{"title":"Microphones","description":null,"products":[{"product_id":"atlas-dms7e-8-13-kick-drum-stand-ebony","title":"Atlas DMS7E 8\"-13\" Kick Drum Stand - Ebony","description":"\u003cp\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBecause of their extraordinary stability ratings, these low-height, adjustable microphone stands are ideal for professional miking of drum kits, percussion and string instruments, and guitar\/bass guitar amplifiers.  Combine these low-to-medium height stands with companion boom model PB11X(E) for use by seated performers on stage or in the studio.  Model DMS-7(E) combines a floor-stand base with desk-stand height deal for kick-drum miking.  The stands include a threaded tip assembly for compatibility with a variety of booms, clamps, goose necks and accessories.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGeneral Description:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDMS Series stands and the PB11X(E) companion boom attachment are performance enhancement accessories which aid musicians, sound and recording engineers in achieving optimum acoustic coupling and distortion-free sound pick-up.  All models are manufactured in the United States of cold rolled steel tubing and die cast metal for maximum strength and reliability.  Stands and horizontal boom feature Atlas Sound, wear proof clutches and clamps for positive and dependable locking control.  Components are ordered separately and finished in chrome or non-reflective ebony epoxy.\u003c\/p\u003e\r\n\u003cp\u003eThese instrument miking stands feature an over sized 10\" cast iron base which provides maximum stability and isolates the associated microphone from drum vibrations. Units also feature adjustable-height tubing for precise orientation.  Both models terminate in the industry standard 5\/8\"-27 male thread pattern for use with accessories and boom attachments such as the PB11X(E) described below.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eHeight span: 8 - 13\" (20 - 33 cm)\u003cbr\u003eBase diameter: 10\" (25.4 cm)\u003cbr\u003eStability index (I.S.I.)*: 2710\u003cbr\u003eTube\/base finish: chrome\/ebony\u003cbr\u003eWeight: 7.2 lbs. (3.3 kg)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e*Stability Index (I.S.I.) Factor.  Evaluates the ability of a stand\/boom assembly to remain at rest when acted upon by an outside force. \u003c\/p\u003e","brand":"Atlas Sound","offers":[{"title":"Default Title","offer_id":47247230075017,"sku":"635","price":73.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/atlas-dms7e-21_635_1.jpg?v=1784052512"},{"product_id":"akg-rhythm-pack","title":"AKG Rhythm Pack","description":"\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eAKG Rhythm Pack Includes:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eD 112 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge-diaphragm dynamic microphone for bass instruments \u003c\/li\u003e\n\u003cli\u003eExtremely high SPL capability \u003c\/li\u003e\n\u003cli\u003eClassic microphone for stage and studio applications \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eD 40 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDynamic microphone designed for drums and percussions, wind instruments and guitar amps\u003c\/li\u003e\n\u003cli\u003ePatented AKG Varimotion diaphragm technology \u003c\/li\u003e\n\u003cli\u003eCustom built capsule mounting \u003c\/li\u003e\n\u003cli\u003eIntegrated stand adapter H440 \u003c\/li\u003e\n\u003cli\u003eSpring steel wire-mesh cap \u003c\/li\u003e\n\u003cli\u003eRugged all-metal body withstands typical tough handling on stage \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eC 430 \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMiniature condenser microphone for cymbal and overhead miking \u003c\/li\u003e\n\u003cli\u003ePhantom or battery powering options \u003c\/li\u003e\n\u003cli\u003eMounts securely on all commercial microphone stands \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003ePackage Content: \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 x C 430, 2 x SA 60, 2 x W 32 \u003c\/li\u003e\n\u003cli\u003e3 x D 40; 3 x H 440 \u003c\/li\u003e\n\u003cli\u003e1 x D 112; 1 x SA 60\u003c\/li\u003e\n\u003cli\u003eAluminum flight case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":47247269363849,"sku":"11905","price":699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/akg_rhythm_pack_1_2_f17b44d5-c41b-4612-8dbd-4e6abdc42d40.jpg?v=1784052406"},{"product_id":"flea-microphones-flea-47-next","title":"FLEA Microphones FLEA47 NEXT Tube Condenser Microphone","description":"Includes microphone in wooden box, power supply, cable, shockmount.","brand":"FLEA Microphones","offers":[{"title":"Default Title","offer_id":47247269494921,"sku":"30815","price":4409.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/flea-47-next-ii_30815_1_69a2f137-409f-41a8-943d-cefd49deadc4.jpg?v=1784045344"},{"product_id":"lewitt-lct-340dc","title":"Lewitt LCT 340DC Dual Capsule Pencil Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eLewitt LCT 340DC\u003c\/strong\u003e (Dual Capsule version of the LCT 340) is a 0.8-inch externally polarized condenser microphone that excels at capturing acoustic and percussion instruments, drums and vocals, and is perfectly suited for sophisticated live and studio applications. Two interchangeable capsules allow for quick and easy switching of patterns, ensuring greater flexibility without changing microphones.\u003c\/p\u003e\n\u003cp\u003eThe LCT 340 is equipped with four-position low-cut filter and pre-attenuation slide switches, dual-color LED indicators and a convenient snap closure. It offers a dynamic range of 124 dB and stands out for its extremely low self-noise of 15 dB. Last but not least, its transformerless output makes this ruggedly designed pro-mic resistant to electrical interference and a first-class pick for true sound enthusiasts.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTop applications: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOverhead miking \/\/ drums, percussion, etc.\u003c\/li\u003e\n\u003cli\u003eEnsembles \/\/ choral or orchestral \u003c\/li\u003e\n\u003cli\u003eAcoustic instruments \/\/ piano, guitar, drums, percussion, strings, etc.\u003c\/li\u003e\n\u003cli\u003eWind instruments \/\/ brass and woodwinds, etc.