{"title":"Dangerous Music","description":"\u003cdiv class=\"brand-description\"\u003e\n  \u003ch2 class=\"brand-description__heading\"\u003eA Deeper Look at Dangerous Music\u003c\/h2\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/Video-4.jpg?v=1784152917\" alt=\"Dangerous Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eDangerous Music is a determined team of musicians, studio owners, producers, and engineers who want nothing other than uncompromising analog designs that translate well. The company began in 2001 to answer the demands of computer-based recording studios driven by digital audio workstations. Bob Muller and Chris Muth ventured into Dangerous Music with the mission to design studio equipment based on the changes of the industry and needs of the recording community. Chris’s hi-fi designs have dominated the big studios in New York City since the ‘80s. Via Dangerous, his designs have become essential components in the best modern DAW-based mixing and mastering studios.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/Video-3.jpg?v=1784152920\" alt=\"Dangerous Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThe Dangerous Music 2-BUS+ analog summing mixer is built around the foundation of the original 2-BUS released in 1999. Their team redesigned the analog summing circuitry for enhanced punch, headroom, and clarity. Transparency is one of the key traits of Dangerous Music, yet engineers still get a tasteful amount of added texture that doesn’t stand in the way of the original sound. The 2-BUS+ is known for its wide soundstage and crystal clear sonic imaging. This summing module uses active electronics, which is far superior to the detrimental amount of make-up gain drawn from passive summing boxes. Like all analog gear from Dangerous Music, only the highest quality audiophile components are used to make the 2-BUS+, Dangerous Music’s embodiment of dedication.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/Video-2.jpg?v=1784152923\" alt=\"Dangerous Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eThere’s no shortage of Dangerous dynamic processors available. For an EQ that makes everything sound great, consider the BAX EQ. It’s a mastering shelf equalizer based on the Baxandall EQ curves that belonged in hi-fi systems of the 1950s. The Dangerous BAX EQ is the first professional, stand-alone mastering EQ to use the famous Baxandall curves; it’s a classic among mixing, mastering, and recording engineers.The bass and treble shelves found on most professional EQs introduce an undesirable coloration of the original signal. The BAX EQ’s shelves maintain phase coherence, because it’s built from the same ultra-high-grade components used in the Dangerous COMPRESSOR to attain beautiful transparency.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row brand-description__row--reverse\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/Video-1.jpg?v=1784152927\" alt=\"Dangerous Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eIn 2002, the original Dangerous Music onboard DAC became the industry reference. The development of the CONVERT series consisted of standalone units inspired by the popularity of the original. This series is designed to go beyond transparency and deliver open, articulate sound by using cutting-edge digital technology and Chris Muth analog circuitry. The Dangerous CONVERT-AD+ combines all these key traits and stands as the most advanced stereo analog-to-digital converter on the market. The CONVERT-AD+, CONVERT-2, and CONVERT-8 offer next-level stereo conversion for stunning sound when mixing, mastering, and recording.\u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"brand-description__row\"\u003e\n    \u003cdiv class=\"brand-description__row-media\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/Video.jpg?v=1784152930\" alt=\"Dangerous Music\" loading=\"lazy\"\u003e\u003c\/div\u003e\n    \u003cdiv class=\"brand-description__row-content\"\u003eTo gain the ultimate level of monitoring control and flexibility, there’s no better way than the Dangerous SR\/ST system. The Dangerous ST is a 1U monitor controller with effortless and elaborate signal routing capabilities, while the Dangerous SR seamlessly handles remaining inputs and surround speaker outputs. If you take this route, don’t forget to surround yourself with the best DAC available. The combined system is an award-winning monitoring solution that pairs nicely with DAC units from the CONVERT series. Altogether, integrating multiple Dangerous modules into a unified chain is one of the best ways to work.\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\nIf you truly want the best equipment for a new studio, or you’d like to enhance the performance of an existing rig, check out the Dangerous products Vintage King has in stock.\u003c\/div\u003e\n  \u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"dangerous-music-monitor-st","title":"Dangerous Music MONITOR ST Stereo Monitor Control System","description":"\u003cp\u003eUnlike other monitor controllers that color and distort your sound, the \u003cstrong\u003eDangerous Music MONITOR ST\u003c\/strong\u003e uses audiophile-grade components to create an unconditionally transparent design. Featuring multiple input and output sources, lightning-fast speaker switching, a dedicated talkback mic and a robust monitoring system in a compact 1U package, MONITOR ST is the ultimate monitor controller for any studio.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eTRUE CRAFTSMANSHIP\u003c\/h3\u003e\r\n\r\n\u003cp\u003eA sound is only as strong as the weakest link in the signal chain. Literally every single sound in your studio runs through your monitor controller, which makes it one of the most important links. If you can’t trust what’s coming out of your monitors, you can’t make informed decisions. Some monitor controllers alter frequency response at different volumes, others introduce noise or use sterile digital processors—but MONITOR ST uses an all analog signal path to provide the most accurate and reliable monitoring available.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eHEAR EVERYTHING\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMONITOR ST features four analog inputs, three speaker outputs and a dedicated stereo subwoofer output. Each output features programmable level offsets and filters, allowing you to easily configure MONITOR ST to suit your studios specific needs. MONITOR ST is also capable of elaborate signal routing and advanced level matching for A\/Bing multiple playback devices with unrivaled accuracy.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs if crystal clear monitoring and an award-winning ergonomic design weren’t enough, MONITOR ST also boasts an impressive feature list. The on-board talkback mic, cue controls and built-in headphone amp make communicating with artists a breeze.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNeed even more connectivity? MONITOR ST can be expanded to accommodate 5.1, 7.1, 10.2 surround sound and more using optional SR modules to add unlimited channels.\u003c\/p\u003e\r\n\r\n\u003ch3\u003eREMOTE CONTROL\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt’s called the sweet spot for a reason—the included desktop remote control allows you to manage every signal right from the sweet spot. The remote control connects to the rack unit with a single shielded Cat5 cable, keeping your workspace nice and tidy. Small enough to sit on your home studio desk and sleek enough to share a space atop your console, the MONITOR ST remote control has includes bright, colorful LED lights providing instant visual feedback for every setting.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003ch3\u003eSpecifications:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eGain tracking accuracy: better than 0.05dB for 6 channels\u003c\/li\u003e\r\n\u003cli\u003eTHD+N: 0.002%\u003c\/li\u003e\r\n\u003cli\u003eIMD: 0.003%\u003c\/li\u003e\r\n\u003cli\u003eFrequency response: 1 Hz - 100 kHz -0.1 dB\u003c\/li\u003e\r\n\u003cli\u003eCrosstalk rejection: \u0026gt;96 dB\u003c\/li\u003e\r\n\u003cli\u003eNominal input level: +4 dBu or -10 dBV\u003c\/li\u003e\r\n\u003cli\u003eCrossover: -3 dB @ 57 Hz 18 dB\/octave modified Butterworth\/Chebyshev\u003c\/li\u003e\r\n\u003cli\u003eHeadphone amp: 0.002% THD+N\u003c\/li\u003e\r\n\u003cli\u003eHeadroom: +25 dBu to main outputs\u003c\/li\u003e\r\n\u003cli\u003eWarranty: Two years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247368290441,"sku":"7940","price":2499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous_music_monitor_st_1.jpg?v=1784052576"},{"product_id":"dangerous-music-master","title":"Dangerous Music MASTER Mastering Transfer Console","description":"\u003cp\u003eFor years the top mastering engineers at the hottest facilities have been using custom-designed gear that was not available to the rest of us…until now. The \u003cstrong\u003eDangerous Music MASTER Mastering Transfer Console\u003c\/strong\u003e represents the latest generation of the legendary Sterling Sound \/ Chris Muth mastering transfer consoles. Working side-by side over several decades with many of the best mastering engineers in the business, Chris and the equipment designed in this unique collaborative environment have set the standard for the form, function and sonic performance of the modern mastering setup.