to my original specifications. \u003cbr\u003e\u003cbr\u003eIn order that modules can work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico™ module is a complete integral signal processor that delivers its specified performance independently. This is one of the reasons we use transformers. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eWhy Transformers?\u003c\/b\u003e\u003cbr\u003eA complete discussion on transformers is out of place at this point but a technical discussion will be posted at a later date. Here it is helpful to review some of the essentials where it will be seen that a design needs to be viewed as a whole, not simply from the point of view of a single component. \u003cbr\u003e\u003cbr\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20 kHz affect the way in which humans perceive sound quality. But, long before scientific evidence emerged a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different. \u003cbr\u003e\u003cbr\u003eIncredibly small amounts of musically dissonant odd harmonics have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. \u003cbr\u003e\u003cbr\u003eMany control rooms make use of outboard gear that is not well protected from external signals. Poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits much used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329329289,"sku":"6622","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_5012_horizontal_1_c7302a50-934b-4c17-b6c4-d032df8e4e63.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5015-channel-strip-horizontal","title":"Rupert Neve Designs Portico 5015 Channel Strip - Horizontal","description":"The \u003cb\u003eRupert Neve Designs 5015-H\u003c\/b\u003e brings the renowned Portico series preamp and compressor designs together into one unbeatable channel strip. The mic pre on the Portico 5015 is identical to the 5012 and includes 72 dB of gain in 2 stages, a swept high pass filter, 48V, Mute and 8 point LED peak metering. The compressor section is identical to the 5043 with fully adjustable threshold, ratio, attack, release, and makeup gain, as well as feed-forward\/feed-back VCA mode selection. Both mic pre and compressor have transformer coupled inputs \u0026amp; outputs so they can be run independently of each other, and multiple 5015 compressor sections may be linked together via the link buss.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329362057,"sku":"9493","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_5015_horizontal_1_11fe0828-ea5f-4e1f-838c-69a667d4f28c.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5015-channel-strip-vertical","title":"Rupert Neve Designs Portico 5015 Channel Strip - Vertical","description":"The \u003cb\u003eRupert Neve Designs 5015-V\u003c\/b\u003e brings the renowned Portico series preamp and compressor designs together into one unbeatable channel strip. The mic pre on the Portico 5015 is identical to the 5012 and includes 72 dB of gain in 2 stages, a swept high pass filter, 48V, Mute and 8 point LED peak metering. The compressor section is identical to the 5043 with fully adjustable threshold, ratio, attack, release, and makeup gain, as well as feed-forward\/feed-back VCA mode selection. Both mic pre and compressor have transformer coupled inputs \u0026amp; outputs so they can be run independently of each other, and multiple 5015 compressor sections may be linked together via the link buss.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329460361,"sku":"9267","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_5015_vertical_1_6928e506-2f35-4075-9ed4-07bd62fca10c.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5017","title":"Rupert Neve Designs Portico 5017 DI\/Mic Preamp\/Compressor","description":"\u003cp\u003eComprised of a rugged, portable chassis with world-class preamp, compressor and DI circuits as well as two channel operation, Vari-phase, Silk and DI\/mic blending capabilities, the \u003cstrong\u003eRupert Neve Designs Portico 5017\u003c\/strong\u003e is an innovative and powerful tool for recording or live performance.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTWO DISTINCT CHANNELS\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe 5017 provides two preamps: one tailored for Mic\/Line sources, and the other for Instrument level sources. Each channel has a dedicated line output, allowing for the 5017 to be used in a multitude of ways. From having full control over a vocal mic plus an acoustic guitar to capturing a guitar\/bass DI and miked amplifier simultaneously, the 5017 gives the power to the artist.