{"title":"Deals","description":"","products":[{"product_id":"neve-1073lb","title":"Neve 1073LB 500 Series Mic Preamp","description":"500 Series Mic Preamp","brand":"Neve","offers":[{"title":"Default Title","offer_id":46774449602697,"sku":"16264","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve-1073lb_16264_1_1.jpg?v=1779485870"},{"product_id":"burl-audio-b1-mic-pre-demo-deal","title":"Burl Audio B1 Mic Pre (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX2 output transformer, the B1 Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals. \u003cbr\u003e\u003cbr\u003e The B1 comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon. \u003cbr\u003e\u003cbr\u003e Use the B1’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT. Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":46834190549129,"sku":"13911","price":849.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/burl_b1_front_1.jpg?v=1780350829"},{"product_id":"purple-audio-biz-mk-demo-deal","title":"Purple Audio Biz Mk (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":46834190581897,"sku":"14557","price":579.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/purple-audio-biz-mk_5631_1.jpg?v=1780350839"},{"product_id":"a-designs-audio-p-1-demo-deal","title":"A-Designs Audio P-1 (Demo Deal)","description":"\u003cp\u003eA-Designs Audio is proud to introduce a new line of microphone pre-amplifiers. These Pre-amplifiers are original designs stemming from our inspiration of the “Quad Eight Sound.”  Each has its own unique character.  Depending on which microphone you use, you will be able to open a world of color and sound to inspire you and your recordings. \u003cbr\u003e\u003cbr\u003e The P-1 is based on our highly successful Pacifica. \u003cbr\u003e\u003cbr\u003e  \n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eCheck out these Quicktime Movies to SEE and HEAR A-Designs in action!\u003c\/strong\u003e\u003cbr\u003e \u003cem\u003eRight click to save\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Sax.mov\" target=\"blank\"\u003eRecording Saxophone with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_Piano.mov\" target=\"blank\"\u003eRecording Piano with A-Designs Pacifica and EM-PEQ\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_AcousticGuitar.mov\" target=\"blank\"\u003eRecording Acoustic Guitar with A-Designs Blue and Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_MaleVox.mov\" target=\"blank\"\u003eRecording Male Vocals with A-Designs Pacifica\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/RCM_FemaleVox.mov\" target=\"blank\"\u003eRecording Female Vocals with A-Designs Hammer\u003c\/a\u003e \u003cbr\u003e \u003ca class=\"bluelinks\" href=\"http:\/\/techbreakfast.com\/SoundCity\/ADesigns_finalwebs\/Dylan_JCM800.mov\" target=\"blank\"\u003eRecording Electric Guitar with A-Designs Hammer\u003c\/a\u003e\u003c\/p\u003e","brand":"A Designs","offers":[{"title":"Default Title","offer_id":46834190975113,"sku":"29520","price":810.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/a_designs_p1_2.jpg?v=1780350887"},{"product_id":"neve-1073lb-demo-deal","title":"Neve 1073LB (Demo Deal)","description":"\u003cp\u003eDropped on the studio world in 1970, Neve’s \u003cstrong\u003e1073\u003c\/strong\u003e Audio Preamplifier immediately made its bones on the recording studio scene. Renown for its ability to capture, compliment and create a uniquely great sound no matter the source, the 1073 has been the go-to recording preamp of leading artists and producers from hit recordings too numerous to mention. If you think of any famous recording of the past 40 years, chances are more than good that the artists' voices, instruments or illegal activities first saw tape through a Neve 1073. \u003cbr\u003e\u003cbr\u003e And now it is available for your Lunchbox™ \u003cbr\u003e\u003cbr\u003e Today’s \u003cstrong\u003e1073LB\u003c\/strong\u003e is still manufactured in Great Britain to the exacting specs of Neve’s classic 1073 preamp. Featuring painstakingly recreated original spec hand-wound input and output transformers, matched components, as well as specially recreated tantalum coupling caps, the 1073LB bathes your ears in vintage Neve glory. With a build quality the British Admiralty would approve, the 1073LB’s massive input level switch contacts are gold-plated to withstand decades of marathon tracking sessions. \u003cbr\u003e\u003cbr\u003e As magical as owning a rare piece of vintage kit can appear, the lack of modern conveniences can ultimately detract from the recording experience. That’s why the boffins at Neve gave the 1073LB switchable microphone input impedance, signal presence LED and intelligent protected switching on the front combi-XLR input connector so you don’t accidentally fry a line-level device with 48v. The new Fine Trim control lets you squeeze the maximum level of sparkling clean signals or crank the gain for some Revolution distortion. The 1073LB Preamp’s smart Audio Processing Input design and Lunchbox Insert architecture allows you to create a classic Neve 1073 channel strip when used with a Neve 1073LB Series EQ. \u003cbr\u003e\u003cbr\u003e And all this sonic potential installs in an empty slot of your compatible Lunchbox™ rack, ready to inject your microphone or line level signals into that legendary universe of Neve sound.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eHighlights: \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design)\u003c\/li\u003e\r\n\u003cli\u003eAudio path is absolutely 100% discrete and the same design as the 1073 Classic module mic\/pre circuit\u003c\/li\u003e\r\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\r\n\u003cli\u003eBoth Mic and Line inputs are transformer balanced and earth free\u003c\/li\u003e\r\n\u003cli\u003eGain knob with Signal Presence LED\u003c\/li\u003e\r\n\u003cli\u003e+5\/-10dB level Trim control with integrated phantom power on\/off switch\u003c\/li\u003e\r\n\u003cli\u003ePhase, Impedance and Front Input selector switches\u003c\/li\u003e\r\n\u003cli\u003eFront combi-XLR connector with intelligent switching of phantom power\u003c\/li\u003e\r\n\u003cli\u003eAudio Processing Insert design allows processing from adjacent Neve modules in same Lunchbox to be inserted into the 1073LB's pre-output stage\u003c\/li\u003e\r\n\u003cli\u003eMicrophone Input: Gain -80db to -20dB in 5dB steps\u003c\/li\u003e\r\n\u003cli\u003eLine Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps\u003c\/li\u003e\r\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\r\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth)\u003c\/li\u003e\r\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz\u003c\/li\u003e\r\n\u003cli\u003eCrafted in England by Neve engineers\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cem\u003eLunchbox™ is a trademark of Automated Processes, Inc. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Note: The Neve 1073LB will not work with the A-Designs 500HR 2-slot rack or the Empirical Labs EL500 2-slot rack.\u003c\/em\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":46834191040649,"sku":"17305","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve-1073lb_17305_1.jpg?v=1780350891"},{"product_id":"grace-design-m501-demo-deal","title":"Grace Design m501 (Demo Deal)","description":"\u003cp\u003ePresenting the \u003cstrong\u003eGrace Design m501\u003c\/strong\u003e, our 500 series module version of the venerable m101 mic preamplifier.  Now the signature transparency and detail of our circuit designs is available for your 500 series frame.\u003cbr\u003e \u003cbr\u003e While the 500 series market has plenty of colored mic preamplifier options, the natural, musical clarity of the m501 makes it a welcome addition to the field.  This circuit is for engineers confident with the quality of the source, mic section and placement, and wish to capture it with as little coloration or distortion as possible.\u003cbr\u003e \u003cbr\u003e The m501 module is a balanced, transformerles design, with 48V phantom, a 75Hz HPF and a 1\/4” HI-Z instrument input.  Also standard is our exclusive ribbon mic mode, which raises the mic input impedance, bypasses the input decoupling capacitors and deactivates 48V phantom to protect delicate ribbon mics from damage.\u003cbr\u003e \u003cbr\u003e Large diaphragm, vintage ribbon or trusty dynamic - the m501 brings out the very best in any microphone and takes the guesswork out of your input chain.\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":46834191073417,"sku":"19421","price":675.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/grace_m501_1_1.jpg?v=1780350894"},{"product_id":"neve-88rlb-demo-deal","title":"Neve 88RLB (Demo Deal)","description":"\u003cp\u003eWhen the world’s top musicians, composers and engineers get together to record, it’s got to be Neve all the way. Not everyone has room for the world’s greatest recording console - the Neve 88RS – but now there’s no need to settle for anything other than the absolute best when it comes to capturing the beauty, energy and excitement of your recording.\u003cbr\u003e\u003cbr\u003eIntroducing the \u003cstrong\u003eNeve 88RLB\u003c\/strong\u003e - the same sound of greatness, but in the palm of your hand. The incredible sounding audio technology from Neve’s two-ton flagship 88RS console is now available to you in a 500-series format module. With extra features like the REGenerate function, a sweepable high-pass filter, intelligent phantom power control and a DI input, true Neve magic has never been more accessible or convenient. Neve - No Question.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":46834191433865,"sku":"30155","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve_88rlb_1_1.jpg?v=1780350917"},{"product_id":"burl-audio-b1d-mic-pre-demo-deal","title":"Burl Audio B1D Mic Pre (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1D\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX4 iron output transformer, the B1D Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\r\n\u003cp\u003eThe B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\r\n\u003cp\u003eThe B1D comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\r\n\u003cp\u003eUse the B1D’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT.  Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":46834191794313,"sku":"33865","price":851.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/burl_b1d_front_1.jpg?v=1780350966"},{"product_id":"purple-audio-biz-demo-deal-open-box","title":"Purple Audio Biz Mk 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":46834213912713,"sku":"181810","price":698.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/purple-audio-biz-mk_5631_1_1_a4a54633-ca2d-4d7f-a357-9b33e667609d.jpg?v=1780352060"},{"product_id":"neve-1073lb-demo-deal-open-box","title":"Neve 1073LB 500 Series Mic Preamp (Demo Deal)","description":"\u003cp\u003eDropped on the studio world in 1970, Neve's 1073 Audio Preamplifier immediately made its bones on the recording studio scene. Renowned for its ability to capture, complement and create a uniquely great sound no matter the source, the 1073 has been the go-to recording preamp of leading artists and producers from hit recordings too numerous to mention. If you think of any famous recordings of the past 45 years, chances are more than good that the artists' voices, instruments or illegal activities first saw tape through a Neve 1073.