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnparalleled fidelity, detail and imaging. Pristine, uncolored signal path. 100% Analog sum-and-difference processing. Stepped controls throughout Integrates seamlessly with the Dangerous MONITOR-ST and LIAISON. The Dangerous MASTER is the no-compromise heart of the mastering studio. Its transparent circuitry flawlessly integrates the power of analog signal processing by allowing easy insertion of equalizers, compressor\/limiters and de-essers. 100% stepped switching provides accurate and repeatable level control as well as easy pre-post monitoring with level matching through the Input monitor Offset feature. The S\u0026amp;M mid-side processing loop allows unprecedented control of the stereo image.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe integrated Input monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences. The S\u0026amp;M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDangerous MASTER, combined with the Dangerous MONITOR-ST and your favorite processing gear, will provide you with what you need to turn any mix into a professional master. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs with all Dangerous Music equipment, the Dangerous MASTER is designed by engineers, for engineers, and built by hand in the USA, using the highest quality components.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247378153609,"sku":"10201","price":5499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous-master_10201_1_e71a26fe-91d1-4ec2-8c29-7c9556d0c46d.jpg?v=1784052607"},{"product_id":"dangerous-music-monitor-sr","title":"Dangerous Music MONITOR SR","description":"\u003cp\u003eThe \u003cstrong\u003eDangerous Music MONITOR SR\u003c\/strong\u003e is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!\u003cbr\u003e\u003cbr\u003eThe MONITOR SR is a remote-control accessed input source switcher\/speaker switcher\/cue system\/talkback system \/headphone amplifier all in a one rack space package.\u003cbr\u003e\u003cbr\u003eConfigure and control your entire system from the comfort of your sweet spot.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247378186377,"sku":"10202","price":1999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous-music-monitor-sr_10202_1_28f1fd34-03bb-40e3-a0e4-121920d77d31.jpg?v=1784052607"},{"product_id":"dangerous-music-2-bus","title":"Dangerous Music 2-BUS","description":"\u003cp\u003eDigital Audio Workstations have taken over the world of recording and there is no going back.  While we all embrace the wonderful benefits of the computer-based workflow, we also have to deal with the issues and limitations of digital recording and mixing. \u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eDangerous 2-BUS\u003c\/strong\u003e analog summing mixer was created to bring back the analog sound quality you’ve been craving in your digital audio environment, while maintaining the fast workflow and recall capabilities we all depend on.  16 channels in, 2 channels out, one great sounding mix. \u003c\/p\u003e\u003cp\u003eThe Dangerous 2-BUS is a 16X2 summing device designed to help DAW users achieve better mix performance through the use of cutting-edge analog audio circuit design.  As engineers and musicians, the Dangerous Music team has noted that the resulting mix from DAW systems doesn’t equal those of high-end analog recording consoles.  The solution is the 2-BUS’s pristine audio path - delivering nuance, depth and clarity to your mix without any added coloration or distortion. \u003cbr\u003e\u003cbr\u003eThe Dangerous Music 2-BUS allows the full potential of your digital audio workstation to be realized - audibly, in terms of sound quality, spatial detail and headroom as well as ergonomically in terms of outboard analog equipment integration.  The transparent sound allows you to enjoy the true colors of your chosen outboard gear without clouding the issue. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components and a no-compromise attitude, the Dangerous 2-BUS sums 16 channels of audio to a stereo pair in a tried and true analog environment, delivering sound quality you would expect from a full-scale large format analog console, but from a compact 2u device that was specifically designed for the modern studio.\u003c\/p\u003e\u003cp\u003eFully linkable with 2-BUS, 2-BUS LT and MIXERDAW studio.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e 1 Hz-100 kHz within 0.1 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal harmonic distortion:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e0.0045% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0008% +22 dBu input level \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntermodulation distortion:\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e0.0055% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0015% +22 dBu input level \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk:\u003c\/strong\u003e \u0026gt; 101 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e \u0026lt;-83 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax level:\u003c\/strong\u003e +28 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal operating level:\u003c\/strong\u003e +4 dBu (1.228 volts) \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 25kohm balanced \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain accuracy:\u003c\/strong\u003e \u0026gt;0.02 dB @ 1 kHz for any gain setting \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 30 watts \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Two years parts and labor, subject to inspection.  Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247378251913,"sku":"10205","price":2899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous_music_2bus_1_c6622a02-c9cd-4a97-9c48-2d03ad274e06.jpg?v=1784052607"},{"product_id":"dangerous-music-monitor","title":"Dangerous Music MONITOR","description":"\u003cp\u003eMonitoring is the most critical part of any studio set-up.   Every decision made is based on what you hear, or what you don’t hear, through the monitor system.  In today’s professional mastering and mixing rooms quality monitor control means an accurate, uncolored yet musical signal path with immediate and intuitive control. \u003cbr\u003e\u003cbr\u003eTo put out high-quality work an engineer needs the ability to easily switch between multiple analog and digital sources as well as different sets of speakers, to recall level settings, and most critically to listen to the input source material through the same signal path.  The \u003cstrong\u003eDangerous MONITOR\u003c\/strong\u003e delivers all of this, and more.\u003c\/p\u003e\u003cp\u003eThe Dangerous Monitor is the realization of four distinct functions, seamlessly integrated into one 2u package: analog switching, digital switching, onboard D to A conversion, and comprehensive mastering monitoring functions.  There are separate products out there that handle most of these tasks, but a system that elegantly integrates them into one package while delivering top-quality performance in all areas is a must for a focused control room in a competitive studio. \u003cbr\u003e\u003cbr\u003eSpecifically designed by mastering studio veterans to bring no-compromise monitor control to your studio, it’s stellar sound, straightforward ergonomics and uncompromising accuracy along with its mastering-quality D to A converter will finally let you hear what your tracks really sound like. \u003cbr\u003e\u003cbr\u003eA perfect companion for the \u003ca class=\"bluelinks\" href=\"https:\/\/vintageking.com\/New-Brands\/Dangerous-Music-Inc\/Dangerous-MQ\"\u003eDangerous MQ\u003c\/a\u003e and \u003ca class=\"bluelinks\" href=\"https:\/\/vintageking.com\/New-Brands\/Dangerous-Music-Inc\/Dangerous-2-Bus\"\u003e2-BUS\u003c\/a\u003e - no professional studio should be without one.\u003c\/p\u003e\u003cp\u003eThe design team at Dangerous knows that while there are options for digital routing,conversion and analog switching available as stand-alone units, a system that integrates them in one package has not been available until now.  The addition of comprehensive monitoring features -- along with stellar sound, unprecedented flexibility and ease of use -- makes the Dangerous MONITOR an essential component of today's studio environment, and a perfect companion for the Dangerous 2-BUS. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 1 Hz-100 kHz within 0.2 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal harmonic distortion:\u003c\/strong\u003e 0.003% in audio band \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntermodulation distortion:\u003c\/strong\u003e 0.002% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverter lock range:\u003c\/strong\u003e 32 kHz - 192 kHz \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverter THD+noise:\u003c\/strong\u003e 0.002% \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk @ 1 kHz:\u003c\/strong\u003e -113 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosstalk @ 10 kHz:\u003c\/strong\u003e -102 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNoise floor:\u003c\/strong\u003e -93 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax level:\u003c\/strong\u003e +26 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNominal operating level:\u003c\/strong\u003e +4 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 25k ohm balanced \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 50 ohm balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain accuracy:\u003c\/strong\u003e better than .05 dB @ 1 kHz for any gain setting \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower consumption:\u003c\/strong\u003e 40 watts \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize:\u003c\/strong\u003e 2u for monitor, 1u for power supply \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Two years parts and labor, subject to inspection.  Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default 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Working side-by side over several decades with many of the best Mastering engineers in the business, Chris and the equipment designed in this unique collaborative environment have set the standard for the form, function and sonic performance of the modern Mastering setup. \u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eHighlights\u003c\/span\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eUnparalleled fidelity, detail and imaging\u003c\/li\u003e\n\u003cli\u003ePristine, uncolored signal path\u003c\/li\u003e \u003cli\u003e100% Analog sum-and-difference processing\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout\u003c\/li\u003e\n\u003cli\u003eIntegrates seamlessly with the Dangerous MONITOR\u003c\/li\u003e\n\u003c\/ul\u003eThe Dangerous MASTER is the no-compromise heart of the Mastering studio. Its transparent circuitry seamlessly integrates the power of analog signal processing by allowing easy insertion of equalizers, compressor\/limiters and de-essers. 100% stepped switching provides accurate and repeatable level control as well as easy pre-post Monitoring with level matching through the Input Monitor Offset feature. The S\u0026amp;M mid-side processing loop allows unprecedented control of the stereo image.\u003cbr\u003e\u003cbr\u003eThe integrated Input Monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences. \u003cbr\u003e\u003cbr\u003eThe S\u0026amp;M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S\u0026amp;M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched. \u003cbr\u003e\u003cbr\u003eDangerous MASTER, combined with the Dangerous MONITOR and your favorite processing gear, will provide you with what you need to turn any mix into a professional Master. \u003cbr\u003e\u003cbr\u003eAs with all Dangerous Music equipment, the Dangerous MASTER is designed by engineers, for engineers, and built by hand using the highest quality components. \u003cbr\u003e\u003cbr\u003e \u003cb\u003eSpecifications\u003c\/b\u003e \u003cul\u003e \u003cli\u003eAll connections are Balanced XLR, +4dBu nominal operating level \u003c\/li\u003e\n\u003cli\u003e2 stereo inputs \u003c\/li\u003e\n\u003cli\u003e3 stereo outputs (one for Monitoring) \u003c\/li\u003e\n\u003cli\u003e3 insert loops \u003c\/li\u003e\n\u003cli\u003e2nd insert capable of MS matrix operation \u003c\/li\u003e\n\u003cli\u003eInput and Output controls: + - 5dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eInput Monitor Offset: -2 to +8dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eWidth control: -4 to +6dB in 0.5dB steps \u003c\/li\u003e\n\u003cli\u003eAttenuator accuracy: 0.02dB (0.01dB typical) \u003c\/li\u003e\n\u003cli\u003eTHD+Noise in audio band: 0.003% \u003c\/li\u003e\n\u003cli\u003eIMD 60Hz + 4kHz 4:1: 0.004% \u003c\/li\u003e\n\u003cli\u003eCrosstalk rejection: Better than 95dB @ 1kHz \u003c\/li\u003e\n\u003cli\u003eHeadroom: \u0026gt; +27dBu, +23dBu in the matrix under worst case conditions \u003c\/li\u003e\n\u003cli\u003eFrequency response: Better than 0.2dB down @ 1Hz and 100kHz \u003c\/li\u003e\n\u003cli\u003eNoise floor: \u0026lt; -89dBu total energy in the audio band \u003c\/li\u003e\n\u003cli\u003eWarranty: 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247434940553,"sku":"14291","price":4939.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous-master_10201_1_1.jpg?v=1784044986"},{"product_id":"dangerous-music-monitor-st-demo-deal","title":"Dangerous Music MONITOR ST (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eDangerous MONITOR ST\u003c\/strong\u003e is a remote-control accessed input source switcher\/speaker switcher\/cue system\/talkback system \/headphone amplifier all in a one rack space package.\u003cbr\u003e\u003cbr\u003eThe \u003cspan class=\"bluelinks\"\u003eMONITOR SR\u003c\/span\u003e is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!\u003cbr\u003e\u003cbr\u003eConfigure and control your entire system from the comfort of your sweet spot.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeaturing:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog stepped-attenuator volume control -\u003c\/strong\u003e No level control IC’s used – pristine, accurate and repeatable. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4 input sources -\u003c\/strong\u003e Switch between your DAW outputs, DVD player, CD player, tape machines, etc. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 speaker outputs -\u003c\/strong\u003e Switch between up to 3 sets of monitors \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable input gain offsets -\u003c\/strong\u003e Adjust for and store level offsets for different source devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput level compensation for –10dBV and +4dBu sources -\u003c\/strong\u003e Instantly adjust and store gain compensation for consumer devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput 4 has continuously variable level offset -\u003c\/strong\u003e Compensate for commercial CD levels and perform true A\/B comparisons without compromising sound quality. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable output level offsets -\u003c\/strong\u003e Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAssignable subwoofer output -\u003c\/strong\u003e Choose and store which sets of speakers you want to use with your sub \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable subwoofer level offset -\u003c\/strong\u003e Adjust and store subwoofer levels, easily alternate between sub function and LFE function \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable subwoofer filtering -\u003c\/strong\u003e Select and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComprehensive speaker Mute and Solo -\u003c\/strong\u003e Easily mute and solo speakers in any combination \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible stereo cue system with main and auxiliary inputs\u003c\/strong\u003e - Make your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOnboard cue power amp -\u003c\/strong\u003e 40 watts of clean power for your headphones \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback system with dual control and dedicated slate output -\u003c\/strong\u003e Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkback \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSR Unit has selected source output -\u003c\/strong\u003e Send source signals to meters or any other external device\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002% \u003c\/li\u003e\n\u003cli\u003eIMD: 0.003% \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB \u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB \u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV \u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev \u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002% THD+N \u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs \u003c\/li\u003e\n\u003cli\u003eWarranty: 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247434973321,"sku":"14901","price":2249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous_music_monitor_st_1_1.jpg?v=1784044986"},{"product_id":"dangerous-music-liaison","title":"Dangerous Music LIAISON Analog Signal Router\/Switcher","description":"\u003cp\u003eInstant recall is no longer just for digital. With the \u003cstrong\u003eDangerous Music LIAISON Analog Signal Router\/Switcher\u003c\/strong\u003e you can store and recall complex analog patches that include up to six stereo or twelve mono analog paths. You’ll experience the ease and quickness of digital plug-ins with your analog rig! Want to try your favorite mix-buss chain on a piano track? Or quickly compare two analog EQs within that chain? Or flip between the compressor first into the equalizer or the EQ first? – just push a button. With the onboard, latency-free, audiophile-grade parallel buss, you can blend your processed and unprocessed signals for rock solid parallel effects that otherwise require elaborate large format consoles and patchbays. Recall any of your stored patches instantly, bring individual patches in and out of the signal path for gapless A\/B comparisons, get your studio setup for the day’s tracking, mixing or mastering tasks in a flash, and do away with confusing, time-consuming patch recall sheets – all while getting crystal clear sound from all your favorite gear.