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eTHE BLEND AND VARI-PHASE CONTROLS\u003c\/h3\u003e\r\n\r\n\u003cp\u003ePerhaps the most powerful features on the 5017 are the ‘BLEND’ and ‘VARI-PHASE’ controls. These controls work in tandem to dial in the ideal blend of a DI and Mic of the same source. Adjusting the ‘VARI-PHASE’ control once both preamps are set ensure no strange phase cancellation is working against you while blending 2 versions of the same source together. These controls can also be used to create a quick mix of a vocal and guitar without a mixing console, which is handy in either a live performance or live recording situation. And since the Mic Input also accepts line level sources, these features can be used to ‘re-amp’ sources that have already been recorded with the stellar instrument input. So many possibilities in such a compact box!\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329493129,"sku":"14431","price":1499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rnd-5017-23_14431_1_8c140111-5337-4283-9f27-e30ffec33e5a.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5032-1-ch-mic-pre-eq-horizontal","title":"Rupert Neve Designs Portico 5032 - Horizontal","description":"The Rupert Neve Portico™ 5032 is a single channel Mic Pre\/EQ having an independent transformer coupled Line level input for the EQ section. It includes a full-featured Mic Pre identical to the 5012 with the addition of a flexible 3 band Equalizer in the Mr. Rupert Neve tradition. The 5032 is equipped with high and low frequency shelving curves and a Parametric Mid Band covering 80Hz-8kHz in two ranges. \u003cp\u003eThe Rupert Neve Designs 5032 module is a half rack width, 1.75” (1U) module in the now well-known Portico™ style. The 5032 is ideal for both tracking and mixing applications with selectable mic or line inputs. Both paths have full access to the EQ, phase, silk and mute making it the ideal choice for either standalone operation, or forming the core of a larger mixing system. As with the entire Portico™ range, the construction is a heavy and robust steel shell that provides total magnetic screening and exceptional mechanical stability. The front panel is machined from a solid 1\/8-inch aluminum plate with a steel sub panel behind it. \u003c\/p\u003e\u003cp\u003eAlternative front panel layouts are available providing a choice of vertical or horizontal mounting. When the horizontal front panel is chosen, a single 5032 can sit firmly on a bench or desktop on its detachable rubber feet. Two 5032s can be joined with the optional Horizontal Joining Kit (Model # 5221-RM) and mounted across a standard 19” rack. \u003c\/p\u003e\u003cp\u003eWhen the vertical option is chosen, up to Eight 5032s can be mounted in the optional Vertical Frame. This leaves a 3” wide space that can be used to house a Power Supply or monitor unit. \u003c\/p\u003e\u003cp\u003eThe Vertical Frame assembly is designed for rack mounting and includes basic rear cable management. Blank panels are available to fill any unused spaces when the full complement of eight modules is not fitted into the optional Vertical Frame. \u003c\/p\u003e\u003cp\u003eThe Portico™ 5032 module comprises a single microphone pre-amplifier identical with those found in the Portico™ 5012, and a new 3-band Equalizer. \u003c\/p\u003e\u003cp\u003eThe output stage is identical with that of the Portico™ 5012, using single-sided circuitry, driving a carefully configured output transformer that can deliver a full + 25dBu from the balanced and ground-free secondary winding. \u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329558665,"sku":"6627","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5032_horizontal_1_d361ddae-fb2e-421b-844c-8d46deacb35b.jpg?v=1784052480"},{"product_id":"rupert-neve-designs-portico-5032-1-ch-mic-pre-eq-vertical","title":"Rupert Neve Designs Portico 5032 - Vertical","description":"The \u003cb\u003ePortico™ 5032\u003c\/b\u003e is a single channel Mic Pre\/EQ having an independent transformer coupled Line level input for the EQ section. It includes a full-featured Mic Pre identical to the 5012 with the addition of a flexible 3 band Equalizer in the Mr. Rupert Neve tradition. The 5032 is equipped with high and low frequency shelving curves and a Parametric Mid Band covering 80Hz-8kHz in two ranges. The Rupert Neve Designs 5032 module is a half rack width, 1.75” (1U) module in the now well-known Portico™ style. \u003cbr\u003e\u003cbr\u003eThe 5032 is ideal for both tracking and mixing applications with selectable mic or line inputs. Both paths have full access to the EQ, phase, silk and mute making it the ideal choice for either standalone operation, or forming the core of a larger mixing system. As with the entire Portico™ range, the construction is a heavy and robust steel shell that provides total magnetic screening and exceptional mechanical stability. The front panel is machined from a solid 1\/8-inch aluminum plate with a steel sub panel behind