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd now it is available in the 500 series format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073LB\u003c\/strong\u003e is still manufactured in Great Britain to the exacting specs of Neve's classic 1073 preamp. Featuring painstakingly recreated original spec hand-wound input and output transformers, matched components, as well as specially recreated tantalum coupling caps, the 1073LB bathes your ears in vintage Neve glory. With a build quality the British Admiralty would approve, the 1073LB's massive input level switch contacts are gold-plated to withstand decades of marathon tracking sessions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs magical as owning a rare piece of vintage kit can appear, the lack of modern conveniences can ultimately detract from the recording experience. That's why the boffins at Neve gave the 1073LB switchable microphone input impedance, signal presence LED and intelligent protected switching on the front combi-XLR input connector so you don't accidentally fry a line-level device with 48v. The new Fine Trim control lets you squeeze the maximum level of sparkling clean signals or crank the gain for some Revolution distortion. The 1073LB Preamp's smart Audio Processing Input design and Lunchbox Insert architecture allows you to create a classic Neve 1073 channel strip when used with a Neve 1073LB Series EQ.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd all this sonic potential installs in an empty slot of your compatible 500 series rack, ready to inject your microphone or line level signals into that legendary universe of Neve sound.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The Neve 1073LB will not work with the A-Designs 500HR 2-slot rack or the Empirical Labs EL500 2-slot rack.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003ca href=\"\/neve-1073-mic-pre\" target=\"_blank\"\u003eClick here to learn more about the history of the Neve 1073 Preamplifier.\u003c\/a\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":46834214207625,"sku":"205250","price":930.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve-1073lb_16264_1_1_1_f1db2e8d-d61d-4fe5-b068-0d2f42930a8d.jpg?v=1780352186"},{"product_id":"burl-audio-b1d-mic-pre-demo-deal-open-box","title":"BURL Audio B1D 500 Series Mic Preamp\/DI (Demo Deal)","description":"\u003cp\u003eBased on the API 500 Series form factor, the \u003cstrong\u003eBurl Audio B1D\u003c\/strong\u003e was designed to compliment the B2 Bomber ADC, and give you multi-channel pleasure. With the proprietary BX3 input transformer and BX4 iron output transformer, the B1D Mic Pre delivers warmth with depth and clarity. An all discrete transistor, Class A, direct coupled, capacitor free circuit path, gives the B1amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\n\u003cp\u003eThe B1D is the same as the B1 except that it has an all iron BX4 output transformer giving it a more terrifying rock tone. An all discrete transistor, class-A, direct coupled, capacitor free circuit path, gives the B1 amazing punch on drums, beautiful tonality on guitars, and warmth with presence on vocals.\u003c\/p\u003e\n\u003cp\u003eThe B1D comes complete with both Gain and Level controls. If you want that heavy, gainy tone, crank up the stepped gain control and offset that with the level control. If clean tone is your thing, turn the gain down and crank up the level. For ribbon mics and other low impedance sources, the B1 has a transformer coupled impedance select. The B1 gets the best out of any microphone, whether it be dynamic, condenser or ribbon.\u003c\/p\u003e\n\u003cp\u003eUse the B1D’s 1\/4” instrument\/line input on the front panel, plug in, crank up the gain and go. The PAD switch allows for hot signals and balanced line inputs through the mic XLR on the back panel. Run your tracks or mixes through the B1 for warmth and glue. The B1 was designed to rock. Run multiple B1 channels for your rhythm tracks and you are there.  Replace EQ and compression with true analog PHAT.  Run your primary tracks through the B1 mic pre, follow with a B2 Bomber ADC and that's about all you will need.\u003c\/p\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":46834214666377,"sku":"461960","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/burl_b1d_front_77ca83aa-a5a7-4a0b-b5e7-4c26c00b3f3a.jpg?v=1780352285"},{"product_id":"great-river-mp-500nv","title":"Great River MP-500NV 500 Series Microphone Preamp\/DI","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreat River MP-500NV\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles.\u003cspan\u003e \u003c\/span\u003eModern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options.\u003cspan\u003e \u003c\/span\u003eAll microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications.\u003cspan\u003e \u003c\/span\u003eAll specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out - 125ma current draw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":46834367398025,"sku":"8888","price":716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/great-river-mp500nv-23_8888_1.jpg?v=1780350779"},{"product_id":"bae-312a-module-demo-deal","title":"BAE 312A Module (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eBAE \u003c\/span\u003e\u003cb\u003e 312A \u003c\/b\u003e\"500 Series\" mic preamps, made using the new Avedis 1122™ opamps, are punchy, have great bass and have a clear, extended top end. The sound is in your face and they don't compress transients. The low end is tight with good attack. They are excellent for drums and percussion. These pres are very cost effective. Many people buy racks of 6 or 11 to cover the entire drum kit. \u003cbr\u003e\u003cbr\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834367856777,"sku":"13971","price":721.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae_312a_1_c462faea-c0ba-4fc5-a9c0-87b2d9d7a647.jpg?v=1780350828"},{"product_id":"great-river-mp-500nv-demo-deal","title":"Great River MP-500NV (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eGreat River MP-500NV\u003c\/span\u003e preamp module for the '500' series rack is now available! The MP-500NV is a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles. Modern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options. All microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications. All specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out. 125ma current draw.","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":46834367955081,"sku":"13932","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/great_river_mp500nv_1_fc9807ad-b77c-46c3-bc3f-2d7b4dfb2199.jpg?v=1780350834"},{"product_id":"shadow-hills-mono-gama-mic-pre-demo-deal","title":"Shadow Hills Industries Mono GAMA Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, or Steel settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":46834368413833,"sku":"14002","price":1109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/shadow_hills_mono_gama_cat_1_785f15e6-bddf-466a-98df-604499a539ca.jpg?v=1780350892"},{"product_id":"bae-1073d-500-series-mic-pre-eq-demo-deal","title":"BAE 1073D 500 Series Mic Pre\/EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003e1073D\u003c\/strong\u003e is the long-awaited 1073-style 500 Series mic pre\/EQ from BAE. Built using the exact same transformers, cards, swiches, etc. as the BAE 10 Series module. The \"D\" indicates that this is a deluxe version of the 1073, complete with switchable high frequencies and a direct instrument input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834369822857,"sku":"31397","price":2209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae_1073d_1_c1dc6629-a9b8-4c15-ab06-bda08cbe7def.jpg?v=1780350943"},{"product_id":"bae-1073mpl-500-series-mic-pre-demo-deal","title":"BAE 1073MPL 500 Series Mic Pre (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073MPL\u003c\/strong\u003e is a 500 Series version of the 1073MP (a mic preamp version of the 1073 equalizer), having the same well-known characteristic Class A sound with its harmonically rich low end, slight resonant highs, and maintained focused mids.\u003cbr\u003e\u003cbr\u003eTwo selectable impedances makes the 1073MPL work well with a variety of microphones.\u003cbr\u003e\u003cbr\u003eAs a colorful and versatile mic pre, the 1073MPL maintains its sonic signature across a wide bandwidth.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834372083849,"sku":"48831","price":1079.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae-1073mpl_48831_1_89dae8c0-25bd-4908-b851-b3dc76363fc8.jpg?v=1780351217"},{"product_id":"bae-312b-demo-deal","title":"BAE 312B (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312B\u003c\/strong\u003e 500 Series mic preamp offers the same sound as the 312A, with 9 db lower gain. It's made using the new Avedis 1122™ opamps, is punchy, has great bass and a clear, extended top end. The sound is in your face and it don't compress transients. The low end is tight with good attack. This module is an excellent choice for drums and percussion. \u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834373132425,"sku":"50199","price":764.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae_312b_1_e12ee52c-2a44-40c3-b198-f200251813df.jpg?v=1780351238"},{"product_id":"shadow-hills-industries-mono-gama-500-series-mic-preamp-exclusive-copper-demo-deal","title":"Shadow Hills Industries Mono GAMA 500 Series Mic Preamp - Exclusive Copper (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003cbr\u003e\u003cbr\u003eThe copper version is a limted, bespoke version of the standard Mono GAMA. The control panel is made of solid copper and is hand-engraved. With the addition of Shadow HIlls' innovative Stack technology, to the transformer switching matrix, you can be assured that the M.G.C. is the most advanced system for amplifying microphones and unbalanced line signals, for audio transmission. The unique technology contained within the Mono GAMA Copper ensures that even under the most inhospitable conditions, unamplified signals can be brought into compliance by Shadow Hills' ardent, battle proven technology.\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003e\u003cem\u003e\"As victims of its bold styling and glowing reviews, we purchased a Mono GAMA for Kore Studios a year ago. It is one of those pieces that has an instant \"wow\" factor. Visiting engineers always seem to greet it with the sentence 'Oh yeah, these are supposed to be awesome!!' This unit has yet to disappoint. Its ability to dial up three such distinctive sounds with the satisfying click of its chunky dial makes this pre very popular. Our personal favorite is the 'steel' setting with an SM57 on electric guitar cabs but the GAMA will earn its respect on just about anything.