\u003c\/li\u003e\n\u003cli\u003eDemanding live and studio applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLCT 340DC microphone\u003c\/li\u003e\n\u003cli\u003eDTP 40 Mts shock  mount\u003c\/li\u003e\n\u003cli\u003eLCT 40 Ws windshield\u003c\/li\u003e\n\u003cli\u003eDTP 40 Lb leather bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e","brand":"Lewitt","offers":[{"title":"Default Title","offer_id":47247271329929,"sku":"31086","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/lewitt_lct_340_1_0c2c7755-86f9-4c0e-b511-c5cc15dd5ca9.jpg?v=1784045443"},{"product_id":"schoeps-v4-sgv-set-blue","title":"Schoeps V4 SGV Studio Condenser Vocal Microphone Set - Blue","description":"\u003cp\u003eThe \u003cstrong\u003eSchoeps V4 U\u003c\/strong\u003e is a studio vocal microphone providing warm, clear sonic character with smoothly rolled-off diffuse-field response. It unites the outstanding technical characteristics typical with a timeless, classic design. The look of the V4 U is based on the Schoeps CM 51\/3 from 1951. But the V4 U is a thoroughly modern studio microphone. Its capsule, circuitry and mechanical construction are the result of extensive new development.\u003c\/p\u003e  \u003cp\u003eThe SGV Set contains the microphone, a wooden case and the SGV stand clamp. The base of the SGV has a 5\/8\"-27 NS internal thread. A threaded adapter is supplied for 3\/8\" and 1\/2\" mounting. The angle can be varied continuously in the vertical plane.\u003c\/p\u003e  \u003ch3\u003eTHE CAPSULE\u003c\/h3\u003e  \u003cp\u003eA 33 mm beveled collar causes the capsule’s directivity to increase steadily and smoothly at high frequencies, as in a large diaphragm microphone. Meanwhile, the superior acoustic qualities of a small-diaphragm capsule like the extraordinarily smooth frequency and polar response are maintained. The capsule is elastically suspended internally to reduce solid-borne sound such as handling noise.\u003c\/p\u003e  \u003ch3\u003eTHE ELECTRONICS\u003c\/h3\u003e  \u003cp\u003eThe V4 U features a newly-developed bridge-type balanced output circuit. Maximum sound pressure level of 144 dB SPL, corresponding to an output level of 4.8 V. The output stage transformerless and free of coupling capacitors. The resulting output impedance is low and constant with frequency, while the symmetry is very high. With a symmetrical, balanced output, the entire audio circuit is symmetrical from the output of the FET onward. It features high immunity to interference, with gapless shielding and a modern RFI filter at the output; very good electromagnetic compatibility.\u003c\/p\u003e","brand":"Schoeps Mikrofone","offers":[{"title":"Default Title","offer_id":47247271362697,"sku":"34318","price":3779.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/schoeps-v4-sgv-blue_34318_1_a7bcae4a-397a-44fb-a84a-5c5e79350e9d.jpg?v=1784045525"},{"product_id":"aea-a840-active-ribbon-microphone","title":"AEA A840 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAEA A840\u003c\/span\u003e is different from other microphones.  One listen and the AEA A840 stands out with its big, clean sound. It’s an ideal spot mic with its tight pattern, smooth extended top, and less proximity bass boost than the R44 and A440.  The A840 effortlessly handles a broad range of applications from accent to ensemble.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHigh output\u003c\/li\u003e\r\n\u003cli\u003eCompatibility with any preamp and input source\u003c\/li\u003e\r\n\u003cli\u003eLow self noise of 17.5 dB (A)\u003c\/li\u003e\r\n\u003cli\u003eFast, accurate transient reproduction\u003c\/li\u003e\r\n\u003cli\u003eHigh SPL capability of 141 dB\u003c\/li\u003e\r\n\u003cli\u003eSingle-diaphragm with well-controlled, native figure-8 polar pattern\u003c\/li\u003e\r\n\u003cli\u003eWide-band response from below 20 Hz to beyond 20 kHz\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eThe AEA A840 and other AEA Big Ribbon mics are excellent digital recording tools.  Digital has different limitations than analog.  The digital recording process is capable of preserving razor sharp details for generations.  So it makes sense to use microphones that fit well into the final mix from the start. AEA Big Ribbon mics with their smooth, natural and easy-to-EQ sound have enjoyed a rebirth as digital recording has blossomed.\u003cbr\u003e\u003cbr\u003eOver 30 years of servicing ribbon mics taught AEA what users like, and they all like the big sound of the RCA 44.  Preserving and reintroducing that sound became an AEA mission.  The AEA R44 and A440s, robust, heavy, and expensive to manufacture, are now in daily use worldwide.  But that’s just the beginning of the story.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eHow can AEA preserve and update that Big Ribbon sound in a more affordable package using new technologies?\u003c\/span\u003e\u003cbr\u003eThe A840 uses the same big ribbon as the A440, is 5 pounds lighter, and less bulky.  Due to its active JFET impedance buffer circuitry the new A840 is insensitive to lower preamp input impedances.  The high output sensitivity reduces noise and allows long cable runs.  This allows you to use your favorite tube preamp without compromising your classic ribbon sound.  Designed for accent and solo work, its bass proximity effect is less pronounced and the upper 10 to 20 kHz octave is stronger than the A440.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eWhy do the AEA Big Ribbon mics sound so different when compared to other microphones?\u003c\/span\u003e\u003cbr\u003eClassic condenser diaphragms are radially stretched.  They typically have sharp, narrow resonances in the 8 to 12 kHz range, the sound quality we refer to as “tizz”. AEA  Big Ribbon mics use a long rectangular diaphragm clamped only at the ends and tensioned lightly with a fundamental resonance below 20 Hz.  Less than 80 millionths of an inch thick, AEA's ultra low mass transducer has extended bass, excellent transient response and few resonances.  It’s one of the most sensitive and accurate transducers possible. Many have commented that AEA mics record exactly what your ear hears.  Excellent headroom and low distortion allow close micing with an A840 without sounding brittle. Additionally the smooth, non-resonant high end provides engineers considerable EQ flexibility. \u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305670793,"sku":"13205","price":1553.