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eLET’S TALK ABOUT SHORT-TERM MEMORY\u003c\/h3\u003e\r\n\r\n\u003cp\u003eMany of us don’t realize that when we’re making comparisons between two or more sounds, we’re relying on our short term memory. Research has shown that the length of time between exposure to two different sounds greatly determines our ability to make useful judgements. The shorter the gap, the more reliable our judgements are, and for tonal judgements, we start to lose discernment after just fractions of a second! In the analog environment we’re usually forced into physically repatching gear when comparing different sounds, causing gaps so big that the human brain simply can’t make much use of the comparison. With the LIAISON, you get to compare your analog patches with no gap, making A\/B comparisons in the analog realm far easier – and actually useful. the LIAISON takes the guesswork out of your critical decisions, helping you make the most of your analog investments.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003eCOMPLEX PATCHING MADE EASY…AND PROGRAMMABLE!\u003c\/h3\u003e\r\n\r\n\u003cp\u003eWith the LIAISON, previously complex patches of analog equipment are made simple, and they can be instantly recalled with the sophisticated, yet elegant, signal routing and user interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSix Insert Loops – The topology of the LIAISON is built around six high-grade stereo insert loops, each of which can be switched in and out of the signal path at the touch of a button. Use the “Flip” switches to reverse the order of inserts 1\u0026amp;2, 3\u0026amp;4 or 5\u0026amp;6, allowing for immediate auditions of new routing possibilities (compress that EQ, or EQ that compressor?).\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo Main Busses – Two main stereo busses (A \u0026amp; B) allow you to route different analog gear chains simultaneously. For example, plug your mic pres into the input of Buss A and keep your favorite EQs and compressors ready for tracking while your favorite stereo mix buss processors live on Buss B. Or perhaps route your drum stems to Buss A, while simultaneously routing your entire stereo mix to Buss B. For even greater versatility, chain Buss A and B together!\u003c\/p\u003e\r\n\r\n\u003cp\u003eParallel Processing Loop – Send any combination of gear to the LIAISON’s onboard parallel processing loop, allowing latency-free blending of the processed and unprocessed signals. Parallel processing is standard practice today, but in the analog realm often requires a large format console and patchbay. With the LIAISON you can switch between in-series and parallel patches at the push of a button, and then blend to taste! Slam that buss-compressor and bleed in just a bit for sustain and edge. Put an extreme EQ curve on a vocal and blend it into the main signal to create urgency and articulation. Whatever you dream up, the LIAISON’s parallel buss will open up a whole new realm of creative uses for your analog gear. There’s even a polarity reversal button for the parallel processing loop, allowing you to correct phase or use phase cancellation creatively for various results.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFour Monitor Channels – Each of the two busses can be monitored before or after the insert loop, allowing you to hear the results of your inserted processing on either buss instantly. Intelligently routing these four monitor channels in your studio will open up all kinds of uses that minimize patching work and maximize your ability to make fast, reliable comparisons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProgrammability – Once you’ve got a patch you want to keep around, store it on one of the four program channels for instant recall. Thinking creatively, you can use the two busses to accomplish any number of elaborate patches for tracking, mixing and mastering that you can recall effortlessly.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_2\"\u003eA MASTERING-GRADE SIGNAL PATH AND SWITCHING SYSTEM\u003c\/h3\u003e\r\n\r\n\u003cp\u003eAt the core of the LIAISON is a set of no-compromise analog circuits developed by Dangerous's head designer, Chris Muth. Audiophile-grade components are used throughout the LIAISON’s 100% passive analog relay switching system, offering up a truly transparent and robust topology for seamlessly hosting all your outboard gear. True hard-wire bypass relays remove any gear entirely from the signal path, including analog units that lack an integrated bypass, or hard bypass, circuit. All of the LIAISON’s components switch instantly and silently, providing true A\/B comparisons without coloration, latency or disruptive noises.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_3\"\u003eSTAY NIMBLE, STAY ANALOG\u003c\/h3\u003e\r\n\r\n\u003cp\u003eIt seems ironic, but as digital audio continues to make leaps and bounds, we’re witnessing a simultaneous renaissance of analog gear. Now with the LIAISON, your analog gear can perform as nimbly as your digital plugins. the LIAISON brings the ease of programmable patches, hassle-free rerouting, plus the undeniable benefit of instant A\/B comparisons, all in the analog environment. With the LIAISON you’ll unleash your creativity while keeping your studio primed for whatever tracking, mixing or mastering task comes your way.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003ch3 id=\"toc_5\"\u003eAWARDS:\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eTEC Award (nominated)\u003c\/li\u003e\r\n\u003cli\u003eResolution Awards (nominated)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247475310729,"sku":"18417","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous-liaison_18417_1_2716bf75-aef0-433d-91c1-1a65190f3690.jpg?v=1784045118"},{"product_id":"dangerous-monitor-sr-used","title":"Dangerous Monitor SR (Used)","description":"\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002% \u003c\/li\u003e\n\u003cli\u003eIMD: 0.003% \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB \u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB \u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV \u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev \u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002% THD+N \u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eDangerous Music SR\u003c\/strong\u003e is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!\u003cbr\u003e\u003cbr\u003eThe \u003ca class=\"bluelinks\" href=\"https:\/\/vintageking.com\/New-Brands\/Dangerous-Music-Inc\/Dangerous-Monitor-ST\"\u003eMonitor ST\u003c\/a\u003e is a remote-control accessed input source switcher\/speaker switcher\/cue system\/talkback system \/headphone amplifier all in a one rack space package.\u003cbr\u003e\u003cbr\u003eConfigure and control your entire system from the comfort of your sweet spot.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeaturing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog stepped-attenuator volume control -\u003c\/strong\u003e No level control IC’s used – pristine, accurate and repeatable. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4 input sources -\u003c\/strong\u003e Switch between your DAW outputs, DVD player, CD player, tape machines, etc. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 speaker outputs -\u003c\/strong\u003e Switch between up to 3 sets of monitors \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable input gain offsets -\u003c\/strong\u003e Adjust for and store level offsets for different source devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput level compensation for –10dBV and +4dBu sources -\u003c\/strong\u003e Instantly adjust and store gain compensation for consumer devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput 4 has continuously variable level offset -\u003c\/strong\u003e Compensate for commercial CD levels and perform true A\/B comparisons without compromising sound quality. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable output level offsets -\u003c\/strong\u003e Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAssignable subwoofer output -\u003c\/strong\u003e Choose and store which sets of speakers you want to use with your sub \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProgrammable subwoofer level offset -\u003c\/strong\u003e Adjust and store subwoofer levels, easily alternate between sub function and LFE function \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelectable subwoofer filtering -\u003c\/strong\u003e Select and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComprehensive speaker Mute and Solo -\u003c\/strong\u003e Easily mute and solo speakers in any combination \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible stereo cue system with main and auxiliary inputs\u003c\/strong\u003e - Make your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers. \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOnboard cue power amp -\u003c\/strong\u003e 40 watts of clean power for your headphones \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback system with dual control and dedicated slate output -\u003c\/strong\u003e Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkback \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSR Unit has selected source output -\u003c\/strong\u003e Send source signals to meters or any other external device\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247501295753,"sku":"19378","price":695.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_monitor_sr.jpg?v=1784045203"},{"product_id":"dangerous-2-bus-mixer-126-used","title":"Dangerous 2-Bus Mixer #126 (Used)","description":"Digital Audio Workstations have taken over the world of recording and there is no going back. While we all embrace the wonderful benefits of the computer-based workflow, we also have to deal with the issues and limitations of digital recording and mixing. \u003cbr\u003e\u003cbr\u003eThe \u003cb\u003eDangerous 2-Bus\u003c\/b\u003e analog summing mixer was created to bring back the analog sound quality you’ve been craving in your digital audio environment, while maintaining the fast workflow and recall capabilities we all depend on. 16 channels in, 2 channels out, one great sounding mix. \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eThe Choice of Top Mix Engineers Worldwide\u003c\/li\u003e\n\u003cli\u003eIncredible Imaging\u003c\/li\u003e\n\u003cli\u003eMore Punch and Detail\u003c\/li\u003e\n\u003cli\u003eUnbelievable Headroom\u003c\/li\u003e\n\u003cli\u003eIntegrate Your Analog Gear into the modern DAW studio\u003c\/li\u003e\n\u003c\/ul\u003eThe Dangerous 2-Bus is a 16X2 summing device designed to help DAW users achieve better mix performance through the use of cutting-edge analog audio circuit design. As engineers and musicians, the Dangerous Music team has noted that the resulting mix from DAW systems doesn’t equal those of high-end analog recording consoles. The solution is the 2-Bus’s pristine audio path - delivering nuance, depth and clarity to your mix without any added coloration or distortion. \u003cbr\u003e\u003cbr\u003eThe Dangerous Music 2-Bus allows the full potential of your digital audio workstation to be realized - audibly, in terms of sound quality, spatial detail and headroom as well as ergonomically in terms of outboard analog equipment integration. The transparent sound allows you to enjoy the true colors of your chosen outboard gear without clouding the issue. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components and a no-compromise attitude, the Dangerous 2-Bus sums 16 channels of audio to a stereo pair in a tried and true analog environment, delivering sound quality you would expect from a full-scale large format analog console, but from a compact 2RU device that was specifically designed for the modern studio. \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSuperb Sonic Performance\u003c\/li\u003e\n\u003cli\u003eMastering Quality Signal Path\u003c\/li\u003e\n\u003cli\u003eStepped Attenuator output control\u003c\/li\u003e\n\u003cli\u003eFully Linkable with 2-BUS, 2-BUS LT and MIXERDAW studio\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFrequency Response:\u003c\/b\u003e 1 Hz-100 kHz within 0.1 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTotal Harmonic Distortion:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e0.0045% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0008% +22 dBu input level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIntermodulation Distortion:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e0.0055% +4 dBu input level\u003c\/li\u003e\n\u003cli\u003e0.0015% +22 dBu input level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCrosstalk:\u003c\/b\u003e \u0026gt; 101 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise floor:\u003c\/b\u003e \u0026lt;-83 dBu total energy in audio band\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMax level:\u003c\/b\u003e +28 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNominal operating level:\u003c\/b\u003e +4 dBu (1.228 volts)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput impedance:\u003c\/b\u003e 25kohm balanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput impedance:\u003c\/b\u003e 50 ohms balanced (600 ohm drive capable)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eGain accuracy:\u003c\/b\u003e \u0026gt;0.02 dB @ 1 kHz for any gain setting\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower consumption:\u003c\/b\u003e 30 watts\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eWarranty:\u003c\/b\u003e 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247501328521,"sku":"22337","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_2-bus_mixer__126.jpg?v=1784045203"},{"product_id":"dangerous-8x2-mixer-used","title":"Dangerous 8x2 Mixer (Used)","description":"\u003cp\u003eVery nice condition unit that can integrate your outboard gear with your DAW. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e8 inputs and 2 sets of outputs via XLR \u003c\/li\u003e\n\u003cli\u003eIndividual level and pan controls, solo, mute per channel \u003c\/li\u003e\n\u003cli\u003eStepped output controls. \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz-100 kHz within 0.1 dB (-3dB @ 5 Hz) \u003c\/li\u003e\n\u003cli\u003eTHD: 0.004% in audio band\u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion: 0.006% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 1 kHz: -87 dB\u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 10 kHz: -85 dB \u003c\/li\u003e\n\u003cli\u003eNoise floor: -91 dBu\u003c\/li\u003e\n\u003cli\u003eMax output level: +26 dBu\u003c\/li\u003e\n\u003cli\u003eNominal operating level: +4 dBu (1.228 volts) \u003c\/li\u003e\n\u003cli\u003eInput impedance: 25k ohm balanced \u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003eGain accuracy: better than .05 dB @ 1 kHz for any gain setting \u003c\/li\u003e\n\u003cli\u003ePower consumption: 30 watts \u003c\/li\u003e\n\u003cli\u003e2u unit with external power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eDigital Audio Workstations are wonderful to work with, but there is so much more to\u003cbr\u003ethe modern digital studio than just a computer, an interface and a few plug-ins.\u003cbr\u003eWhat about that tried and true outboard reverb, or that vintage keyboard you use\u003cbr\u003eon every track? We don't think it's necessary to subject the output of these devices\u003cbr\u003eto unnecessary A\/D\/A conversions, so we created the Dangerous MIXER: the 8x2\u003cbr\u003eanalog summing mixer, designed specifically for integrating analog devices in the\u003cbr\u003edigital audio environment.\u003cbr\u003e\u003cbr\u003eThe Dangerous MIXER is an 8x2 line-source mixer designed to help users of digital\u003cbr\u003eaudio workstations achieve better mixes through the proper integration of hardware\u003cbr\u003esynths, multi-effects and outboard gear into their digital system. As engineers and\u003cbr\u003emusicians, the Dangerous team and their colleagues have noted that analog\u003cbr\u003eoutboard gear is often run through unnecessary and detrimental A\/D\/A conversions\u003cbr\u003ejust to enable it to be leveled, panned and placed within a mix.\u003cbr\u003e\u003cbr\u003eDangerous MIXER enables any MIDI device, outboard reverb or multi-effects unit,\u003cbr\u003emic preamp -- virtually any line-level source -- to be integrated into a mix along-\u003cbr\u003eside digital audio tracks. The Dangerous MIXER with is also ideal for sub-mixing\u003cbr\u003eoutputs of external mic preamps while tracking. \u003cbr\u003e\u003cbr\u003eAssembled by hand using the highest quality components, Dangerous MIXER\u003cbr\u003eallows users to keep their analog devices in a pristine analog environment, and\u003cbr\u003epreserves their sonic integrity throughout the mixing process. \u003cbr\u003e\u003cbr\u003eWith 8 inputs providing level control, panning, muting and phase reverse, the\u003cbr\u003eDangerous MIXER delivers sonic quality you would expect from a full scale analog\u003cbr\u003econsole, but from a compact 2RU device that was specifically designed for the\u003cbr\u003eprofessional digital studio. \u003cbr\u003e\u003cbr\u003eThe Dangerous MIXER is also a great alternative to the Dangerous 2-BUS for those who want external summing of their DAW mixes but only need 8 channels or would like to be able to keep level and pan control in the analog domain.