\"\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e- George Apsion, \u003cem\u003eKore Studios\u003c\/em\u003e, London\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. If features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency.\u003c\/p\u003e\r\n\u003cp\u003eThe preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Discrete, Nickel, Steel, or Stack settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Stack combines the Nickel and Steel transformers for greater saturation, more distortion, and color. Each transformer position is stellar unto itself, but the capability of switching between them is like having four great mic pres in one.\u003c\/p\u003e\r\n\u003cp\u003eAll standard mic pre features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input.\u003c\/p\u003e\r\n\u003cp\u003eThe build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":46834388795529,"sku":"226283","price":1069.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/shadow-hills-mono-gama-copper_189603_1.jpg?v=1780352244"},{"product_id":"bae-1073d-500-series-mic-pre-eq-demo-deal-open-box","title":"BAE 1073D 500 Series Mic\/Line Preamp\/EQ (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 1073D 500 Series Mic Pre\/EQ\u003c\/strong\u003e is a stellar re-creation of the classic Neve 1073. This three-slot 500 series preamp delivers that signature Neve sound, now for a fraction of the price. The 1073 design has been a favorite on drums, guitars, vocals, bass, and pianos, for decades. You can easily achieve a warm, silky sound, or drive the preamp to get beautiful harmonic distortion, which is great for that \"Revolution\" guitar tone, or gritty vocal performance.\u003c\/p\u003e\u003cp\u003eThe 1073D offers the same EQ as the original Neve 1073, but with some added frequencies on the high band. The standard 1073 12 kHz band is available, along with options to select 10 kHz, and 16 kHz. You can choose to completely bypass the EQ with the EQL selector switch on the front panel, or engage EQL without adding any EQ to give color of the transformer.\u003c\/p\u003e\u003cp\u003eThe output knob is great for getting the right amount of harmonic distortion, without clipping the input to your audio interface. Since the output knob is post EQ, it can be used to dial back the signal if the EQ boost is pushing your convertor over the top.\u003c\/p\u003e\u003cp\u003e1073D can be used as a stand alone DI, great great for bass, keyboards, or even a guitar you wish to Re-Amp down the road. A ¼” input and DI selector switch is on the front panel for easy access.\u003c\/p\u003e\u003cp\u003eSend signal back through the 1073D in “Line” mode to use the EQ as a stand-alone unit. Also gives access to the line input preamp, which can be used as a trim, or you can use it to add more warmth, and grit to whatever source you send it.\u003c\/p\u003e\u003ch3\u003eSpecifications:\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eHigh Frequency: ±16 dB fixed frequency shelving at 10 kHz, 12 kHz and 16 kHz\u003c\/li\u003e\n\u003cli\u003eLow Frequency: ±16 dB shelving with selectable frequencies of 35 Hz, 60 Hz, 110 Hz \u0026amp; 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Range: ±18 dB peaking, fixed 'Q' with, selectable centre frequencies of 0.36 kHz, 0.7 kHz, 1.6 kHz, 3.2 kHz, 4.8 kHz \u0026amp; 7.2 kHz\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: 50 Hz, 80 Hz, 160 Hz \u0026amp; 300 Hz\u003c\/li\u003e\n\u003cli\u003ePhase Button: 180°\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834389221513,"sku":"461879","price":2156.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae_1073d.jpg?v=1780352284"},{"product_id":"bae-312a-module-demo-deal-open-box","title":"BAE 312A 500 Series Mic Preamp\/DI (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eBAE 312A\u003c\/strong\u003e is a world-class preamp that combines a capacitor-free circuit with high-quality Jensen transformers and  BAE’s proprietary 2015 op-amp for a fast, punchy sound. Perfect for recording drums and fattening up bass DI tracks, the BAE 312A delivers a thick, rich tone with crisp, clear transients.\u003c\/p\u003e\u003ch3\u003eHIGH-END COMPONENTS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A preamp is hand-wired using high-quality components to ensure world-class tone. Hearty Jensen transformers at the input and output stages are perfect for adding warmth to any instrument. The capacitor-free signal path easily allows transients to pass through for punchy, percussive recordings. BAE’s custom built discrete 2015 op-amp provides a clean, transparent sound that takes well to EQ and dynamics processing.\u003c\/p\u003e\u003ch3\u003eSIMPLE CONTROLS\u003c\/h3\u003e\u003cp\u003eThe BAE 312A features an intuitive design with easy-to-use controls. A large, rugged dial controls gain settings, offering an impressive 66 dB of gain. The mic\/instrument switch allows you to toggle between the microphone and high-impedance line level input on the front panel for recording direct instrument signals. The pad button reduces input gain for recording particularly loud instruments like heavy-hitting drummers or roaring guitar amps. The phase reversal button inverts the phase of a signal—perfect for recording snare bottom mics! The 48 V button provides phantom power for condenser microphones.\u003c\/p\u003e\u003ch3\u003eQUALITY CONSTRUCTION\u003c\/h3\u003e\u003cp\u003eThe BAE 312A includes a remote power supply with a four-foot cable, making it easy to mount anywhere in your studio. BAE’s custom power supplies are capable of delivering four times the current required by the preamps for optimum sound quality. The BAE 312A features easy-access XLR input and outputs on the back for connecting microphones and other devices, as well as a high-quality instrument on the front for connecting guitars and synthesizers. Even the switches on the BAE 312A are high quality with gold contacts to ensure they last a lifetime.\u003c\/p\u003e","brand":"BAE","offers":[{"title":"Default Title","offer_id":46834396758153,"sku":"497119","price":774.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/bae-312-a-module_9546_1.jpg?v=1780352471"},{"product_id":"shadow-hills-industries-mono-gama-500-series-microphone-preamp-hammer-forged-copper-demo-deal-open-box","title":"Shadow Hills Industries Mono GAMA 500 Series Microphone Preamp - Hammer Forged Copper (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\n\u003cp\u003eThe \"Hammer Forged\" is a limited, bespoke version of the standard Mono GAMA. With the addition of Shadow Hills' innovative Stack technology, to the transformer switching matrix, you can be assured that the M.G.C. is the most advanced system for amplifying microphones and unbalanced line signals, for audio transmission. The unique technology contained within the Mono GAMA ensures that even under the most inhospitable conditions, unamplified signals can be brought into compliance by Shadow Hills' ardent, battle proven technology.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eSHADOW HILLS' DISCRETE OP-AMP\u003c\/h3\u003e\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. It features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency. The preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eFOUR TRANSFORMER SETTINGS\u003c\/h3\u003e\n\u003cp\u003eChoose between Discrete, Nickel, Steel, or Stack settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Stack combines the Nickel and Steel transformers for greater saturation, more distortion, and color. Each transformer position is stellar unto itself, but the capability of switching between them is like having four great mic preamps in one.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eSTANDARD MIC PREAMP FEATURES\u003c\/h3\u003e\n\u003cp\u003eAll standard microphone preamp features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input. The build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":46834396790921,"sku":"498657","price":1359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/shadow-hills-mono-gama-500-forged-copper-mic-pre_490645_1.jpg?v=1780352474"},{"product_id":"shadow-hills-industries-mono-gama-500-series-microphone-preamp-hammer-forged-noir-demo-deal-open-box","title":"Shadow Hills Industries Mono GAMA 500 Series Microphone Preamp - Hammer Forged Noir (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eShadow Hill Industries Mono GAMA\u003c\/strong\u003e is a single-channel API 500 Series version of the Golden Age Microphone Amp - with all the capabilities, features, and quality of the original! The Mono GAMA is centered around a custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The Mono GAMA shines on vocals and, with a line-level input, is just as powerful on instrument signals!\u003c\/p\u003e\n\u003cp\u003eThe \"Hammer Forged\" is a limited, bespoke version of the standard Mono GAMA. With the addition of Shadow Hills' innovative Stack technology, to the transformer switching matrix, you can be assured that the M.G.C. is the most advanced system for amplifying microphones and unbalanced line signals, for audio transmission. The unique technology contained within the Mono GAMA ensures that even under the most inhospitable conditions, unamplified signals can be brought into compliance by Shadow Hills' ardent, battle proven technology.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eSHADOW HILLS' DISCRETE OP-AMP\u003c\/h3\u003e\n\u003cp\u003eThe core of the Mono GAMA is Shadow Hills' Discrete Operational Amplifier. It features outstanding clarity and an ultra-fast transient response. The op-amp contributes to Mono GAMA's incredible transparency. The preamplifier input is transformer-balanced utilizing an original Jensen input transformer. During development, Shadow Hills couldn't decide which vintage output transformer they preferred best, so they had all of their favorites perfectly recreated, and included them all! You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eFOUR TRANSFORMER SETTINGS\u003c\/h3\u003e\n\u003cp\u003eChoose between Discrete, Nickel, Steel, or Stack settings. Discrete is the transformerless setting. Nickel gives you flat low end, and a 1 dB boost at 10k. Steel adds a 1 dB boost at 40 Hz with a tight Q. Stack combines the Nickel and Steel transformers for greater saturation, more distortion, and color. Each transformer position is stellar unto itself, but the capability of switching between them is like having four great mic preamps in one.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eSTANDARD MIC PREAMP FEATURES\u003c\/h3\u003e\n\u003cp\u003eAll standard microphone preamp features are present on the Mono GAMA: phantom power, phase reverse, a twenty dB pad, and direct input. You also have the ability to pad and reverse the phase of the Direct Input. Attenuation control provides 18 dB range on mic signals or 8 dB on the line input. The build quality of the Mono GAMA is unmatched. It features engraved front panels, a twenty four position Swiss-made attenuator for gain control, custom made knobs, and engraved serial number plates.\u003c\/p\u003e","brand":"Shadow Hills Industries","offers":[{"title":"Default Title","offer_id":46834396823689,"sku":"498658","price":1239.