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea_a840_zoom.jpg?v=1784052404"},{"product_id":"aea-r44cne","title":"AEA R44 CNE","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R44CNE\u003c\/strong\u003e has the authentic sound, feel, and the look of a vintage RCA 44B and all parts interchange.  The ribbon element is only 1.8 microns thick, fabricated from NOS (New Old Stock) material originally manufactured for RCA. A black \/ bright chrome \"radio\" finish is standard.  The microphone package includes a cushion mount and AEA custom vertical storage and shipping case.  Each R44CNE is built to order and is individually numbered and signed.  The best part is that the sound will bring you right back to Bing Crosby singing \"White Christmas\" or breathe life into modern guitar parts, vocals and even drums!\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305703561,"sku":"100","price":2790.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea_r44_cne.jpg?v=1784052403"},{"product_id":"aea-a440-ribbon-microphone","title":"AEA A440 Active Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA A440\u003c\/strong\u003e is a preamp-flexible, Phantom-powered version of the R44 with 18 dB of extra output. It is custom-painted with the RCA classic umber-colored transformer case. It is complete with a custom Lehle transformer, RPQ JFET preamp electronics and the \"X\" motor hotrod and is the quietest ribbon microphone ever manufactured. It retains the same sonic character of the passive R44C, but with an additional 18 dB of output and greater flexibility with different preamps. Many engineers favor their A440s over their vintage RCA 44s due to the advantages in noise performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAt the low frequency end the A440 delivers bass with effortless authority. It has a flat frequency response and holds an accurate figure-eight polar pattern down to 20 Hz. The A440 has a smooth and articulate midrange, and at the high end, transients are quick and detailed without hard edges.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eTHE LEGENDARY BIG RIBBON SOUND\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe AEA A440 maintains an iconic legacy of great ribbon mics by delivering a rich sound full of character and color. Effective on a broad range of instruments and rooms, it bolsters mids and lows while smoothing harsh high frequencies to produce a multi-dimensional sound unlike that of any microphone the world over. Used on everything from crooning vocalists to full orchestras, the A440 is the ideal choice to capture the tone of any voice or instrument while imparting its legendary ribbon character.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305769097,"sku":"9621","price":6999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea-a440-mic-23_9621_1_1_0d265e61-436e-4b2f-afe1-731a1e4da752.jpg?v=1784052404"},{"product_id":"aea-r44c","title":"AEA R44C Bi-Directional Ribbon Microphone","description":"\u003cp\u003eThe R44 is one of those rare mics that has remained relatively unchanged from its inception, and still sounds great some 75 years later. Wes Dooley, a specialist in ribbon mics of all kinds, has now restored the 44 type microphone to its rightful position in the studio. After tracking down the engineers who designed and built the original RCA 44, AEA acquired ribbon material, made the tooling and custom machined all the parts necessary to build the original RCA 44 B\/BX design to its original specifications, just as it was in the 1930s.\u003c\/p\u003e\r\n\u003cp\u003eThe \u003cstrong\u003eAEA R44C\u003c\/strong\u003e is an exact replica of the RCA 44 born from years of experience are built to RCA specifications and The R44C is an exact replica of the RCA 44 born from years of experience with RCA repairs. All components are built to RCA specifications and the sonic quality is entirely true to the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon mic in music history. the original. To record with an AEA R44C is to participate in the legacy of the most iconic ribbon\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eVINTAGE STYLE AND SOUND\u003c\/h3\u003e\r\n\u003cp\u003eRCA 44 ribbon microphones have remained an essential part of studio life well after RCA stopped manufacturing them in 1955. The sound and response of the 44 B\/BX were unlike anything else available, and was cherished for its smoothness, forgiving nature and unique tonal balance. As collectors began to buy up the supply of RCA 44's through the 90's, the availability of this wonderful ribbon mic to the studio was greatly endangered.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eBUILT FROM ORIGINAL RCA-STOCK RIBBON\u003c\/h3\u003e\r\n\u003cp\u003eThe 44 was RCA's best microphone from the 1930s into the '50s. Is AEA's R44 that good? Both listeners and measurements say that the R44 is better and AEA has been listening to both users and ex-RCA engineers for over 25 years. They start by using only ribbon material originally manufactured for RCA. This is the best way to ensure that AEA's R44 ribbon mics are as close as humanly possible to vintage RCA 44s.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eIMPLEMENTS THE BEST OF VINTAGE DESIGN WITH MODERN TOUCHES\u003c\/h3\u003e\r\n\u003cp\u003eNext, they use modern magnet technology which is much more robust than period magnets. AEA also combined the original American undamped ribbon design with the British RCA 44 innovations that lower the weight and hum sensitivity. The R44 design runs contrary to all current ribbon microphone manufacturing. It is large and heavy when other microphones are smaller and lighter. The internal ribbon element is by far the longest and its resonance tuning the lowest of today's ribbon microphones. It is a pure undamped ribbon design, an approach that has been out of production for over 50 years while remaining in continuous studio use. It is different, and its sound is unique.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eGREAT FOR A VARIETY OF USES\u003c\/h3\u003e\r\n\u003cp\u003eThe R44 sounds good on everything. Leave it out and use it whenever you need to do a quick take. Bruce Swedien particularly likes them on vocals, Joe Chicarelli on sax, Allen Sides on electric guitar. Everyone has a favorite use and everyone finds they sound good anywhere: brass, woodwinds, percussion, strings or voice work.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305736329,"sku":"99","price":4699.