it. \u003cbr\u003e\u003cbr\u003eAlternative front panel layouts are available providing a choice of vertical or horizontal mounting. When the horizontal front panel is chosen, a single 5032 can sit firmly on a bench or desktop on its detachable rubber feet. Two 5032s can be joined with the optional Horizontal Joining Kit (Model # 5221-RM) and mounted across a standard 19” rack. When the vertical option is chosen, up to Eight 5032s can be mounted in the optional Vertical Frame. This leaves a 3” wide space that can be used to house a Power Supply or monitor unit. \u003cbr\u003e\u003cbr\u003eThe Vertical Frame assembly is designed for rack mounting and includes basic rear cable management. Blank panels are available to fill any unused spaces when the full complement of eight modules is not fitted into the optional Vertical Frame. The Portico™ 5032 module comprises a single microphone pre-amplifier identical with those found in the Portico™ 5012, and a new 3-band Equalizer. The output stage is identical with that of the Portico™ 5012, using single-sided circuitry, driving a carefully configured output transformer that can deliver a full + 25dBu from the balanced and ground-free secondary winding. \u003cp\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329525897,"sku":"6628","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5032_vertical_1_c521c4a4-6466-41bb-8796-bc3c411fc208.jpg?v=1784052479"},{"product_id":"rupert-neve-designs-portico-5043-vertical","title":"Rupert Neve Designs Portico 5043 2-Channel Compressor - Vertical","description":"The \u003cb style=\"font-weight: bold;\"\u003eRupert Neve Portico™ 5043 Compressor\/Limiter Duo\u003c\/b\u003e, delivers two channels of musical sounding dynamics as well as ultra-transparent \"brick-wall\" limiting in a half rack 1RU space. Featuring fully controllable dual mono and stereo operation, selectable buss or line level inputs, Gain from -6dB to +20dB, Threshold from -30dB to +33dB, Ratio from 1:1 to 1:40, External Link, To Buss Output and revolutionary Feedforward\/ Feedback detection switching, the 5043 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over. \u003cbr\u003e\u003cbr\u003e Conceived, designed and built in Central Texas by Rupert Neve Design's, the 5043 is the first module created to utilize the secondary buss signal outputs incorporated into the Portico Range. By accessing these secondary outputs, chains of modules may now be integrated into flexible arrays, configured to function as cue feeds, solo busses, or secondary outputs. \u003cbr\u003e\u003cbr\u003e When either buss or line level is selected, custom designed transformers couple the input and output to create a true floating ground, ensuring compatibility with modules outside of the Portico Range, and imparting the rich warmth that is so revered in Mr. Rupert Neve's classic designs. With the compressor inactive, the 5043 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of - 6dB and - 20 dB.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329591433,"sku":"6629","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5043_vertical_1_ddb62e8c-3ac5-436f-9195-05921977f836.jpg?v=1784052480"},{"product_id":"rupert-neve-designs-portico-5043-horizontal","title":"Rupert Neve Designs Portico 5043 2-Channel Compressor - Horizontal","description":"Rupert Neve Designs announces the launch of the \u003cb\u003ePortico™ 5043 Compressor\/Limiter Duo\u003c\/b\u003e, delivering two channels of musical sounding dynamics as well as ultra-transparent \"brick-wall\" limiting in a half rack 1RU space. Featuring fully controllable dual mono and stereo operation, selectable buss or line level inputs, Gain from -6dB to +20dB, Threshold from -30dB to +33dB, Ratio from 1:1 to 1:40, External Link, To Buss Output and revolutionary Feedforward\/ Feedback detection switching, the 5043 yields a combination of rich warmth, flexibility and precision that is sure to resonate in the ears of sound engineers the world over. \u003cbr\u003e\u003cbr\u003e Conceived, designed and built in Central Texas by Rupert Neve Design's, the 5043 is the first module created to utilize the secondary buss signal outputs incorporated into the Portico Range. By accessing these secondary outputs, chains of modules may now be integrated into flexible arrays, configured to function as cue feeds, solo busses, or secondary outputs. \u003cbr\u003e\u003cbr\u003e When either buss or line level is selected, custom designed transformers couple the input and output to create a true floating ground, ensuring compatibility with modules outside of the Portico Range, and imparting the rich warmth that is so revered in Mr. Rupert Neve's classic designs. With the compressor inactive, the 5043 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of - 6dB and - 20 dB.