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/shadow-hills-mono-gama-hammer-forged-noir_490869_1.jpg?v=1780352475"},{"product_id":"api-512c-demo-deal","title":"API 512C (Demo Deal)","description":"\u003cp\u003eWhile it's entirely accurate to call the \u003cstrong\u003eAPI 512c\u003c\/strong\u003e an excellent all-around microphone preamp, that doesn't do it justice. The API 512c is arguably the most popular 500 Series module available, offering every bit of the classic API console sound in a single-channel 500 Series format. Some describe the character as \"pure.\" Some call it \"fast.\" However you define it, the 512c delivers 100% API sound...versatile and timeless.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFaithful to the original API circuit designs\u003c\/li\u003e\r\n\u003cli\u003ePopular for its remarkable versatility\u003c\/li\u003e\r\n\u003cli\u003e500 Series format\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFaithful to the original API circuit designs\u003c\/strong\u003e\u003cbr\u003eFor those of us who can't afford an original API console or simply don't have that kind of space, the API 512c is a gift. This single-channel mic preamp was faithfully designed to deliver the same distinct sound, at a price and in a format that makes sense for today's studios. The traditional fully discrete API circuit design is here, along with the famous API 2520 Op-amp. The API 512c also offers high headroom, with 65dB of gain on the mic preamp and 50dB on the line\/instrument side.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePopular for its remarkable versatility\u003c\/strong\u003e\u003cbr\u003eThe API 512c is possibly most noted for its versatility, just like the front end of the original API consoles that somehow sounded incredible no matter the application. You can get a huge, open vocal sound with the 512c, or use it for a certain \"pop\" on just about any source imaginable...cymbals, piano, acoustic guitar. It plays nicely with nearly any mic too. You'll hear the SM57 open up a bit. Or, pair it with your prized large-diaphragm condenser and notice all the details you love, with just the right of complementing color. The bottom line is, you really can't go wrong.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e500 Series format\u003c\/strong\u003e\u003cbr\u003eAPI truly pioneered the 500 Series format, finding a way to make their legendary sound available on a piece-by-piece basis to meet your specific needs. Within the format, the API 512c is a staple, an indispensable preamp for the vintage-minded studio with modern needs.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":46834433753225,"sku":"14554","price":799.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/api_512c_cat_1.jpg?v=1780350822"},{"product_id":"avedis-ma5-microphone-pre-demo-deal","title":"Avedis Audio Electronics MA5 Microphone Pre (Demo Deal)","description":"After some requests from audio engineers, the \u003cb\u003eAvedis Audio MA5\u003c\/b\u003e was created for the need of a high quality microphone preamplifier in the characteristic sound of early 70's British consoles. The re-engineering in the creation of the MA5 stemmed from years of experience restoring both American and British modules, deeply rooted in classic transformer-balanced, discrete electronics. Only the best and most suitable components are used throughout, regardless of cost, to attain the best sound. \u003cbr\u003e\u003cbr\u003e Much time was spent on the MA5, not only on the engineering side of the design, but also to extensive sound evaluations in observation of specific settings, gain structures, and key components spanning a time frame of a little over a year. \u003cbr\u003e\u003cbr\u003e We have always believed that even with some of the best audio test analyzers we own and use, our ears' sensitivity, coupled with good judgment of sound through experience, is still unparalleled. In the end, it is our ears we are trying to satisfy. \u003cbr\u003e\u003cbr\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":46834433818761,"sku":"16587","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avedis_ma5_black_knob_2.jpg?v=1780350827"},{"product_id":"electrodyne-501-preamp-demo-deal","title":"Electrodyne 501 Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eElectrodyne 501\u003c\/span\u003e is a two-stage, discrete transistor, transformer-coupled preamp with active DI based primarily on the modules found in the classic 1608 console.  Each amp stage is individually optimized for peak performance using detailed Electrodyne factory engineering notes and select high performance components identical to the originals. In fact, the 501’s transformers are made by Electrodyne’s original supplier to exacting factory specifications.\u003cbr\u003e \u003cbr\u003e The new preamp’s active DI circuit presents an almost immeasurable load (over six megohms) to sensitive musical instrument outputs allowing incredibly accurate capture of the instrument’s true tone.  Furthermore, the output of the DI circuit is designed to directly connect and interact with the mic input transformer to permit an extremely broad spectrum of tonal options. \u003cbr\u003e \u003cbr\u003e The faceplate of the Electrodyne 501 features a large rotary gain control offering up to 68dB of gain – adjustable over 50dB in 2dB steps with two ranges via a 20dB pad switch – and a smaller output level pot infinitely adjustable from 0 (off) to +6dB over unity.  Additional switches for impedance selection (50 or 200 ohms), phase reverse, +48V phantom power and DI (with 1\/4\" input jack) are also present, as well as a clip LED that monitors all three amp stages and illuminates when any stage is 3dB from clipping.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum Gain:\u003c\/strong\u003e 68db – adjustable over 50db in 2db steps with two ranges using 20db pad \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput level control:\u003c\/strong\u003e Infinitely adjustable from 0 (off) to +6db over unity \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e Microphone, 50 \/ 200 ohms selectable. DI, over 7 megohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 150 ohms \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eDistortion:\u003c\/strong\u003e 0.02% typical over entire gain range \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eMaximum output:\u003c\/strong\u003e +30db at less than 0.8%thd. (+29.5db at 0.06%thd) \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e +\/- 0.25db, 10hz to 60khz \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eSignal to noise: \u003c\/strong\u003e-80db typ, -60db at absolute maximum gain \u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eClip indicator: \u003c\/strong\u003eMonitors all three amp stages and illuminates when any stage is 3db from clip \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Electrodyne","offers":[{"title":"Default Title","offer_id":46834433851529,"sku":"14474","price":779.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/electrodyne_501_1.jpg?v=1780350832"},{"product_id":"roll-music-systems-rms5a7-tubule-demo-deal","title":"Roll Music Systems RMS5A7 Tubule (Demo Deal)","description":"Roll Music Systems Inc introduces new \u003cb\u003eRoll Music Systems RMS5A7\u003c\/b\u003e tube microphone preamplifier or \"Tubule\" in 500-series modular format. Roll Music Systems, manufacturer of the popular RMS216 Folcrom passive summing device and the acclaimed RMS755 Super Stereo compressor, are set to release their next innovative new product. \u003cbr\u003e\u003cbr\u003eWith the explosion of new modular products for the 500-series frames sold by various manufacturers, user requests for a tube-based module have been met almost universally with claims by designers and engineers that it couldn't be done. Roll Music Systems has proven it can be done, and be done well. \u003cbr\u003e\u003cbr\u003eThe Tubule is a real transformer-coupled tube mike preamp, getting all its amplification from a standard dual triode tube. It uses sophisticated modern power management circuitry to generate the high-voltage plate supply and the high-current heater supply to power the tube. Careful design of this high-efficiency power management circuitry has allowed for a preamp that fits within the space and power consumption limitations of a single module. \u003cbr\u003e\u003cbr\u003eThe Tubule features switches for -20dB input pad, polarity inversion, and phantom power, a 12-position gain control switch that ranges from 33 to 66dB in 3dB steps, and a continuously-variable input attenuator that ranges from 0 to -10dB for very accurate gain settings that can be easily recalled.","brand":"Roll Music Systems","offers":[{"title":"Default Title","offer_id":46834433982601,"sku":"13999","price":720.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/roll_music_systems_rms5a7_tubule_1.jpg?v=1780350840"},{"product_id":"vintech-573-demo-deal","title":"Vintech 573 (Demo Deal)","description":"Vintech 573 (Demo Deal)","brand":"Vintech Audio","offers":[{"title":"Default Title","offer_id":46834434048137,"sku":"17642","price":625.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/vintech_573_1_1.jpg?v=1780350844"},{"product_id":"millennia-hv-35-demo-deal","title":"Millennia HV-35 (Demo Deal)","description":"\u003cp\u003eThis might be music's purest preamp. It's no wonder the iconic \"HV-3\" first dazzled engineers who worked with classical and acoustic music, where each and every single detail matters. But, more and more engineers from all genres have discovered the magic of the HV-3's musically transparent circuitry. The fact is, you can never \"undo\" the color your microphone preamplifier adds. In contrast to preamps that lay on lots of color, the Millennia HV-3 is meticulously crafted to give you the full, authentic voice of your microphone. That way, you're not committed from the start, and you can easily sculpt your sound later with the exact character you want. Hear the detail today with the Millennia HV-3.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/li\u003e\n\u003cli\u003ePure, musical, incredibly smooth preamplifier\u003c\/li\u003e\n\u003cli\u003ePreserves your sound for later processing\u003c\/li\u003e\n\u003cli\u003eKnown to save you time with EQ\u003c\/li\u003e\n\u003cli\u003eMillennia gear is made for detail\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe HV-35: \"HV-3\" for 500 Series\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt's here, the iconic HV-3 topology in a format perfect for your 500 Series rack. While Millennia was reworking the HV-3 to fit the form factor, they went ahead and incorporated all the push buttons that HV-3 fans had been asking for over the years. The easy-access buttons include a 15dB pad, a polarity flip, 48V phantom power, a 10dB switch for ribbon mics, a highpass filter, and switch for the front-panel hi-Z instrument input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePure, musical, incredibly smooth preamplifier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe HV-3 is there, but it's not there. And that's exactly how you want it. Built to offer the most transparent path from your microphone to the rest of your signal chain, the HV-3 features a transformerless input, balanced audio path, and minimal amplifier design. Aficionados of classical and acoustic-based music may have first discovered the promise of the HV-3's honest approach to preamplification, but the preamp is rapidly making its way into studios of all genres. Once you've heard it, you'll realize that no color is a color, too. What you give the HV-3, you get.