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea_r44c_zoom_d1547de3-4ff5-45bd-89d9-877d31cf7734.jpg?v=1784052403"},{"product_id":"aea-r84-matched-pair","title":"AEA R84 Ribbon Microphone - Matched Pair","description":"\u003cp\u003eBased on the character of the legendary R44, the \u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e provides classic tonality with extended top-end and reduced proximity effect for medium and close range recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. The result was the R84, which includes the best of the 44 series in a lower cost, three-pound package.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84 and original RCA 44 (now the R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA WORKHORSE RIBBON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84A retains the same sonic character of the R84 but offers an additional 12 dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA MODERN CLASSIC\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin vocals. It’s a mic that works well on practically any voice or musical instrument, making it useful tool in both recording and broadcast studios.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305801865,"sku":"1664","price":2698.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea_r84_pair_zoom.jpg?v=1784052404"},{"product_id":"aea-r84-ribbon-single","title":"AEA R84 Ribbon Microphone","description":"\u003cp\u003eBased on the character of the legendary R44, the \u003cstrong\u003eAEA R84 Ribbon Microphone\u003c\/strong\u003e provides classic tonality with extended top-end and reduced proximity effect for medium and close range recording.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn 2000, AEA sought to design a more compact, lighter and less expensive version of the hefty, eight-pound RCA 44BX. The result was the R84, which includes the best of the 44 series in a lower cost, three-pound package.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84 and original RCA 44 (now the R44C) share the same Big Ribbon element, transformer and other elements in the design. By using modern design techniques and stronger — but smaller — magnets in the R84, the classic RCA ribbon sound is retained.\u003c\/p\u003e\r\n\r\n\u003cp\u003eHowever, the R84 has improvements — including less proximity effect, better top end, vibration isolation and greater placement flexibility on tight stages and in studios. The mic’s U-shaped yoke acts as a shock mount and also enables the user to position the R84 at numerous angles even with a straight stand.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA WORKHORSE RIBBON\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s balanced and manageable proximity effect just feet away from the source bolsters the low end of vocals, drums, and brass. With a ribbon mic as multi-purpose, lightweight, and maneuverable as the R84, it is well-suited for both close-up and ambient mic applications.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84A retains the same sonic character of the R84 but offers an additional 12 dB of output and a stable impedance giving it even more flexibility when used with quiet sources and any preamp.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eA MODERN CLASSIC\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe R84 is a staple in numerous recording studios because of its unique tonality and classic sound. Its smooth, high-frequency roll-off and reduced sibilance make it the go-to choice for engineers tracking vocals and other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe R84’s gorgeous mid-range captures the unique qualities of many instruments with detailed elegance. Its large low end is perfect for beefing up the sound of drum kits or thickening up the bass in thin vocals. It’s a mic that works well on practically any voice or musical instrument, making it useful tool in both recording and broadcast studios.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305834633,"sku":"112","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea-r84_112_1_f4e86c05-ee0c-4020-91d8-8ee0ad772e86.jpg?v=1784052404"},{"product_id":"aea-r84-silver-limited-edition-sle","title":"AEA R84 Silver Limited Edition","description":"\u003cp\u003eTo commemorate 25 years of selling ribbon microphones, Audio Engineering Associates has created the \u003cspan style=\"font-weight: bold;\"\u003eAEA R84 Silver Limited Edition (SLE)\u003c\/span\u003e.  Two years ago AEA made a chrome R84 to display at trade shows.  Due to popular demand, they've decided to create a limited edition run in honor of twenty-five years of serving the ribbon microphone market.  The R84 SLE is limited to a run of only 125 units. \u003cbr\u003e \u003cbr\u003e The versatile \u003cspan style=\"font-weight: bold;\"\u003eAEA R84 Silver Limited Edition (SLE)\u003c\/span\u003e large ribbon microphone is suitable for a wide range of instruments, including brass, strings, percussion, electric guitar and bass.  At just 0.00007 of an inch the ultra-thin, low-tension ribbon element of the R84 ensures a quick response, whatever the application.  Capable of handling better than 165 dB SPL at higher frequencies, when used on vocals or instruments the R84 offers a performance that is intimate, warm and detailed, yet not ever harsh. \u003cbr\u003e\u003cbr\u003eThe AEA R84 is supplied in a complete system that includes a shock mount, 6' mic cable and sturdy foam-lined carrying case.  Weighing-in at under 2 lbs (0.9 Kg) and measuring 8\" (30 cm) tall and 2.7\" (7 cm) in diameter.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305867401,"sku":"15278","price":1103.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea_r84_sle_chrome_zoom.jpg?v=1784052403"},{"product_id":"aea-r88-microphone","title":"AEA R88 mk2 Stereo Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAEA R88 mk2 Stereo Ribbon Microphone\u003c\/strong\u003e is optimized for recording instruments and ensembles in stereo.  The R88 uses the large ribbon configuration of the classic RCA 44 series mics, which gives the mic solid 20Hz bass response and a smooth high end which is flattering to complex tones.\u003c\/p\u003e\r\n\u003cp\u003eThere is no easier way to track in stereo than with a stereo microphone with two configured transducers in a single sleek package.  