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329624201,"sku":"6630","price":1795.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5043_horizontal_1_bdcfc97b-fa8a-480f-88fa-a3b3236ea5c4.jpg?v=1784052480"},{"product_id":"rupert-neve-designs-portico-ii-channel-strip","title":"Rupert Neve Designs Portico II Channel Strip","description":"For recording and mixing engineers, the greatest challenge will always be to capture and transform disparate 2-D elements into an engrossing 3-D vision that elicits the same raw emotions and compelling vibrance as the live performance. In designing the \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve Portico II Channel Strip\u003c\/span\u003e, every possible attention has been paid towards not only producing the most accurate, sweet sounding audio topologies, but also enabling engineers to boldly shape or fine tune tracks to the limit of their imaginations.\u003cbr\u003e \u003cbr\u003e A self-powered 2U channel module comprised of a fully- featured mic preamplifier, 4-band EQ, compressor-limiter, “texture”control and level metering, The Portico II Channel includes a bevy of new features including: Variable Silk \/ Silk+ Texture control, a fully tunable “de-esser”, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending. With its simple yet powerful topologies and extensive feature set, every element of the Portico II: Channel is geared towards empowering recording artists to realize these visions.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eInput Section\u003c\/span\u003e\u003cbr\u003e Input signals may be derived from any of three sources; Microphone, Line or DI. The Microphone input has a 10K Ω non-reactive input resistance that handles a full 26dBu signal without the need for a pad. A primary Gain control provides 66dB of gain in 6dB increments for easy recall with a +\/- 6dB Trim for fine adjustment. A transient-optimized HPF continuously covering the range from 20-250Hz is included. In addition the usual 48V Phantom Power switch, Phase Inversion, Signal Present indicator and a Mute switch are included. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability and which maintains a 2 dB noise figure over a wide range.\u003cbr\u003e \u003cbr\u003e Inserting a plug into the DI input, selects a 3M Ω Discrete FET DI circuit that includes the transformer-coupled pristine topography that optimizes both the microphone and DI inputs, allowing low impedance microphones and high impedance sources like electric guitars and basses to deliver their optimum performance. Primary Gain and Trim controls are fully operational. A “Thru” jack on the front panel that duplicates the unaffected source signal allows the use of an external amplifier if required. A “Line” switch selects the independent Line XLR non-reactive input circuit that includes the HPF and Level trim controls.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eTexture\u003c\/span\u003e\u003cbr\u003e One of the key developments in the Portico II is the new Texture section. Building on the “Silk” mode found in the Portico Series mic pre-amplifiers, Texture is designed to adjust the actual amount of harmonic music content from the source material, in effect, providing countless tonal options in one device. The texture section features distinct modes, controlled by a potentiometer from barely audible to dramatic!. With that said, we have placed great care insuring that the musical integrity of source material itself will not be compromised by these harmonic controls (these are not to be confused with controls from other manufactures that may “incinerate”, “demolish” or “destroy” source material), and we believe they can be confidently modified to fit the personality of any song, instrument or engineer.\u003cbr\u003e \u003cbr\u003e Like the original Portico, Silk mode works by reducing negative feedback on the output transformer and adjusting the frequency response to more closely resemble Mr. Rupert Neve’s vintage designs. “Silk +” mode pushes this technique still further, achieving a more harmonically rich sound.\u003cbr\u003e \u003cbr\u003e Like the original Portico, Silk mode works by reducing negative feedback on the output transformer and adjusting the frequency response to more closely resemble vintage designs by Mr. Rupert Neve. Velvet mode pushes this technique further, by increasing saturation on the output transformer to achieve a more colored sound. With that said, we have placed great care insuring that the musical integrity of source material itself will not be compromised by these harmonic controls (these are not to be confused with controls that may “incinerate”, “demolish” or “destroy” source material), and we believe they can be confidently modified to fit the personality of any song, instrument or engineer.