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreserves your sound for later processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMuch of our gear is soaked with character and personality. It's easy to overdo it. The Millennia HV-3 is ideal for the engineer who wants to try on color, without committing to one sound from the start. When you've recorded with the HV-3, you know you're starting from square one, so you can precisely dial in the tone, flavor, and character you want from your outboard gear or plug-in processors. To put it another way, if you were deciding what sculpture to make, you'd most likely want to start with an unchiseled piece of stone. The HV-3 translates the sound of the performance and the voice of your microphone, without getting in the way.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKnown to save you time with EQ\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you're used to processing colored audio from the start, working with an HV-3 preamplifier will be a change. But, it's an easy workflow to get into. In particular, engineers who have used the HV-3 often note that tracks are somehow easier to EQ. With the right mic, in the right place, the HV-3 delivers a smooth, natural response that seems to require less tinkering. Without the heavy hand of a preamp, tracks seem to fall together into place.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMillennia gear is made for detail\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFounder and chief designer John LaGrou takes the same approach to his exceptional audio gear as he does to the wine he cultivates in the California countryside. Detail matters, it's everything. Whether in a vintage of wine or your multi-track mix, taken together, those details can make a major difference in the end result. Millennia equipment celebrates those fine, subtle points, bringing you gear that's built with uncompromising quality to deliver purity in music.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Millennia Media","offers":[{"title":"Default Title","offer_id":46834434211977,"sku":"18893","price":769.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/millennia_hv-35_1.jpg?v=1780350853"},{"product_id":"chandler-limited-little-devil-preamp-demo-deal","title":"Chandler Limited Little Devil Preamp (Demo Deal)","description":"What makes the \u003cspan style=\"font-weight: bold;\"\u003eChandler Little Devil Preamp\u003c\/span\u003e so special? Well, several things. The Class A gain stage sounds like no other design Chandler’s done. It’s big, yet open and full of life. Just about any parameter of the sound is changeable including the ability to change both the Feedback and Bias of the amplifier. The Feedback control increases harmonics thousands of times over the range of the control. The nature of clipping and distortion also changes and ranges from soft Class A clipping to super soft gushy tube type. The sounds range from a very colored and “over biased” tone to a gently colored and “in your face” tone. Other features of the Devil Pre include High and Low input impedance; transformer balanced line in for using the Devil as a color box on mixes or tracks; low cut; bright switch and more! This unit has no power-up issues with lunchboxes and rack systems.","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":46834434867337,"sku":"21122","price":805.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/chandler_little_devil_preamp_1_1.jpg?v=1780350895"},{"product_id":"aml-ez1073-500-demo-deal","title":"AML ez1073-500 (Demo Deal)","description":"The \u003cb\u003eAML ez1073-500 \u003c\/b\u003eis a Class A, mic pre-amp, line amp and EQ\/Filter module which occupies two slots in a 500 series rack. Fully populated with Carnhill transformers and inductors to achieve its distinctive classic sound, this high-end hand-built British module provides an affordable solution for the modern cost conscious studio.\u003cbr\u003e","brand":"AML","offers":[{"title":"Default Title","offer_id":46834434965641,"sku":"25365","price":821.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aml_ez1075_500_1.jpg?v=1780350904"},{"product_id":"chandler-limited-germanium-500-preamp-mkii-demo-deal","title":"Chandler Limited Germanium 500 Preamp MKII (Demo Deal)","description":"The \u003cspan style=\"font-weight: bold;\"\u003eChandler Germanium 500 MKII\u003c\/span\u003e is an updated version of Chandler’s original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is the well-known Germanium Preamp adapted for 500 series racks, using the same transformers and amp blocks to assure the sound is consistent with the rack version. Chandler has updated the power on the MKII so there are no known power-up issues with current lunchboxes and rack systems.","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":46834436014217,"sku":"22119","price":989.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/chandler_germanium_500_mkii_1.jpg?v=1780350919"},{"product_id":"phoenix-audio-drs-1r-500-demo-deal","title":"Phoenix Audio DRS-1R 500 (Demo Deal)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Phoenix Audio DRS-1R Mic Pre\/DI\u003c\/span\u003e uses their well proven and loved Class A output stage (DSOP-2), but also has Phoenix's latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-1 also incorporates the Phoenix Audio high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +-0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Micinput stage. Microphone input: XLR'sRear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46834437390473,"sku":"22020","price":609.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/phoenix_drs-1r_500_1.jpg?v=1780350947"},{"product_id":"wunder-audio-cobalt-pre-demo-deal","title":"Wunder Audio Cobalt Pre (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eWunder Audio Cobalt Pre\u003c\/strong\u003e is the result of years of testing, development and enhancements made by Wunder Audio in Austin, TX with the PEQ1 and PEQ2. The inside of this discrete Class A build-quality module is pristine, with meticulous wiring and impeccable soldering. Top-of-the-line components are used at every junction, highlighted by Wunder's own custom wound transformers. The transformers are made using the same custom laminations of Nickel\/Iron\/Cobalt that were used in the original Zeppelin \"Allotrope\" modules; which inspired the original Wunder Audio PEQ1. The transformers are so beefy that they barely fit in the unit's case.\u003c\/p\u003e\r\n\u003cp\u003eThe Cobalt Pre has the same circuit, input transformer, and output transformer as the Wunder Audio PEQ2. All aspects of this design, from the metalwork to the components in the circuit, are made to the same exact standards as the PEQ2 but remade for the 500 series format.\u003c\/p\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":46834437423241,"sku":"31777","price":747.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/wunder_audio_cobalt_pre_angle.jpg?v=1780350949"},{"product_id":"rupert-neve-designs-portico-542-tape-emulator-demo-deal","title":"Rupert Neve Designs Portico 542 Tape Emulator (Demo Deal)","description":"\u003cp\u003eAs a 500 Series follow-up to the Portico 5042, the \u003cstrong\u003e542\u003c\/strong\u003e delivers the same thick, musical simulation of tape while drastically enhancing creative control via a number of new features. In addition to the the “true tape” circuitry – great for bringing out 3rd-order harmonics – the 542 incorporates a soft-clip circuit that tames the harshest sources and enhances 2nd-order harmonics, a variable and versatile Silk\/Texture circuit for three transformer tones in one, and a wet\/dry control to blend in the perfect amount of saturation. \u003cbr\u003e\u003cbr\u003e The Portico 542’s “True Tape” emulation circuit provides the nostalgic rounding and compression usually only achieved by the use of tape, and can offset the harshness often found in digital recordings. Unlike digital emulations, the “True Tape” drive circuit works by feeding a tiny magnetic “record head”, whichin turn is coupled to a correctly equalized, replay amplifier. As the voltage rises on the “record head”, saturation increases, and a soft clip circuit engages at higher levels to round off peak transients. The sound of the tape circuit can be further modified with selectable 15 \/ 30 IPS modes and a pre\/post-tape blend control. In addition to the tape circuit, the 542 also has the variable Silk \u0026amp; Texture circuitry found in the Portico II series of modules, which allows the engineer to fine-tune the harmonic ratio and tonality on the output transformer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eGetting the Most Out of the 542\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile in the olden days, tape’s non-linearity was generally looked upon as more of a curse than a “feature”, the advent of digital systems that operate in a completely linear fashion has made many appreciate the quirks of non-linear audio processing. Unlike linear designs, non-linear devices require the user to actively experiment with gain staging to find the “sweet spot” of the circuit. Although this requires a small amount of effort on part of the engineer, if used properly, the effect can add a dynamic aspect to performances that can enhance the impact of a song. \u003cbr\u003e\u003cbr\u003e The non-linearity in the 542’s “True Tape” circuitry and Saturation control necessitate taking note of both drive and input levels. How levels are staged into the 542’s tape circuit can significantly impact tone, depending on the position of the saturation control and the drive level on the tape circuit. As saturation is increased, low frequency compensation is decreased, and at a drive level of 5 the soft clipper enters the circuit. Finding the best balance point between low frequency response, total harmonic distortion, and desired soft clipping require playing with a combination of the saturation, trim and blend controls, and may also include using dynamics processing and proper gain staging before the 542. \u003cbr\u003e\u003cbr\u003e As a rough guide, we recommend starting with an input signal from around 2-10dBu and applying saturation, 15 \/ 30 IPS, Silk, and blend to taste. However, it always behooves the engineer to experiment with the balance between the pre-tape signal level and the level of the saturation control to find the best results for each source. \u003cbr\u003e\u003cbr\u003e To get a better idea of what is happening at different saturation and “Tape Head” levels, look through the frequency response and THD by frequency response graphs in the Technical Specifications section at the end of the manual. \u003cbr\u003e\u003cbr\u003e Also, like a real tape machine, the flux loops in the “True Tape” circuitry can pick up signals from strong nearby magnetic fields (The most likely sources are nearby power supplies, power amplifiers and computer monitors). Although we have shielded both the unit as a whole and the tape circuit to minimize stray inductance, if you have issues with hum when engaging the tape circuit, try moving the 542 to other spots away from magnetic field radiators until the hum subsides.