A stereo microphone is highly useful in recording situations in which it is more convenient or aesthetically pleasing to have a single housing for both capsules, such as for drum overheads or live concert recordings.\u003c\/p\u003e\r\n\u003cp\u003eThe R88 has a natural sound because it is the pure sound of two undamped long ribbons.  If the basic characteristics of a transducer element are in accordance with a few primary physical laws, it will sound good without requiring any extra acrobatics. The simpler the physics, the less adulterated the sound of a transducer will be because it will introduce fewer artifacts into the electrical signal that were\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eR88 SERIES\u003c\/h3\u003e\r\n\u003cp\u003eR88 Series ribbon mics capture sound as your ears hear it, with an honest and open tonality. The R88 effortlessly record complex sources like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows.\u003c\/p\u003e\r\n\u003cp\u003eThe stereo R88 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.\u003c\/p\u003e\r\n\u003cp\u003eAlongside the mono AEA N8, it boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eTHE ENGINEER’S SECRET WEAPON\u003c\/h3\u003e\r\n\u003cp\u003eR88 Series mics are an engineer’s secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, five-pound black shell designed for quick setup, it’s an excellent choice for remote recording.\u003c\/p\u003e\r\n\u003cp\u003eParticularly well suited for the rock, roots, classical, Americana and jazz genres, R88 Series microphones have such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five R88s.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA RICH HISTORY\u003c\/h3\u003e\r\n\u003cp\u003eThe design of the R88 Series borrows from serious stereo recording tradition. In 1931, EMI engineer Alan Blumlein invented stereo recording by demonstrating the natural reproduction of the soundstage in one of the Abbey Road studios in London.\u003c\/p\u003e\r\n\u003cp\u003eToday, Blumlein’s XY coincident recording technique lives on in the AEA R88 Series, which uses two figure-of-8 ribbons for producing an authentic representation of a performance. The pair of elements are angled in perfect phase at 90 degrees and mounted in close proximity to each other along the vertical axis of the microphone.\u003c\/p\u003e\r\n\u003cp\u003eAs an alternative to Blumlein’s technique, the microphone can also be used for mid-side (MS) stereo, providing excellent mono compatibility and full control over the width of the stereo image.\u003c\/p\u003e\r\n\u003cp\u003eEither way, the R88 Series is so easy to use that any recording novice can do it. Simply choose where to place the mic and hit record. It’s that easy.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305900169,"sku":"3003","price":2399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea-r88-mk2-mic-23_3003_2_1_1.jpg?v=1784052404"},{"product_id":"aea-r92-ribbon-microphone","title":"AEA R92 Ribbon Microphone","description":"\u003cp\u003eOffering a classic ribbon character in the form of a near-field, the dual-tone \u003cstrong\u003eAEA R92\u003c\/strong\u003e functions as a versatile creative tool with innumerable possibilities. Similar in sound to the R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. One side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTWO SIDES — A CHOICE OF SONIC TONES\u003c\/h3\u003e\r\n\u003cp\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature — tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eNear-field mic with Character\u003c\/h3\u003e\r\n\u003cp\u003eThe R92 was designed to be positioned between 1 and 18 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths.\u003c\/p\u003e\r\n\u003cp\u003eNaturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\r\n\u003cp\u003eUnlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/p\u003e\r\n\u003cp\u003eThe R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eDESIGNED FOR EASY PLACEMENT\u003c\/h3\u003e\r\n\u003cp\u003eThe R92’s U-shaped yoke acts as a shock mount and also enables the user to position the mic at various angles even with a straight stand. This shock mount is attached to an integrated 360-degree swivel mount that enables easy setup and positioning in tight spaces. Weighing only two pounds, the R92 can easily be accommodated on cramped stages.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":47247305932937,"sku":"4947","price":1199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea-r92_4947_1_2.jpg?v=1784052404"},{"product_id":"akg-c-12-vr","title":"AKG C12 VR Large Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C12 VR\u003c\/strong\u003e is the reference multi-pattern tube studio condenser microphone with nine polar patterns selectable by a remote control. Among sound engineers, the AKG C12 is considered the holy grail of microphones. This legendary microphone, first built in the 1950s, is one of the most famous tube microphones in history, and its successor is today’s C12 VR.\u003c\/p\u003e\r\n\u003cp\u003eThe C12 VR is an enhanced version of the original C12, from the capsule sound to the original 6072A vacuum tube carefully handcrafted in Vienna, Austria.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":47247305965705,"sku":"570","price":8649.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/akg_c12vr_1_9773ba64-8f36-4d26-a73c-028922e89543.jpg?v=1784052404"},{"product_id":"akg-c-214","title":"AKG C214 Side Address Condenser Microphone","description":"Side Address Condenser Microphone","brand":"AKG","offers":[{"title":"Default Title","offer_id":47247305998473,"sku":"10794","price":469.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/akg-c-214_10794_1_62fef4d2-2953-47c3-94a9-aeb3989ae80c.jpg?v=1784052404"},{"product_id":"akg-c-414-xl-ii","title":"AKG C 414 XL II Large Diaphragm Studio Condenser Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C414 XLII\u003c\/strong\u003e is a multi-pattern condenser microphone offering a choice of nine polar patterns for the perfect sonic capture for every application. 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AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.\u003cbr\u003e\u003cbr\u003eThe new models C 414 XLS and C 414 XL II offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use.  A Peak Hold LED displays even shortest overload peaks.\u003cbr\u003e\u003cbr\u003eThe C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model.  Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades.  Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components.\u003cbr\u003e\u003cbr\u003eThe C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount. \u003cbr\u003e \u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNine selectable pickup patterns enable to choose the perfect setting for every application\u003c\/li\u003e\r\n\u003cli\u003eLock Mode: all controls can be disabled easily for trouble-free use\u003c\/li\u003e\r\n\u003cli\u003ePeak hold LED even detects shortest overload peaks\u003c\/li\u003e\r\n\u003cli\u003eIncredible dynamic range of 152 dB\u003c\/li\u003e\r\n\u003cli\u003eThree switchable different bass cut filters and three pre-attenuation levels\u003c\/li\u003e\r\n\u003cli\u003eLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture\u003c\/li\u003e\r\n\u003cli\u003eDesigned, engineered and built in Vienna, Austria\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":47247306096777,"sku":"13179","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/akg_c414_xls_73024b1c-32c8-4158-b248-f682a5e7760e.jpg?v=1784052404"},{"product_id":"akg-c-414-xls-st","title":"AKG C 414 XLS\/ST Studio Condenser Mic - Matched Pair","description":"\u003cp\u003eRealistic stereo recordings require microphones with outstanding performance and excellent quality. 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With its airy sound, high overload limit and improved engineering details, the C451 B continues the success story of this legend. The roadworthy design around the handcrafted capsule and the low-noise preamp electronics ensure impressive results even under very harsh conditions.\u003c\/p\u003e","brand":"AKG","offers":[{"title":"Default Title","offer_id":47247306195081,"sku":"854","price":749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/akg-c451-b-21_854_1_9e5bcb1a-e93a-467b-aa50-aa00abad4ddb.jpg?v=1784052406"},{"product_id":"akg-c-451-b-st","title":"AKG C451 B\/ST Small Diaphragm Condenser Microphone - Matched Pair","description":"\u003cp\u003eThe \u003cstrong\u003eAKG C451 B\u003c\/strong\u003e is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969. 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Their close physical proximity places them in a tight vertical array to allow accurate stereo imaging without phase issues arising. The top capsule\/grill assembly rotates up to 180 degrees relative to the lower capsule\/grill assembly. This feature along with the multi-pattern independent selector choices allow for all stereo recording techniques to be utilized. (XY-Coincident \/ Blumlein, M-S).  \u003c\/p\u003e\r\n\u003cp\u003eThe two sets of pad, pattern select \u0026amp; LF rolloff switches independently control the capsules. (Front switches control the lower fixed grill\/capsule while the rear switches control the upper rotating headgrill.)  The CK-40 operates on standard 48 volt phantom power and includes a five-pin mic cable that plugs into the included 1x2 stereo splitter box.  Two standard XLR mic cables are then all that is required to connect to a phantom powered mic preamp\/console channel.  So many sonic and spatial options are available with this microphone and we encourage you to experiment and use your ears as the final judge for stereo panning spread, use of omni –vs- cardioid or whether utilizing M-S miking techniques will better serve your particular situation etc.\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306817673,"sku":"9953","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone-ck-40_9953_1.jpg?v=1784052407"},{"product_id":"avantone-ck-6-fet-mic","title":"Avantone CK-6 FET Mic","description":"\u003cp\u003eThe \u003cstrong\u003eAvantone CK-6\u003c\/strong\u003e is truly a gorgeous looking and sounding microphone.  The design, character and performance can be compared directly to fine studio-standard FET mics but at a fraction of their cost! \u003cbr\u003e\u003cbr\u003eOur rugged CK-6 microphone body and capsule assembly are precision machined of brass.  Aesthetically the compact body features an elegant Metallic Cabernet Wine-Red finish, accented with polished nickel trim and grill.  The transformerless discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUses Include\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio vocals, acoustic guitar, mandolin, drum overheads, piano, etc.\u003c\/li\u003e\n\u003cli\u003eThe -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics. \u003c\/li\u003e\n\u003cli\u003eThe 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from “muddying up” the track \u003c\/li\u003e\n\u003cli\u003eManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability\u003c\/li\u003e\n\u003cli\u003eThe versatile CK-6 mic is able to produce professional results with a clean sonic character\u003c\/li\u003e\n\u003cli\u003eThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/li\u003e\n\u003cli\u003eTransformerless Class A FET Microphone w\/ 32mm gold sputtered thin Mylar capsule\u003c\/li\u003e\n\u003cli\u003e-10 dB pad \u0026amp; 80 Hz LF roll off switches \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eStandard Items Supplied:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAvantone CK-6 cardioid FET microphone \u003c\/li\u003e\n\u003cli\u003eAvantone custom retro shockmount \u003c\/li\u003e\n\u003cli\u003eElegant padded genuine wooden mic box \u003c\/li\u003e\n\u003cli\u003ePadded aluminum storage \/ travel case \u003c\/li\u003e\n\u003cli\u003ePadded aluminum storage \/ travel case \u003c\/li\u003e\n\u003cli\u003eOwners manual \u003c\/li\u003e\n\u003cli\u003eFive year warranty \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306850441,"sku":"9949","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone_ck-6_microphone.jpg?v=1784052407"},{"product_id":"avantone-ck-7-fet-mic","title":"Avantone CK-7 FET Mic","description":"\u003cp\u003eThe Avantone “Cabernet (C-series)” mics from Avantone Electronics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. \u003cbr\u003e\u003cbr\u003e The \u003cstrong\u003eAvantone\u003c\/strong\u003e \u003cstrong\u003eCK-7\u003c\/strong\u003e is truly a gorgeous looking and sounding microphone.  The design, character and performance can be compared directly to some of the very finest FET mics…but at a fraction of their cost!  Our rugged CK-7 microphone body and capsule assembly are precision machined of brass.  Aesthetically, it features an elegant metallic cabernet wine-red finish, accented with polished nickel trim and grill.  