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247501394057,"sku":"19314","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_8x2_mixer.jpg?v=1784045203"},{"product_id":"dangerous-music-monitor-used","title":"Dangerous Music MONITOR (Used)","description":"\u003cbr\u003e\u003cbr\u003eSpecifications: \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eFrequency Response:\u003c\/b\u003e 1 Hz-100 kHz within 0.2 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTotal Harmonic Distortion:\u003c\/b\u003e 0.003% in audio band \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIntermodulation Distortion:\u003c\/b\u003e 0.002% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eConverter Lock Range:\u003c\/b\u003e 32 kHz - 192 kHz \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eConverter THD+Noise:\u003c\/b\u003e 0.002% \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCrosstalk @ 1 kHz:\u003c\/b\u003e -113 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCrosstalk @ 10 kHz:\u003c\/b\u003e -102 dB \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise floor:\u003c\/b\u003e -93 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMax level:\u003c\/b\u003e +26 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNominal operating level:\u003c\/b\u003e +4 dBu \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput impedance:\u003c\/b\u003e 25k ohm balanced \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput impedance:\u003c\/b\u003e 50 ohm balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eGain accuracy:\u003c\/b\u003e better than .05 dB @ 1 kHz for any gain setting \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePower consumption:\u003c\/b\u003e 40 watts \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSize:\u003c\/b\u003e 2 RU for Monitor, 1 RU for power supply \u003c\/li\u003e\n\u003c\/ul\u003eMonitoring is the most critical part of any studio set-up. Every decision made is based on what you hear, or what you don’t hear, through the monitor system. In today’s professional mastering and mixing rooms quality monitor control means an accurate, uncolored yet musical signal path with immediate and intuitive control. \u003cbr\u003e\u003cbr\u003eTo put out high-quality work an engineer needs the ability to easily switch between multiple analog and digital sources as well as different sets of speakers, to recall level settings, and most critically to listen to the input source material through the same signal path. The \u003cb\u003eDangerous Monitor\u003c\/b\u003e delivers all of this, and more.\n\u003cul\u003e\n\u003cli\u003eSuperb sonic performance\n\u003c\/li\u003e\n\u003cli\u003eUnparalleled clarity, detail and resolution\n\u003c\/li\u003e\n\u003cli\u003eMastering quality onboard D-to-A conversion\n\u003c\/li\u003e\n\u003cli\u003eSeamless switching between digital and analog sources \u003c\/li\u003e\n\u003c\/ul\u003eThe Dangerous Monitor is the realization of 4 distinct functions, seamlessly integrated into one 2RU package: Analog switching, digital switching, onboard D to A conversion, and comprehensive mastering monitoring functions. There are separate products out there that handle most of these tasks, but a system that elegantly integrates them into one package while delivering top-quality performance in all areas is a must for a focused control room in a competitive studio. \u003cbr\u003e\u003cbr\u003eSpecifically designed by mastering studio veterans to bring no-compromise monitor control to your studio, it’s stellar sound, straightforward ergonomics and uncompromising accuracy along with its mastering-quality D to A converter will finally let you hear what your tracks really sound like. \u003cbr\u003e\u003cbr\u003eA perfect companion for the Dangerous MQ and 2-BUS - no professional studio should be without one.\n\u003cul\u003e\n\u003cli\u003eAnalog and Digital Input Switching\n\u003c\/li\u003e\n\u003cli\u003eStepped Attenuator Volume Control\n\u003c\/li\u003e\n\u003cli\u003eComprehensive Mastering Monitoring Functions analog sources \u003c\/li\u003e\n\u003c\/ul\u003eThe design team at Dangerous knows that while there are options for digital routing,conversion and analog switching available as stand-alone units, a system that integrates them in one package has not been available until now. The addition of comprehensive monitoring features -- along with stellar sound, unprecedented flexibility and ease of use -- makes the Dangerous Monitor an essential component of today's studio environment, and a perfect companion for the Dangerous 2-BUS. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeaturing:\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog input switching: 3 pairs of analog inputs\n\u003c\/li\u003e\n\u003cli\u003eDigital input switching: 4 digital inputs, with active thru outputs\n\u003c\/li\u003e\n\u003cli\u003eOnboard D\/A: Custom Dangerous Reference DAC\n\u003c\/li\u003e\n\u003cli\u003eFull console monitoring functions: L\u0026amp;R Phase reverse, L\u0026amp;R Mute, Mono, Dim, Alternate Speaker, and -6 VU Meter Offset\n\u003c\/li\u003e\n\u003cli\u003eAnalog and digital meter feeds\n\u003c\/li\u003e\n\u003cli\u003eStepped attenuator volume control for precise adjustment and repeatability\n\u003c\/li\u003e\n\u003cli\u003eOptional remote \u003c\/li\u003e\n\u003c\/ul\u003eYou will hear the difference.","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247501459593,"sku":"21255","price":2395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_music_monitor_1.jpg?v=1784045203"},{"product_id":"dangerous-music-mq-used","title":"Dangerous Music MQ (Used)","description":"Some things will never change. No matter how revolutionary your DAW has proven to be, performers still need to hear themselves. And as every engineer knows, you still need to be able to communicate with your artist and instantly assess average and peak levels of your mix. \u003cbr\u003e\u003cbr\u003eWith the new \u003cb\u003eDangerous MQ\u003c\/b\u003e, you'll never again need to guess about levels, and communication between artist and engineer\/producer will be seamless. You'll be creating multiple cue mixes quickly and easily, directly from your DAW, while effortlessly integrating outboard mic-pre and other feeds into the mix.\n\u003cul\u003e\n\u003cli\u003eComprehensive Headphone Cue Mixer\n\u003c\/li\u003e\n\u003cli\u003eTalkback System w\/ Remote and Built-in Mic\n\u003c\/li\u003e\n\u003cli\u003eTrue Analog VU Meter\n\u003c\/li\u003e\n\u003cli\u003eTop of the Line Digital Metering \u003c\/li\u003e\n\u003c\/ul\u003eTo sum it all up, your job is going to be a lot easier and it's going to sound incredible.\n\u003cul\u003e\n\u003cli\u003e2 Separate Stereo Cues\n\u003c\/li\u003e\n\u003cli\u003e2 Assignable Mono Inputs\n\u003c\/li\u003e\n\u003cli\u003e2 Selectable front-panel headphone outputs\n\u003c\/li\u003e\n\u003cli\u003eOn-Board Power Amps\n\u003c\/li\u003e\n\u003cli\u003eIntegrates seamlessly with the Dangerous Monitor \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247501492361,"sku":"21256","price":1795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_music_mq.jpg?v=1784045204"},{"product_id":"dangerous-d-box-used","title":"Dangerous D-Box (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247510372489,"sku":"14167","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_d-box_zoom.jpg?v=1784045234"},{"product_id":"dangerous-music-source","title":"Dangerous Music SOURCE Monitor Controller","description":"\u003cp\u003eThe \u003cstrong\u003eDangerous Music SOURCE Monitor Controller\u003c\/strong\u003e provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear: how to locate the microphone’s sweet spot for the perfect vocal, where to place the panning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlug in two pairs of headphones and get inspired-serious amplification to turn up your creative heat.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSelect any of the four sources individually or at the same time- plug your phone into AN2 and jam along in AN1. Listen to any combination of sources from either section.  For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input. There’s even a line level control room output, mirroring the speaker selector for dubbing, sampling, running external meters, or expansion with another SOURCE.\r\nAdd the optional rack kit for 19\" installation. Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood. Built for life on the road, slide the SOURCE into your backpack and hit the streets.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247520366729,"sku":"29443","price":1099.