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cstrong\u003eAdding Texture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBoth Silk modes are modified and fine tuned by the “Texture” control. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly four times the amount of coloration found in Silk from the original Portico Series. With Silk \/ Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s vintage class-A designs. These controls add another realm of tonal control to the 542, and should be explored creatively in conjunction with the “True Tape” for best effect.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eDesigned for 500 Series by Mr. Rupert Neve\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRupert Neve: “While creating functional 500 Series modules is relatively simple, designing those modules to equal their non-500 series counterparts with the current, voltage and space restraints is quite challenging. In creating our Portico 500 Series Modules, we experimented with a number of different transformer and circuit designs to achieve the same presence and sweetness found in the Portico Series of modules. The result of these efforts is that outside of the slightly lowered headroom, our 500 series modules are nearly indistinguishable from standard Portico Series modules, and are perfectly suited for studios of the highest-caliber.” \u003cbr\u003e\u003cbr\u003e The Portico 542 consists of a line driving amplifier having transformer balanced inputs and outputs. The sonic quality of these amplifiers is such that by providing galvanic isolation, simple single-sided circuit topology and freedom from grounding problems, they are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. The sonic “signature” is one of extreme purity and the image is consistent with that of Rupert Neve’s original designs of 35-40 years ago.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834438078601,"sku":"34461","price":764.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_542_1.jpg?v=1780350976"},{"product_id":"rupert-neve-designs-portico-511-mic-pre-demo-deal","title":"Rupert Neve Designs 511 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e 500 Series microphone preamp combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application. This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk\/Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834442403977,"sku":"37266","price":759.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-511_30499_1_1.jpg?v=1780351087"},{"product_id":"chandler-limited-tg2-500-demo-deal","title":"Chandler Limited TG2-500 (Demo Deal)","description":"\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/86577199\u0026amp;color=ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\"\u003e\u003c\/iframe\u003e\r\n\u003chr\u003e\r\n\u003cp\u003eBuilding upon the popularity of the Chandler's acclaimed TG2 Preamp\/DI, the \u003cstrong\u003eChandler Limited TG2-500\u003c\/strong\u003e delivers the classic sound of the EMI TG12428 preamp used in EMI \/ Abbey Road recording and mastering consoles in the late 60s and early 70s – in the 500 Series module form factor.\u003c\/p\u003e\r\n\u003cp\u003eUsing the identical TG2 circuit, transistors, and transformers, the TG2-500 delivers 10-60 dB of gain and uses a coarse gain control and a fine gain control as found on EMI consoles. The unit provides 300 and 1200 Ohm input impedance as on the TG2, which the Chandler's customers have come to value.\u003c\/p\u003e\r\n\u003cp\u003eThe Chandler TG2-500 delivers a frequency response identical to the TG2 and it has the same high frequency bump and mid forward tone that users enjoy with the TG2, along with the warmth-inducing distortion, which contributes to its sound. The end result is a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has the \"warmth and punch\" of a Neve, but with a nicer, expanded top end.\u003c\/p\u003e\r\n\u003cp\u003eChandler Limited owner and chief product designer Wade Goeke commented on the company’s new TG2-500 preamp, “The TG2-500 is a product we’ve been asked about for a number of years. In the past, I always commented that I had not yet found the right way to engineer this unit in the 500 Series form factor. Now, I’m pleased to report that, after working on this challenge for quite some time and attempting a number of different methods in the process, I’ve made everything work to my satisfaction. I’m glad I was patient because I genuinely believe our users will be pleasantly surprised and very pleased with the results!”\u003c\/p\u003e\r\n\u003cp\u003e\r\n\u003c\/p\u003e\u003chr\u003e\r\n\r\n\u003ch3\u003eWord on the Street\u003c\/h3\u003e\r\n\u003cp\u003e\"...f\u003cspan\u003eor me, for the classic sound I crave in my studio, the TG Series microphone preamps may just be my personal favorite microphone preamps of all time. Get yourself some of this.\"\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePaul Vnuk Jr. - Recording Magazine\u003c\/strong\u003e | \u003ca href=\"http:\/\/chandlerlimited.com\/product-reviews\/chandler-limited-tg2-500-preamp\/\" target=\"_blank\"\u003eClick here for full review\u003c\/a\u003e\u003c\/p\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":46834443681929,"sku":"40914","price":1079.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/chandler-limited-tg2-500-preamp-front_1_1.jpg?v=1780351118"},{"product_id":"ssl-vhd-500-series-mic-pre","title":"SSL VHD 500 Series Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eSSL VHD 500\u003c\/strong\u003e preamp harnesses versatile VHD-based preamp technology from the flagship SSL Duality console to deliver a wide range of tonal options for recording engineers. Combining SuperAnalogue circuitry with SSL’s patented Variable Harmonic Drive (VHD) system, the SSL VHD 500 can dial in everything from crystalline clean records to aggressive, highly saturated tones.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eVARIABLE HARMONIC DRIVE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL VHD 500 preamp is a highly flexible preamp, well suited for any style of recording. In standard mode, the VHD 500 utilizes SuperAnalogue circuitry to deliver ultra-clean recordings. Engage the VHD circuit to generate rich harmonic distortion using an all-analog signal path for a rich, warm tone. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs you increase the input gain, the VHD system outputs more harmonics, which can be controlled using the Drive knob. Turn the knob to the left to create gentle valve-style warmth with a touch of transistor edge. Turn the knob to the right for trashy “transistor-esque” sound full of 3rd order harmonics. Or leave the knob somewhere in the middle for a blend of both and a world of sonic options in-between\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePROFESSIONAL PREAMP FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL VHD 500 preamp features three rotary controls for input gain, trim and Drive. The input gain controls range from +20 to +75 dB gain, while the trim knob can be used for adjustments up to +\/-20 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VHD 500 also offers a selection of professional features. A ‘signal present’ LED makes it easy to tell when VHD 500 is receiving signal, saving you valuable time when troubleshooting. A switchable 15 Hz to 500 Hz LF Filter section allows you to fine-tune the low-end of any recording and remove unwanted rumble for cleaner, clearer recordings. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIdeal for a wide range of applications, the VHD 500 features a Hi-Z impedance switch for capturing direct guitar performances, a +48V phantom power button for use with condenser microphones, a PAD switch to enable line level processing, and a Phase Invert Switch for stereo recordings.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":46834446401673,"sku":"44826","price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/ssl_vhd_500_series_mic_pre.jpg?v=1780351255"},{"product_id":"avedis-audio-md7-mic-line-preamp-demo-deal","title":"Avedis Audio MD7 Mic\/Line Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAvedis Audio MD7\u003c\/strong\u003e addresses the features needed in op-amp based preamps and, more importantly, with a very musical sound without the conventional hard sounding and mid-forward units which are not suitable for today’s digital recordings.\r\n \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFrequency Response: \u0026lt;10Hz to -3dB at 75kHz\u003c\/li\u003e\r\n\u003cli\u003eInput Impedance: ≅1500 ohms\u003c\/li\u003e\r\n\u003cli\u003eOutput Impedance: \u0026lt;75 ohms\u003c\/li\u003e\r\n\u003cli\u003eCommon Mode Rejection Ratio: \u0026gt;123dB min @ 60Hz\u003c\/li\u003e\r\n\u003cli\u003eMaximum Output Level: +28.8 dBu @ 100KΩ, +27.4 dBu @ 600Ω\u003c\/li\u003e\r\n\u003cli\u003ePower Requirements: ±16 vdc @ 35mA per rail\u003c\/li\u003e\r\n\u003cli\u003eGain Voltage: 0 to 22 Volts\u003c\/li\u003e\r\n\u003cli\u003eGain dB: 0 to 64.7 dB\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise: −114 dBu; Unweighted 300kHz bandwidth\u003c\/li\u003e\r\n\u003cli\u003eWeight: 2.6 lbs\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Avedis Audio Electronics","offers":[{"title":"Default Title","offer_id":46834447483017,"sku":"60308","price":770.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avedis-md7_50934_1_1.jpg?v=1780351326"},{"product_id":"api-512v-demo-deal","title":"API 512v (Demo Deal)","description":"\u003ch3\u003eA New Take On The 512c\u003c\/h3\u003e \r\n\u003cp\u003eWith the new \u003cstrong\u003eAPI 512v\u003c\/strong\u003e, the storied pro audio brand has taken its most versatile pre amp, the API 512c, and tweaked it to be a better fit into the workflow of DAW users. Utilizing the same exact circuitry created for the original API 512c by Saul Walker, the API 512v changes things up by featuring a variable output level control that allows engineers to bypass the need for any external signal attenuation. This means no more third party devices are needed to get that beloved API sound when using your favorite DAW or other devices with sensitive input levels.\u003c\/p\u003e\r\n\u003ch3\u003eSame Design, Newly DAW Friendly\u003c\/h3\u003e \r\n\u003cp\u003eThe API 512v follows suit with the design of the API 512c with the exception of the variable output. This means not only is the 512c’s complete circuitry intact in the 512v, but the module also employs the same proprietary transformer, API 2520 op-amp and high-quality components that API has always used when creating their popular pre amp.