The transformer coupled discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs.  Any studio can proudly offer the CK-7 as a vocal mic or utility condenser due to its versatility…It exudes class visually as well as sonically. Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.  The versatile CK-7 mic is able to produce professional results with a warm, pleasing sonic character.  The included custom retro shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic.  This isolation allows for superior professional results.   \u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306883209,"sku":"9950","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone_ck-7_microphone.jpg?v=1784052407"},{"product_id":"avantone-cr-14-ribbon-microphone","title":"Avantone CR-14 Ribbon Microphone","description":"\u003cp\u003eThis elegantly designed bi-directional velocity ribbon microphone is intended for use in modern, state-of-the-art studios as well as private home studios.  It offers the unique, pleasing sonic character that is similar to those classic ribbon mics of yesteryear.  The special dual-ribbon design offers a better sensitivity rating than most single ribbon mics on the market.  You will also find that it does not exhibit the very dark, muted character of some ribbon mics.  On the contrary, you will find it to be full-range with a very, natural detailed sound.  The “in-phase” signal is achieved when the microphone is addressed from the front side of the mic. (Where the Avantone logo is shown).\u003cbr\u003e\u003cbr\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eAvantone CR-14\u003c\/span\u003e excels in a host of uses including studio solo vocals, group vocals and simultaneous vocal duets.  Users also report extremely good results on piano, electric guitar cabs and acoustic guitars.  The inherent natural sound of the CR-14 makes it a great choice for orchestral, woodwind \u0026amp; brass instruments as well as hand-percussion instruments.  Very interesting and satisfying tracks can also be achieved using two CR-14’s for stereo tracking. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306915977,"sku":"9932","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone_cr-14_543255ff-038b-418b-8ccd-458dba595511.jpg?v=1784052407"},{"product_id":"avantone-cv-12-tube-mic","title":"Avantone CV-12 Multi-Pattern Tube Condenser Microphone","description":"\u003cp\u003eThe Avantone CV-12 is truly a gorgeous looking and sounding microphone. The design, character, and performance can be compared directly to some of the very finest vintage tube vocal mics but at a fraction of their cost!  The rugged microphone body and capsule assembly are made from precision machined brass.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.  The transformer coupled tube circuitry has its origins in famous European vintage designs.  The CV-12 in its normal stock version uses high-grade metal Polypropylene capacitors in the audio path. Any studio can proudly offer the CV-12 as a primary vocal mic: it exudes class visually as well as sonically.\u003c\/p\u003e\r\n\r\n\u003cp\u003eManufactured using the finest materials yielding a very solid feel, superb structural integrity, and rugged reliability.  The versatile CV-12 mic is able to produce professional results with a warm, pleasing sonic character.  The included Custom Retro shock mount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eOutput impedance: \u0026lt;=250 Ohms\/transformer isolated\u003c\/li\u003e\r\n\u003cli\u003eMaximum SPL :136 dB (0.5% THD @1000 Hz) 146 dB with pad engaged\u003c\/li\u003e\r\n\u003cli\u003eEquivalent noise level: \u0026lt;17 dB\u003c\/li\u003e\r\n\u003cli\u003eS\/N ratio: 78 dB\u003c\/li\u003e\r\n\u003cli\u003eSensitivity: -35 dB\u003c\/li\u003e\r\n\u003cli\u003eOutput connector: male XLR 7 pin w\/ special power supply \u0026amp; cables\u003c\/li\u003e\r\n\u003cli\u003eIncluded accessories: Padded wooden box, shock mount, metal road case\u003c\/li\u003e\r\n\u003cli\u003eTube type: 6072A\u003c\/li\u003e\r\n\u003cli\u003eHigh-pass switch 80 Hz dB\/octave switch\u003c\/li\u003e\r\n\u003cli\u003eAttenuation switch -10 dB switch\u003c\/li\u003e\r\n\u003cli\u003eFinish: Polished nickel trim\/metallic cabernet red body\u003c\/li\u003e\r\n\u003cli\u003eWeight: 0.8 kgs\/1.8 lb\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 237 mm x 46 mm\/9.5\" x 1.8\"\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306948745,"sku":"9067","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone-cv-12-microphone-main.jpg?v=1784052407"},{"product_id":"avantone-cv-28-tube-mic","title":"Avantone CV-28 Small-Diaphragm Tube Condenser Microphone","description":"\u003cp\u003eThe Avantone “Cabernet (C-series)” mics from Avant Electronics are designed to offer true professional performance.  They will meet or surpass the performance and specifications of much higher priced mics.   \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAvantone CV-28 Tube Microphone \u003c\/strong\u003eis truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950s \u0026amp; 1960s but at a fraction of their cost!  Our rugged CV-28 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill.  The transformer coupled tube circuitry offers a modern-day, affordable solution to the desire to capture the character of famous European and American vintage designs.  Any studio can proudly offer the CV-28 as a primary acoustic instrument mic.  It exudes class visually as well as sonically.  Manufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability.  The versatile CV-28 mic is able to produce professional results with a warm, pleasing sonic character.  The included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the transfer of unwanted vibrations up into the mic. This isolation allows for superior professional results.  Three-Pattern Tube Microphone w\/ interchangeable 19mm gold sputtered thin Mylar capsule assemblies.  