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous_source.jpg?v=1784045268"},{"product_id":"dangerous-music-d-box-used","title":"Dangerous Music D-BOX (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247563194505,"sku":"31574","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_music_d-box_cat.jpg?v=1784045427"},{"product_id":"dangerous-monitor-st-753-used","title":"Dangerous Monitor ST #753 (Used)","description":"Excellent condition unit. Serviced,  with a 6 month warranty.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \u003cbr\u003e\u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels\u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002%\u003c\/li\u003e\n\u003cli\u003eIMD: 0.003%\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB \u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB\u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV\u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev\u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002% THD+N\u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247582527625,"sku":"33174","price":1450.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_monitor_st__753_cat.jpg?v=1784045505"},{"product_id":"dangerous-music-source-469-used","title":"Dangerous Music SOURCE #469 (Used)","description":"Excellent condition unit. Purchase price includes VK's premium servicing with a 6 month warranty!\u003cbr\u003e\u003cp\u003eThe Dangerous Source provides the critical link between your ears and  the music. Every tracking and mixing decision hinges upon what you  hear: how to locate the microphone’s sweet spot for the perfect vocal,  where to place the panning to define each instrument’s space, creating  the perfect marriage of kick and bass in the track…\u003c\/p\u003e\u003cp\u003ePlug in two pairs of headphones and get inspired-serious amplification to turn up your creative heat.\u003c\/p\u003e\u003cp\u003eSelect  any of the four sources individually or at the same time- plug your  iPod into AN2 and jam along in AN1. Listen to any combination of sources  from either section.  For example, let the singer hear their own  personal headphone mix from the AN2 input, while you engineer the real  mix, coming from the USB input.\u003c\/p\u003e\u003cp\u003eThere’s even a line level control room output, mirroring the speaker selector for dubbing, sampling or running external meters.\u003c\/p\u003e\u003cp\u003eSwitch  between two sets of speakers... or use one output for a subwoofer... or  play them both at once to blow up the neighborhood.\u003c\/p\u003eBuilt for life on the road, slide the SOURCE into your backpack and hit the streets.\u003cbr\u003e\u003cbr\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247593537673,"sku":"33397","price":795.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_music_source__469_cat_103a8f84-2544-4e55-9290-5aee6ad6340d.jpg?v=1784045551"},{"product_id":"dangerous-music-monitor-st-2813-used","title":"Dangerous Music MONITOR ST #2813 (Used)","description":"Like new unit, with a 6 month warranty.","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247593570441,"sku":"34175","price":1550.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_monitor_st__2813_cat.jpg?v=1784045551"},{"product_id":"dangerous-music-compressor","title":"Dangerous Music COMPRESSOR Dual Mono \/ Stereo Compressor","description":"\u003cp\u003eWhen Dangerous set out to design the \u003cstrong\u003eDangerous Music COMPRESSOR Dual Mono \/ Stereo Compressor\u003c\/strong\u003e, they spent over two years figuring out how to achieve modern levels of limiting and compression while avoiding the deadening effects of today’s ultra-limited productions. Dangerous makes gear that helps you deliver the impact, punch and clarity that brings music to life, and when it comes to compression and limiting Dangerous's answer was not to avoid it like some purists might, but to deliver an audiophile-grade tool that provides powerful compression and limiting without robbing the music of its lifeforce. The Dangerous COMPRESSOR points the way to the future of dynamics.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eTRANSPARENTLY BEAUTIFUL\u003c\/h3\u003e\r\n\u003cp\u003eCompressors fall into two basic categories: so-called “color boxes” capable of drastically changing sound, of which there are hundreds available, and the much more difficult to design “transparent units” that control dynamics without introducing obvious sonic artifacts. The Dangerous COMPRESSOR is both. It delivers crystal clear compression that allows you to easily squash a vocal -15dB without drastically changing the original sound or can slam your drum bus with the VCA's punch and mass. But don’t let the word ‘transparency’ trick you into thinking The COMPRESSOR doesn’t sound beautiful – like all Dangerous gear, the low end is big and powerful, the mids maintain texture and detail, and the top-end is open and deeply engaging, even during very active gain reduction. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful with heft and smash is no longer a paradox.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eBEYOND VERSATILITY\u003c\/h3\u003e\r\n\u003cp\u003eBecause The Dangerous COMPRESSOR is so transparent and simple to operate, it can handle a wide range of tasks often left to automation and eq during tracking, mixing and mastering. Few compressors are as versatile. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. Use the internal sidechain EQ curves to tame a sibilant vocal or to let deep bass punch through untouched, or both simultaneously. Effortlessly peak-limit a master in the analog realm and dispense with your digital limiter using the unique Smart Dynamics feature. Patch an eq into the external side chain for dynamic eq across the midrange, or use the two channels as independent mono units, or in series to achieve ultra-transparent “cascaded compression.” Beyond versatility, The Dangerous COMPRESSOR invites you to creatively solve sonic problems without worrying about unwanted sonic artifacts.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eA NO COMPROMISE DESIGN WITH UNIQUE FEATURES\u003c\/h3\u003e\r\n\u003cp\u003eHand assembled in the USA, at the heart of The Dangerous COMPRESSOR is a unique and unparalleled audiophile-grade circuit by legendary designer Chris Muth. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound.\u003c\/p\u003e\r\n\u003cp\u003eDual Detectors – The COMPRESSOR utilizes two totally independent RMS detectors with a nuanced and sophisticated circuit that governs how the left and right channels work together in stereo. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. What’s more, you can use each channel as an independent mono compressor – great on kick and snare, for example – or you can “cascade” the two channels into each other for ultra-transparent compression with peak limiting – a great technique for automatically riding a vocal, a spiky lead instrument, or anywhere that powerful and transparent control is needed.\u003c\/p\u003e\r\n\u003cp\u003eSmart Dynamics – By engaging “SmartDyn,” you turn on The COMPRESSOR’s unique “dual slope” detector circuits, allowing you to control fast transient peaks without causing average volume levels to drop. This lets you maintain higher average volume levels while avoiding the pumping artifacts commonly incurred when pushing toward the expectations of modern loudness. Smart Dynamics is equally helpful when tracking a dynamic singer or mixing a snappy drum kit, and most users end up leaving the “SmartDyn” button engaged at all times. With its dual detector working in conjunction with Smart Dynamics, The COMPRESSOR’s circuit design is so agile that it seems to possess artificial intelligence.\u003c\/p\u003e\r\n\u003cp\u003eAuto Attack \u0026amp; Release – And if it wasn’t already easy enough to get powerful and transparent compression, The COMPRESSOR also includes an automatic attack and release setting that allows you dial in your sound simply using the threshold and make-up gain knobs. If you need more precise settings for attack and release, simply press the “Manual Att\/Rel” button and start tweaking.\u003c\/p\u003e\r\n\u003cp\u003eOn-Board Side Chain Filters – The COMPRESSOR includes two audiophile-grade side-chain EQs that you can turn on and off at the push of a button…no complex patching necessary. Bass Cut turns down low-end below 60Hz, assuring that the detector is not overreacting to low-end content or “breathing” along with the beat. The Sibilance Boost utilizes the BAX EQ’s ultra-linear high-end shelf to push more treble content into the detector, which causes The COMPRESSOR to dynamically attenuate sibilance and other unwanted spikes of high-end like harsh cymbals or erratic acoustic guitar strums – great on vocals during tracking or mixing, or on a whole mix during mastering.\u003c\/p\u003e\r\n\u003cp\u003eVU and LED Metering – The dual VU meters can show you gain reduction, input or output levels. There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. What VUs can’t show you are the fast transient leaps past the threshold, and that’s where the dual LED meters come in. They track down to a single transient crossing. Together, the VU and LED meters provide two important insights into the nuanced inner workings of The COMPRESSOR in action and your music.