\u003c\/p\u003e           \r\n\u003ch3\u003eThe Distinct Sound Of API\u003c\/h3\u003e\r\n\u003cp\u003eThe API 512c has become known as an indispensable tool in the studio and the 512v continues this legacy. The versatile mic pre was designed to deliver the classic API sound that is synonymous with their vintage consoles, courtesy of a fully discrete circuit design and the API 2520 op-amp. Just like the 512c, the API 512v will offer high headroom, 65 dB of gain on the pre and a 20 dB switch.\u003c\/p\u003e\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMic Preamp with 65 dB of gain\u003c\/li\u003e\r\n\u003cli\u003eVariable Output Level Control from 65 dB to -∞ \u003c\/li\u003e\r\n\u003cli\u003e3:1 Output Transformer Tap selection\u003c\/li\u003e\r\n\u003cli\u003eFront and Back Panel Mic Input Access\u003c\/li\u003e\r\n\u003cli\u003eLine\/Instrument Preamp with 45 dB of gain\u003c\/li\u003e\r\n\u003cli\u003eFront Panel Combo-style XLR + 1\/4 inch Line\/Instrument Input\u003c\/li\u003e\r\n\u003cli\u003eLED VU meter for Gain Level Indication\u003c\/li\u003e\r\n\u003cli\u003e20 dB pad switch, applies to mic\/line\/instrument\u003c\/li\u003e\r\n\u003cli\u003e48v Phantom switchable power\u003c\/li\u003e\r\n\u003cli\u003eTraditional API circuit design \u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":46834447548553,"sku":"61400","price":895.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/api-512v_59984_1_1.jpg?v=1780351330"},{"product_id":"aea-rpq500-demo-deal-1","title":"AEA RPQ500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAEA RPQ500\u003c\/strong\u003e module, designed after the successful RPQ preamp, provides the same ultra-clean, high-gain signal path that has earned AEA preamps their great reputation, but in a 500 series package. JFET circuit topology provides all the dynamics, subwoofer bass, and fast transients that your microphones can record. The NoLoad™ input impedance above 10K Ohms means the RPQ won’t load down a mic and change its sound. Low Energy Storage™ circuit design instantly recovers from overloads for superior dynamic performance. The original RPQ with CurveShaper™ was designed to fully capture every nuance of ribbon microphones: vintage or modern, passive or phantom powered. Engineers have discovered that the RPQ500 also complements their moving coil, condenser mics. By virtue of its sonic qualities and versatility, the VPR Alliance approved AEA RPQ500 is the tool of choice for all microphones whenever a true and pristine signal path is desired.\u003c\/p\u003e  \u003ch3\u003eTwo Peas in a Pod: Musical Preamp, Sweet EQ\u003c\/h3\u003e  \u003cp\u003eThe CurveShaper’s™ high-frequency filter boost enables you to add a little extra “presence” or “air” to your source. The circuit functions similarly to a conventional parametric shelving boost, but with a significant difference: the slope varies as both the CurveShaper™ and HF Gain controls are adjusted. This unique bell curve was designed with the intention to compensate for the high-frequency roll-off that is inherent to most ribbon microphones. But beyond ribbon mics, the smooth HF filter is remarkably well suited for brightening up condenser mics used at a distance, restore presence in overly “dry” acoustical environments, or even as a clean and transparent air-band boost on the 2-bus.\u003c\/p\u003e  \u003cp\u003eThe CurveShaper’s™ low-frequency control easily removes boxiness and boominess in a fast and unobtrusive way. Ribbon mics are capable of delivering strong subwoofer lows, and can have a significant bass proximity effect. Such strong low-frequency content can mask high-frequency intelligibility, so the tunable LF filter was engineered to tame low-frequency energy to appropriate levels. Its -20dB shelving curve is ideally suited to reduce excessive proximity effect, opening up new possibilities to use ribbon mics in close-up applications.\u003c\/p\u003e  \u003ch3\u003eYour Sound At Your Fingertips\u003c\/h3\u003e  \u003cp\u003eWith mixing consoles disappearing from control rooms, dedicated preamps can take on the role of providing a high-quality front end giving you intuitive control to make critical decisions during tracking rather than “fixing it in the mix”. The RPQ500 is a workhorse tool for your API 500 compatible rack. The Line\/Mic switch bypasses the microphone gain stage and allows the EQ to be used for tracking with other preamps or during mixdown. Add the output level control, and the RPQ500 becomes a high-quality processing tool that can be used for mixing and mastering when combined with summing racks and mixers such as the Purple Audio Moiyn or the Roll Music Folcrom.\u003c\/p\u003e     \u003ch3\u003eSpecifications:\u003c\/h3\u003e  \u003cul\u003e \u003cli\u003eGain at 1 kHz:  81 dB of gain at 1kHz balanced-in to balanced-out in Microphone Input Mode\u003c\/li\u003e \u003cli\u003eNoise figure RMS A-weighted: \u0026lt;2 dB\u003c\/li\u003e \u003cli\u003eNoise figure RMS unweighted: \u0026lt;3 dB 20 kHz LPF bandwidth\u003c\/li\u003e \u003cli\u003eEIN: \u0026lt;-130 dBu A-weighted 150 Ohm resistive source\u003c\/li\u003e \u003cli\u003eFrequency response: -3 dB \u0026lt; 1 Hz and \u0026gt; 100 kHz\u003c\/li\u003e \u003cli\u003eTHD:  \u0026lt;0.02% at 1 kHz\u003c\/li\u003e \u003cli\u003eInput impedance:  10 kOhms\u003c\/li\u003e \u003cli\u003eBalanced Line Input Impedance:  20 kOhms\u003c\/li\u003e \u003cli\u003eInput Gain control: Twelve-position switch provides from +13 dB to +62 dB of gain for the preamplifier circuit, as measured between the input and the before the output line driver\u003c\/li\u003e \u003cli\u003eSwitched LF Shelving filter: -3 dB break-frequency tunable from 18 Hz to 360 Hz; maximum reduction -20 dB\u003c\/li\u003e \u003cli\u003eSwitched CurveShape EQ:  +3 dB break-frequency tunable from 2.5 kHz to 30 kHz; HF gain adjustable from +0 dB to +18 dB; the slope of the HF filter varies interactively and directly with the CurveShaper™ frequency and gain settings\u003c\/li\u003e \u003cli\u003eColor LEDs: Green, Yellow, Red\u003c\/li\u003e \u003cli\u003eXLR output maximum level into 600Ω load: +28 dBu, balanced; 0 dBu = 0.7746 V RMS\u003c\/li\u003e \u003cli\u003eXLR connectors polarity: Pin-1 is ground, pin-2 is high, pin-3 is low\u003c\/li\u003e \u003cli\u003eLED signal level indicators: Green snaps on at -6 dBu, red snaps on at +23 dBu, and yellow varies in brightness with level from -3 dBu to +20 dBu\u003c\/li\u003e \u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":46834448990345,"sku":"74952","price":569.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aea-rpq500_62912_1_1.jpg?v=1780351435"},{"product_id":"ssl-vhd-500-series-mic-pre-demo-deal","title":"SSL VHD 500 Series Mic Pre (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eSSL VHD Pre 500 Series Module\u003c\/strong\u003e makes the uniquely versatile VHD based preamp technology from Duality, SSL's industry leading large format studio console, available for studios of all sizes.\u003cbr\u003e\u003cbr\u003eThe VHD Pre is an immensely versatile recording and processing device. It can deliver ultra clean SSL SuperAnalogue grade recordings but also features a switchable VHD mode. SSL's patented Variable Harmonic Drive (VHD) system uses a 100% analogue signal path to generate rich harmonic distortion. As you increase VHD input gain, the Variable Harmonic Drive process introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy “transistor-esque” grunge. The VHD Pre gives the user ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.\u003cbr\u003e\u003cbr\u003eThe VHD section of the VHD Pre Module has three rotary controls: a Drive control selects 2nd harmonic or 3rd harmonic distortion or a continuously variable blend of the two. A +20\/+75dB gain control sets input level. A -20\/+20dB trim control adjusts the output level from the circuit to enable level matching with other devices, because by its nature the VHD circuit can significantly increase signal levels. The VHD Pre Module has a selection of other essential professional preamp features: a signal present LED, a switchable 15Hz to 500Hz LF Filter section, Hi-Z impedance switch for mic impedance matching, +48V phantom power, PAD to enable the VHD system to be used as a line level processing device and a Phase Invert Switch.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":46834449875081,"sku":"80216","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/ssl_vhd_500_series_mic_pre_1.jpg?v=1780351492"},{"product_id":"maag-audio-preq4-demo-deal","title":"Maag Audio PREQ4 (Demo Deal)","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003e\u003cspan\u003eMäag \u003c\/span\u003eAudio PREQ4\u003c\/span\u003e (500 Series) is a one channel microphone preamplifier with AIR BAND™ (shelf boost from 2.5 to 40kHz via VARI AIR™), compatible with the API 500-6B lunchbox and 500VPR rack systems.\u003cbr\u003e\u003cbr\u003eFollowing its PreQ3 predecessor, the PREQ4 provides unparalleled transparency and top end presence while maintaining the true natural sound behind the microphone. Presented in the flagship lunchbox portable format, the PreQ4 offers the legendary AIR BAND™, 65dB adjustable gain, phase reverse capability, 70Hz high pass filter, +48V phantom power, and -20dB PAD.\u003cbr\u003e\u003cbr\u003eThe Maag Audio PREQ4 is an official member of the VPR Alliance.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMax Gain: 65dB\u003c\/li\u003e\r\n\u003cli\u003eFrequency Response: -3 dB points, 10Hz \u0026amp; 75kHz\u003c\/li\u003e\r\n\u003cli\u003eNominal Input Impedance (XLR): Mic, 150 Ohms, balanced\u003c\/li\u003e\r\n\u003cli\u003eNominal Output Impedance (XLR): 4 actively balanced\u003c\/li\u003e\r\n\u003cli\u003eEquivalent Input Noise: -128 dBu (-96 dBu Actual Metered Noise)\u003c\/li\u003e\r\n\u003cli\u003eHeadroom: +27 dBu\u003c\/li\u003e\r\n\u003cli\u003eMaximum Phase Shift: 25°\u003c\/li\u003e\r\n\u003cli\u003eTHD + Noise: \u0026lt; 0.0009%\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Maag Audio","offers":[{"title":"Default Title","offer_id":46834450169993,"sku":"89077","price":669.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/maag_pre_q4_front_1.jpg?v=1780351513"},{"product_id":"elysia-skulpter-500-demo-deal","title":"Elysia Skulpter 500 (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eElysia Skulpter 500\u003c\/strong\u003e is an audiophile preamp loaded with the highest grade audio circuitry to add color and warmth to the front end recording into your DAW interface. The preamp is fully discrete, Class-A and feed-forward by design, providing ultra-clean low or high gain signal without the use of a pad or cloudlifter with a full dynamic range of 3 dB - 65 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo variable saturation and filter stages are included to add more warmth or color to the mic or DI signal, getting you closer to a \"finished\" record sound with less work on the back end.