Military-grade -15 dB pad \u0026amp; 80 Hz LF roll off switches \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eUses Include: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic guitar\u003c\/li\u003e\n\u003cli\u003eMandolin\u003c\/li\u003e\n\u003cli\u003eDrum overheads\u003c\/li\u003e\n\u003cli\u003ePercussion\u003c\/li\u003e\n\u003cli\u003ePiano mic\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avantone","offers":[{"title":"Default Title","offer_id":47247306981513,"sku":"9349","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avantone_cv-28_microphone.jpg?v=1784052408"},{"product_id":"avenson-audio-sto-2","title":"Avenson Audio STO-2 Small Diaphragm Condenser Mic - Pair","description":"\u003cp\u003eThese exceptionally accurate Omni directional microphones are perfect for capturing instruments that need no flattery, and room sounds that bring the listener very close to feeling like they're actually in the room with the instrument(s).  The STO-2 are only sold in matched pairs so stereo is no problem.  Whether you employ a \u003ca href=\"http:\/\/www.mercenary.com\/jososstermic.html\"\u003eJecklin disk\u003c\/a\u003e or spaced pair - it will sound like you are there.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSTO-2\u003c\/strong\u003e is a pressure transducer. So are your ears.  No coincidence. Avenson started out looking for a natural sounding mic and this is what they came up with.\u003c\/p\u003e\n\u003cp\u003eSold in matched pairs, (two ears right?) the STO-2's are perfect for capturing instruments that need no flattery.  With a matched pair, stereo is no problem - Jecklin disk or spaced pair - it will sound like you are standing there.\u003c\/p\u003e\n\u003cp\u003eMade in the USA from solid aluminum, the mics are built to withstand the rigors of the studio or the road.  At only 5\" long and 1\" around they are easy to position and fit in standard mic clips.\u003c\/p\u003e","brand":"Avenson Audio","offers":[{"title":"Default Title","offer_id":47247307014281,"sku":"1654","price":550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avenson_sto2.jpg?v=1784052408"},{"product_id":"beyerdynamic-m-130","title":"beyerdynamic M 130 Double Ribbon Microphone","description":"\u003cp\u003ebeyerdynamic is one of few microphone manufacturers world-wide that still produce ribbon microphones. One of them is the legendary \u003cstrong\u003ebeyerdynamic M 130\u003c\/strong\u003e. The M 130's unique double ribbon element has a superb transient response, creating a highly detailed sound with unequalled accuracy and transparency.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eFIGURE EIGHT POLAR PATTERN\u003c\/h3\u003e\r\n\u003cp\u003eThe bidirectional figure eight polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound handles a wide variety of applications. In conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the MS- (Mid-Side) technique.\u003c\/p\u003e\r\n\u003cp\u003eThe M 130 gives excellent results when the Mid-Side technique is used to record or broadcast a true stereo image. Its rugged Design handles the demands of remote recording\/broadcast sessions as easily as those of the studio. Alone, the M 130 allows the recording of background audience noise and concert hall 'ambience' without unwanted resonances. In the recording studio it is effective with backing vocal groups, percussion and mounted toms.\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":47247307047049,"sku":"4942","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/beyerdynamic-m-130-22_4942_1.jpg?v=1784052407"},{"product_id":"beyerdynamic-m-160","title":"beyerdynamic M 160 Hypercardioid Double Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003ebeyerdynamics M 160\u003c\/strong\u003e is a very unique ribbon microphone, with it's unusual hypercardioid\r\npolar pattern, it sets itself apart from your standard ribbon mic. M 160 has a very warm, silky\r\nsound, and a very high transient response, that makes it great for drums, acoustic instruments,\r\nbrass sections, vocals, or as a room mic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe hypercardioid polar pattern offers 25 dB of off-axis noise rejection, making it a go-to mic\r\nwhen multiple players are in the same room. The M 160 is the signature sound of John Bonham's\r\nhuge drum tone, featured on Led Zeppelin's \"When the Levee Breaks\", as well as Eddie\r\nKramer's first choice for Jimi Hendrix's guitar cabinet on all his recordings.\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":47247307079817,"sku":"846","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/beyerdynamic-m-160_846_1_c884d127-e24b-45c7-b3a7-14d3775dbcf8.jpg?v=1784052408"},{"product_id":"beyerdynamic-m-260","title":"beyerdynamic M 260","description":"\u003cp\u003eThe \u003cstrong\u003ebeyerdynamic M 260\u003c\/strong\u003e is used for vocals and miking instruments at broadcast, recording and film studios. Its flat frequency response and natural, warm ribbon sonic profile make it a highly effective element of the digital recording process.  The hypercardioid polar pattern provides an extremely high gain-before-feedback and elimination of lateral noise.  The M 260 is equipped with a built-in high-pass-filter which compensates the close miking effect, when the microphone is applied very close to an instrument.  The microphone also features a high insensitivity towards magnetic stray fields and extreme temperatures.  The rugged grille protects the microphone system against accidental hits and kicks. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":47247307112585,"sku":"4988","price":469.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/beyer_dynamic_m260.jpg?v=1784052408"},{"product_id":"beyerdynamic-m-69-tg","title":"beyerdynamic M 69 TG","description":"\u003cp\u003eThe \u003cstrong\u003eM 69\u003c\/strong\u003e is a professional dynamic microphone with a wide frequency response and can be used in studio or live applications. In live situations its excellent hypercardioid pickup pattern guarantees high gain before feedback by comparison to other microphones.  The M 69 is well suited for sound contractors for use in churches or as an announcers microphones.  In the studio its uses are wide varied but can be particularly recommended for the recording of guitars, brass and woodwind.\u003c\/p\u003e\n\u003cp\u003eThe TourGroup version (M 69 TG) has a reinforced basket to withstand rough handling when being used for more demanding applications.\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":47247307178121,"sku":"5829","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/beyerdynamic-m-69-tg_5829_1_28723bcd-a20e-4334-8e9c-2b6ddc723e5a.jpg?v=1784052408"}],"url":"https:\/\/vintage-king-staging.myshopify.com\/collections\/recording-microphones.oembed","provider":"Vintage King Staging","version":"1.0","type":"link"}