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eEqualizer\u003c\/span\u003e\u003cbr\u003e The EQ topologies in the 4-Band Equalizer of the Portico II combine the best-loved sound of several classic designs, but are also capable of extremely fine surgical adjustments as well as dramatic boosts or cuts. By default, the EQ section follows the mic preamplifier and HPF, and precedes the compressor, but this sequence may be reversed by engaging the Post Comp switch\u003cbr\u003e \u003cbr\u003e The Low Shelf has an independent engage switch, Classic Peak\/ Accelerated Shelf selection, with +\/- 12dB level adjustment, and selectable turnover frequencies of 35, 60, 100, and 220 Hz. The Fully Parametric LMF and HMF bands have a joint engage switch, providing +\/- 12dB level adjustment, continuously variable “Q” from 0.7 to 5 and continuously variable frequency ranges from 70 to 1.4KHz and 700Hz to 14KHz. In addition to its standard capabilities, the HMF band can also be used to precisely tune a new De-Esser circuit.\u003cbr\u003e \u003cbr\u003e The De-Esser can be varied from off to full effect, and uses the Frequency, and “Q” controls to tame harsh sibilance in vocals and instruments with an independent high-mid limiter. Even when the De-Esser is on, the EQ level may still be used. The High Frequency shelf has independent engage switch, Classic Peak\/ Accelerated Shelf selection, +\/- 12dB level adjustment, and selectable turnover frequencies of 4.7, 6.8, 12, and 25kHz. When two Portico II Channels are used side by side, the EQ section can also excel at stereo material.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eCompressor\u003c\/span\u003e\u003cbr\u003e A further array of tools are used to craft dynamic response. The Portico II’s compressor section is exceptionally flexible. Like the Portico 5043, the compressor a choice of Forward Feed \/ Return Feed modes, either providing a transparent modern response, or a smoother more musical vintage response. Along with FF\/FB modes, there are also 1:1 to 40:1 ratio controls and threshold from -30dBu to +20dBu, together with Attack from 20 to 75ms (.1 ms in fast mode), Release from 100ms to 2.5s, and Make up gain from 0 to 20dB with a Stereo Link.\u003cbr\u003e \u003cbr\u003e The Portico II compressor however incorporates a number of new ways to tame or enhance dynamics. HPF to SC inserts the High Pass Filter into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. The “Fast” switch alters the compressor’s attack to react to transients with a roughly .1ms response time. When “fast” is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings.\u003cbr\u003e \u003cbr\u003e “Blend” works by creating a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003cbr\u003e \u003cbr\u003e To further control the side chain, there is also an insert “send” and “return” that may be paired with an external EQ or other filters for additional manipulation. The “return” may also be used as a “Key” input for ducking one signal under another. (for instance, a voice-over keying the compressor to duck a background music track). By connecting the “link” jack on the back of the Portico II to another Portico II link jack and engaging the Link buttons, the compressor section may be used for stereo material.","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247329656969,"sku":"13144","price":3145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico2_channel_strip_0914b17a-ebd1-4e05-9bc9-9b289d6b03a8.jpg?v=1784052480"},{"product_id":"rupert-neve-designs-portico-5033-h-5-band-eq","title":"Rupert Neve Designs Portico 5033 Five-Band EQ - Horizontal","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 5033 Five Band EQ\u003c\/strong\u003e and high performance line driver is a new equalizer with the performance, features and musicality expected from Rupert Neve, the designer.\u003cbr\u003e\u003cbr\u003eThe 5033 features Mr. Rupert Neve’s custom input and output transformer designs, five bands of EQ based on his traditional curves, -\/+12dB input level adjustment, five filter bypasses and comes available in either horizontal or vertical formats.\u003cbr\u003e\u003cbr\u003eAt the input and output of the 5033 lie custom designed Rupert Neve transformers, which are much of the heart of the sound of Mr Rupert Neve’s classics. The EQ section can be completely bypassed and the unit can be used as a very high quality line driver utilizing these transformers, which can help to add sonic “sweetness” to a source.