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShape one is for instruments and focuses on adding harmonics or THD. The amount of THD is applied based on the input signal, and as the THD increases, a gentle high cut filter at 4 kHz is engaged to eliminate any harsh peaks while maintaining a thick full sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShape two is for vocals. It applies the same style of saturation, but more soft clip tube-like characteristics rather than straight THD. The EQ curve differs where in this stage it boosts up to 10 dB at 4.5 kHz to make the vocal shine. Utilize the MIX control to make the perfect blend of dry and wet signal and get as close to the \"finished\" sound as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe onboard compressor is easily controlled with one knob to adjust the threshold. The ratio is fixed at 3:1 as well as fixed attack and release times that work well no matter what you’re recording. Elysia’s Auto Fast function is included in the compression circuit to reduce the attack to the shortest value when a very strong signal and transient pass through, this helps control the loudest peaks in a performance while remaining as dynamic as possible.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Skulpter includes a front panel DI with a crystal clear signal path and a large amount of headroom, perfect for adding some vibe to electric or acoustic guitar, bass, synths or outboard effects processors.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWay more than just a preamp, the skulpter 500 is a complete recording solution - everything you'll ever need in front of any DAW.\u003c\/p\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":46834454397065,"sku":"111057","price":479.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/elysia-skulpter-500_100806_1_1_1.jpg?v=1780351717"},{"product_id":"weiss-a1-demo-deal","title":"Weiss A1 (Demo Deal)","description":"The first Weiss product with analog only inputs and outputs!\u003cbr\u003e \u003cbr\u003e \u003cb\u003eApplications:\u003c\/b\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eRecording\u003c\/li\u003e\n\u003cli\u003eMixing\u003c\/li\u003e\n\u003cli\u003eBroadcast\u003c\/li\u003e\n\u003cli\u003eMastering\u003c\/li\u003e\n\u003cli\u003eLive\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eMicrophone Preamplifier:\u003c\/b\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eTransformer-balanced, discrete class A design\u003c\/li\u003e\n\u003cli\u003eCurrent-feedback amplifier architecture for low distortion and wide bandwidth across the full gain range\u003c\/li\u003e\n\u003cli\u003eVery low noise for a wide range of source impedances and across the full gain range\u003c\/li\u003e\n\u003cli\u003e15 dB to 60 dB gain, 3 dB steps\u003c\/li\u003e\n\u003cli\u003e20 dB pad to accommodate line levels\u003c\/li\u003e\n\u003cli\u003eExtensive metering\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eHigh-Pass Filter:\u003c\/b\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eSwitchable to 40 Hz, 80 Hz or off\u003c\/li\u003e\n\u003cli\u003e2nd order Butterworth design\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003e\u003cb\u003eDe-Esser:\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eAdvanced mixed signal design: direct signal path fully analog, side chain digital\u003c\/li\u003e\n\u003cli\u003ePrecision low distortion MDAC as the variable gain element\u003c\/li\u003e\n\u003cli\u003eLow latency side chain with 500 kHz sampling rate\u003c\/li\u003e\n\u003cli\u003eFrequency, bandwidth and threshold front panel controls\u003c\/li\u003e\n\u003cli\u003eFurther parameters (ratio, attack and release time) via DI switches\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eOutput Driver:\u003cbr\u003e \u003c\/b\u003e \u003cul\u003e\n\u003cli\u003eTransformer balanced design\u003c\/li\u003e\n\u003cli\u003eLevel control\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003eHigh maximum output level (+27 dBu) and output current\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Weiss Engineering","offers":[{"title":"Default Title","offer_id":46834454790281,"sku":"114941","price":1390.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/weiss-a1_19408_1_1.jpg?v=1780351744"},{"product_id":"aurora-audio-gt500-preamp-demo-deal","title":"Aurora Audio GT500 Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eAurora Audio GT500 Preamp\u003c\/strong\u003e can accommodate any signal you care to throw at it, including high-level line inputs. The sensitivity switch provides 100 dB of gain adjustment from +80 dB to –20 dB and the level pot allows for fine adjustments. The level pot has an audio taper and is –20 dB at half rotation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you have to turn the pot below 1⁄2 way, the sensitivity switch must be adjusted at least 2 clicks more to restore the signal level at the expense of input headroom! Operating the unit with the output level at maximum ensures that you keep the headroom in the designed 26 dB region.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DI input overrides the normal input and has 10 Megohm input impedance and around 10 dB gain. It can be used (to great effect) with musical instrument pickups, but works equally well with high-level signals like a DAT or CD player. The same gain structure rules apply.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe High Pass Filter is selected by moving its toggle switch to the right and a blue LED will glow to indicate section. Four frequencies are provided with 47 Hz, 82 Hz, 150 Hz and 270 Hz for the selections.\u003c\/p\u003e","brand":"Aurora Audio","offers":[{"title":"Default Title","offer_id":46834454921353,"sku":"115469","price":959.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/aurora-audio-gt500-preamp_109576_1_1.jpg?v=1780351751"},{"product_id":"meris-440-mic-preamp-demo-deal","title":"Meris 440 Mic Preamp (Demo Deal)","description":"\u003cp\u003eInstall \u003cstrong\u003eMeris 440 Mic Preamp\u003c\/strong\u003e into your 500 series lunchbox and connect your post effects pedals to the loop. Your guitar and amp will love it.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 60dB of gain at the input section\u003c\/li\u003e\r\n\u003cli\u003eOutput trim -27dB to +12dB (occurs pre-output transformer to preserve output transformer secondary impedance)\u003c\/li\u003e\r\n\u003cli\u003e12dB \/ octave High-Pass: 80Hz or 200Hz corner frequency\u003c\/li\u003e\r\n\u003cli\u003eHigh-Shelf boost: + 3dB at 4kHz or 7kHz corner frequency\u003c\/li\u003e\r\n\u003cli\u003e20Hz to 20kHz flat frequency response (+\/- .3 dB) with all filters disengaged\u003c\/li\u003e\r\n\u003cli\u003e-130dBu EIN (A-weighted)\u003c\/li\u003e\r\n\u003cli\u003e1Meg Ohm input impedance at Return\/D.I. input\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Meris","offers":[{"title":"Default Title","offer_id":46834456723593,"sku":"79558","price":459.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/meris_440_front_1_1.jpg?v=1780351805"},{"product_id":"spectra-1964-stx100-mk2-500-series-preamp","title":"Spectra 1964 STX100 Mk2 500 Series Preamp","description":"500 series microphone preamp","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":46834456821897,"sku":"123842","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/spectra-1964-stx-100-mk2_123842_1.jpg?v=1780351814"},{"product_id":"cranborne-audio-camden-500-demo-deal","title":"Cranborne Audio Camden 500 (Demo Deal)","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\r\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\u003ch3\u003eClean, Precise, and Natural\u003c\/h3\u003e\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\r\n\u003ch3\u003eVintage, Warm, and Colored\u003c\/h3\u003e\r\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\r\n\u003ch3\u003eThump\u003c\/h3\u003e\r\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\r\n\u003ch3\u003eCream\u003c\/h3\u003e\r\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":46834456854665,"sku":"124025","price":314.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/cranborne-camden-500_110126_1_1.jpg?v=1780351816"},{"product_id":"black-lion-audio-b173-500-preamp-demo-deal","title":"Black Lion Audio B173 500 Preamp (Demo Deal)","description":"\u003cp\u003eThe B173 is one of the most “bang for your buck” preamps in existence, and is now available  in the 500 series format. The \u003cstrong\u003eBlack Lion Audio B173 500\u003c\/strong\u003e not only delivers the beefy lows, buttery mids, and  polished highs of a classic 1073 preamp, but does so at a fraction of the price!\u003c\/p\u003e    \u003cp\u003eThe preamp and line amp circuitry found in the B173 500 is identical to the original B173.  Not a single component or design feature was compromised while converting it to a  smaller package. As a result, the circuit boards are jam packed with all sorts of delicious  components, including a brawny Cinemag input transformer!\u003c\/p\u003e    \u003cp\u003eThe power supply is the backbone of any preamp design, and can make a huge impact on  the overall sound and performance of the preamp. The +24V rail needed to power the B173  500 is painstakingly converted from the +\/- 16V rails of a 500 series rack using a custom  DC-DC converter circuit specially designed to keep any unwanted noise or modulations out  of the signal path. Complete isolation is then achieved through the use of inductors, ferrite  beads, decoupling capacitors, power regulation, and a custom enclosure surrounding the  entire circuit.\u003c\/p\u003e    \u003cp\u003eThe B173 500’s “Class A”, discrete circuitry combined with high-end components provide  a fresh approach to a classic sound that won’t disappoint. Thanks for your purchase and  continued support of Black Lion Audio!\u003c\/p\u003e          \u003ch3\u003eSpecifications:\u003c\/h3\u003e    \u003cul\u003e  \u003cli\u003eMax Microphone Input Level: +1 dBu\u003c\/li\u003e  \u003cli\u003eInput Impedance: 200Ω\u003c\/li\u003e  \u003cli\u003eGain: +12dB to +80dB\u003c\/li\u003e  \u003cli\u003eEquivalent Input Noise (noise floor): -103 dB\u003c\/li\u003e  \u003cli\u003eTHD+N Mic Section (@ +4dBu output): .072% @ +8 dBu Gain; .074% @ +29 dBu Gain; 082% @ +44 dBu Gain; .152% @ +60 dBu Gain; .709% @ +76 dBu Gain\u003c\/li\u003e  \u003cli\u003eBandwidth: (1 kHz, 150 Ω source, unweighted): 10 Hz to 30 kHz\u003c\/li\u003e  \u003cli\u003eTHD+N (@ +4dBu output) Hi-Z Section: .0045% @ +10 dBu; .0076% @ +15 dBu\u003c\/li\u003e  \u003cli\u003eMax Output Level: +29 dBu\u003c\/li\u003e  \u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e  \u003cli\u003e+24 V provided by ultra low noise, custom power supply (500 series rack required)\u003c\/li\u003e  \u003cli\u003eProducts Dimensions: 1.5 x 6.5 x 5.25 in\u003c\/li\u003e  \u003cli\u003eProduct Weight: 1.2 lb\u003c\/li\u003e  \u003cli\u003eShipping Dimensions: 13 x 13 x 5 in\u003c\/li\u003e  \u003cli\u003eShipping Weight: 3 lb\u003c\/li\u003e  \u003c\/ul\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":46834457215113,"sku":"125608","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/black-lion-audio-b173-500_60416_1_1.jpg?v=1780351834"}],"url":"https:\/\/vintage-king-staging.myshopify.com\/collections\/deals.oembed","provider":"Vintage King Staging","version":"1.0","type":"link"}