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLow Frequency and High Frequency Shelving Filters\u003c\/strong\u003e\u003cbr\u003eFor opposite ends of the audio spectrum there are two separate shelving filters, which are both engaged or disengaged using the same LED push-button. Each shelving filter allows for a boost or cut of up to 12 db, providing steeply rising or falling curve shapes. When these curves are boosted or cut aggressively, they enable the second and even third harmonic to be varied in relation to their fundamental, allowing the natural sound of a musical instrument to be varied. When used less aggressively, one can attenuate bands of frequencies above or below the “turnover” point to their desired levels. These sections each provide EQ curves that approximate to 6 dB\/ and give a true “Flat” response when this section is engaged but not boosted or attenuated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Frequency (LF) Shelving Filter\u003c\/strong\u003e\u003cbr\u003eContinuously variable from 30Hz to 300 Hz, allowing for a wide range of applications, from filtering out low rumbles caused by air conditioning units to taming an instrument with too much low end or even adding a little bit of “oomph” to a thin mix, proving to be an indispensable asset in the signal chain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Frequency (HF) Shelving Filter\u003c\/strong\u003e\u003cbr\u003eContinuously variable from 2.5 kHz to 25 kHz, giving this section of the EQ a valuable range of operation. Whether you want to really bring out the presence and breath of your vocals or simply add some “air” to your overall mix, the HF shelving filter will give you that bit of sparkle you’re looking for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMid Range Parametric Filters\u003c\/strong\u003e\u003cbr\u003eTo cover the crucial mid-range, the 5033 comes with three bands of parametric EQ, each separately engaged and having a true “flat” response when each section is engaged but not boosted or attenuated. Each section is capable of boosting or attenuating up to 12 dB, and includes a variable “Q” control. “Q” controls range from “Q” = 0.6 to “Q” = 3, allowing you to vary the bandwidth of the attenuation or boost, whether a broad range of frequencies to gently give a sonic section a slight boost or dip or using the filter with a very narrow range of frequencies, acting almost as an audio “chisel” to hone in on certain offending frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Low Mid Frequency (LMF)\u003c\/strong\u003e\u003cbr\u003eSection is variable from 50 Hz to 400 Hz. The Mid Frequency (MF) Section is variable from 330 Hz to 2.5 kHz. The High Mid Frequency (HMF) Section is variable from 2 kHz to 16 kHz. Each section has been carefully designed to overlap neighboring ranges, allowing for a very fine range of possible adjustments.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247335719049,"sku":"7593","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5033_horizontal_1_8387795e-021b-4b62-b867-65ad63adad6b.jpg?v=1784052498"},{"product_id":"rupert-neve-designs-portico-5033-vertical","title":"Rupert Neve Designs Portico 5033 Five-Band EQ - Vertical","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs Portico 5033 Five Band EQ\u003c\/strong\u003e and high performance line driver is a new equalizer with the performance, features and musicality expected from Rupert Neve, the designer.\u003cbr\u003e\u003cbr\u003eThe 5033 features Mr. Rupert Neve’s custom input and output transformer designs, five bands of EQ based on his traditional curves, -\/+12dB input level adjustment, five filter bypasses and comes available in either horizontal or vertical formats.\u003cbr\u003e\u003cbr\u003eAt the input and output of the 5033 lie custom designed Rupert Neve transformers, which are much of the heart of the sound of Mr Rupert Neve’s classics. The EQ section can be completely bypassed and the unit can be used as a very high quality line driver utilizing these transformers, which can help to add sonic “sweetness” to a source.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLow Frequency and High Frequency Shelving Filters\u003c\/strong\u003e\u003cbr\u003eFor opposite ends of the audio spectrum there are two separate shelving filters, which are both engaged or disengaged using the same LED push-button. Each shelving filter allows for a boost or cut of up to 12 db, providing steeply rising or falling curve shapes. When these curves are boosted or cut aggressively, they enable the second and even third harmonic to be varied in relation to their fundamental, allowing the natural sound of a musical instrument to be varied. When used less aggressively, one can attenuate bands of frequencies above or below the “turnover” point to their desired levels. These sections each provide EQ curves that approximate to 6 dB\/ and give a true “Flat” response when this section is engaged but not boosted or attenuated.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLow Frequency (LF) Shelving Filter\u003c\/strong\u003e\u003cbr\u003eContinuously variable from 30Hz to 300 Hz, allowing for a wide range of applications, from filtering out low rumbles caused by air conditioning units to taming an instrument with too much low end or even adding a little bit of “oomph” to a thin mix, proving to be an indispensable asset in the signal chain.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHigh Frequency (HF) Shelving Filter\u003c\/strong\u003e\u003cbr\u003eContinuously variable from 2.5 kHz to 25 kHz, giving this section of the EQ a valuable range of operation. Whether you want to really bring out the presence and breath of your vocals or simply add some “air” to your overall mix, the HF shelving filter will give you that bit of sparkle you’re looking for.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMid Range Parametric Filters\u003c\/strong\u003e\u003cbr\u003eTo cover the crucial mid-range, the 5033 comes with three bands of parametric EQ, each separately engaged and having a true “flat” response when each section is engaged but not boosted or attenuated. Each section is capable of boosting or attenuating up to 12 dB, and includes a variable “Q” control. “Q” controls range from “Q” = 0.6 to “Q” = 3, allowing you to vary the bandwidth of the attenuation or boost, whether a broad range of frequencies to gently give a sonic section a slight boost or dip or using the filter with a very narrow range of frequencies, acting almost as an audio “chisel” to hone in on certain offending frequencies.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe Low Mid Frequency (LMF)\u003c\/strong\u003e\u003cbr\u003eSection is variable from 50 Hz to 400 Hz. The Mid Frequency (MF) Section is variable from 330 Hz to 2.5 kHz. The High Mid Frequency (HMF) Section is variable from 2 kHz to 16 kHz. Each section has been carefully designed to overlap neighboring ranges, allowing for a very fine range of possible adjustments.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247335784585,"sku":"7848","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5033_vertical_1_14d7edff-c414-454d-800c-cbedb195a692.jpg?v=1784052499"},{"product_id":"rupert-neve-designs-portico-5042-2-ch-true-tape-horizontal","title":"Rupert Neve Designs Portico 5042 2 Ch True Tape - Horizontal","description":"The \u003cspan style=\"font-weight: bold;\"\u003eRupert Neve 5042\u003c\/span\u003e provides a remarkable simulation of true tape sound through the inclusion of genuine tape drive circuitry. When the Tape circuit is not engaged, the 5042 may be used as a full, transformer-coupled, high-performance line amplifier that includes a Gain range of + and – 12 dB. The Portico™ 5042 Two Channel \"True Tape\" Emulation and Line Driver unit’s emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape. This typically offsets the harshness often found in digital recordings. The Portico™ 5042 incorporates an actual tape drive circuit that feeds a tiny magnetic “head” which, in turn, is coupled to a correctly equalized, replay amplifier. The only thing missing is the tape itself! \u003cp\u003e The Portico™ 5042 consists of two identical Line Driving amplifiers having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that, by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35 – 40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247358001289,"sku":"6624","price":1725.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5042_horizontal_1_317c1737-af3e-473f-8373-926102c69763.jpg?v=1784052561"},{"product_id":"rupert-neve-designs-5211-rm-half-rack-joining-kit","title":"Rupert Neve Designs 5211-RM Half Rack Joining Kit","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 5211-RM Half Rack Joining Kit\u003c\/strong\u003e is designed to conveniently mount a single Portico Series module in a single (1U) rack space. Includes a blank front panel and the required mounting screws.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247358034057,"sku":"6635","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-5211-rm-kit.jpg?v=1784052561"},{"product_id":"rupert-neve-designs-5221-rm-join-2-units","title":"Rupert Neve Designs 5221-RM Horizontal Joining Kit","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 5221-RM Horizontal Joining Kit\u003c\/strong\u003e is designed to conveniently mount two Portico Series modules in a single (1U) rack space. Includes a joining block, rear connector panel and the required screws.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247358066825,"sku":"6636","price":49.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_5221-rm_5c5452ae-40ef-4e12-b8dc-fd8a1f5d1a67.jpg?v=1784052561"}],"url":"https:\/\/vintage-king-staging.myshopify.com\/collections\/rupert-neve-designs.oembed","provider":"Vintage King Staging","version":"1.0","type":"link"}