\u003c\/p\u003e\r\n\u003cp\u003eAudiophile Components Throughout – Chris Muth’s fastidious designs call for only the highest quality components in areas of the circuit that don’t even pass audio. Detector and control voltage circuits (which lie at the heart of any compressor but are not in the audio path) are often built from substandard components in order to cut costs. However, these detector components have a major impact on how any compressor performs, especially with the high standards Dangerous set for achieving the nuanced and intelligent compression you’ll get out of The COMPRESSOR.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCOMBINE TO TASTE\u003c\/h3\u003e\r\n\u003cp\u003eWhether you’re tracking, mixing or mastering, The Dangerous COMPRESSOR works beautifully with vintage analog gear or patched into today’s cutting-edge digital systems, allowing you to achieve truly modern levels without the undesired artifacts that plague so many modern productions. Combine it with the ultra-transparent BAX EQ for one of the most open EQ\/Compressor combinations possible, perfect for mastering or mixing. Place The Dangerous COMPRESSOR after any “color box” — a console, a vintage tube compressor, a funky EQ, or all three together — and you can dial in the exact dynamics you want without having to rely on the often unruly controls of yesteryear’s gear.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_4\"\u003eTHE WORLD’S MOST INTELLIGENT ANALOG COMPRESSOR\u003c\/h3\u003e\r\n\u003cp\u003eWith its sophisticated dual detector circuit, unique Smart Dynamics section, automatic attack and release function, unmatched versatility and incredibly transparent, audiophile-grade sound, The COMPRESSOR from Dangerous Music is today’s most intelligent analog compressor. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_6\"\u003eAWARDS:\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTEC Award (winner)\u003c\/li\u003e\r\n\u003cli\u003eRockit Award (winner)\u003c\/li\u003e\r\n\u003cli\u003eResolution Award (nominated)\u003c\/li\u003e\r\n\u003cli\u003eSound on Sound Awards (nominated)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247594815625,"sku":"34660","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/dangerous-music-compressor-21_34660_1_5640ca5d-b349-41be-8ceb-bbf2233a6e25.jpg?v=1784045558"},{"product_id":"dangerous-2-bus-lt-745-used","title":"Dangerous 2-Bus LT #745 (Used)","description":"\u003cp\u003eFor those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the \u003cstrong\u003eDangerous Music 2-BUS LT\u003c\/strong\u003e. Built with the same award-winning active summing electronics that have made head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world’s best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of the summing mixers together for even more channels.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS LT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you’re also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT’s exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You’ll struggle less, work faster and enjoy mixing more!\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247598420105,"sku":"34671","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_dangerous_2-bus__745_cat.jpg?v=1784045573"},{"product_id":"dangerous-music-2-bus-1539-used","title":"Dangerous Music 2-BUS #1539 (Used)","description":"We all know what incredible tools Digital Audio Workstations are. But have you ever noticed that some of the finer points of your music get lost in the final step? So have we. When you mix digitally in your PC, you can lose information and sound quality. \u003cbr\u003e\u003cbr\u003eThat's why we created the \u003cb\u003eDangerous 2-BUS LT\u003c\/b\u003e: the analog summing mixer designed specifically for the digital audio environment. 16 channels in, 2 channels out – one great-sounding mix. \u003cul\u003e\n\u003cli\u003eAnalog summing for under $1500 \u003c\/li\u003e\n\u003cli\u003eFully linkable with 2-BUS and 2-BUS LT \u003c\/li\u003e\n\u003cli\u003eCost-effective alternative to the Dangerous 2-BUS \u003c\/li\u003e\n\u003c\/ul\u003eThe 2-BUS LT is a 16x2 summing amplifier designed to help users of digital audio workstations (DAWs) better mix performance through the use of the existing equipment in their studios. As engineers and musicians, the Dangerous team and their colleagues have noted that while digital audio workstations offer unprecedented flexibility in multi-track recording and editing, the resulting mix from these systems generally doesn't equal those of high-end analog recording consoles in terms of sound quality and preservation of spatial detail. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Essential Tool for Serious Digital Audio Mixing \u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eIt will change the way you mix \u003c\/li\u003e\n\u003cli\u003eIncredible imaging \u003c\/li\u003e\n\u003cli\u003eMore punch and detail \u003c\/li\u003e\n\u003cli\u003eFor pro and project studios \u003c\/li\u003e\n\u003cli\u003eIntegrate your analog gear into the studio of the future \u003c\/li\u003e\n\u003c\/ul\u003eDangerous Music's 2-BUS LT allows the full potential of your digital audio workstation to be realized – audibly. It sums 16 channels of audio to a stereo pair in a high quality analog environment while occupying only one rack space.\u003cbr\u003e\u003cbr\u003eThe 2-BUS LT delivers quality you would expect from a full-scale analog console, but from a compact unit that was specifically designed for the home, project, and professional digital studio. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications: \u003c\/span\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 1 Hz-100 kHz within 0.3 dB \u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion: 0.006% in audio band \u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion: 0.007% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 1 kHz: -97 dB \u003c\/li\u003e\n\u003cli\u003eNoise floor: -81 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003eMax level: +27 dBu \u003c\/li\u003e\n\u003cli\u003eNominal operating level: +4 dBu \u003c\/li\u003e\n\u003cli\u003eInput impedance: 25 kohm balanced \u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003eGain accuracy: +\/- .25 dB \u003c\/li\u003e\n\u003cli\u003ePower consumption: 25 watts \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247613755529,"sku":"34792","price":1595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_34792_1.jpg?v=1784045625"},{"product_id":"dangerous-music-2-bus-lt-1092-used","title":"Dangerous Music 2-BUS LT #1092 (Used)","description":"\u003cp\u003eFor those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the \u003cstrong\u003eDangerous Music 2-BUS LT\u003c\/strong\u003e. Built with the same award-winning active summing electronics that have made head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world’s best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of the summing mixers together for even more channels.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS LT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you’re also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT’s exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You’ll struggle less, work faster and enjoy mixing more!\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247613984905,"sku":"35065","price":1095.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_35065_1.jpg?v=1784045625"},{"product_id":"dangerous-music-bax-eq-142-used","title":"Dangerous Music BAX EQ #142 (Used)","description":"Built in response to demand from a professional studio community searching for unique sonic signatures, the Dangerous design team took inspiration from the classic Baxandall shelving curves of the 60’s and 70’s and created a unique equalizer with a 21st century mastering aesthetic. The result is pure emotive expression with audiophile accuracy.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eStepped controls throughout for repeatability and identical stereo operation\u003c\/li\u003e\n\u003cli\u003eBroad Q Shelving\u003c\/li\u003e\n\u003cli\u003e7-position High Pass and Low\u003c\/li\u003e\n\u003cli\u003ePass Filters--2-pole Butterworth configuration (12 dB\/oct)\u003c\/li\u003e\n\u003cli\u003e8-position High and Low Frequency Select\u003c\/li\u003e\n\u003cli\u003e+\/- 5dB Cut and Boost controls in 1\/2 dB steps\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e “Unlike anything you have heard, but exactly like what you’ve been looking for.”\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003e-Phil Demetro, Lacquer Channel Mastering\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e “I want this box for the 60 Hz band alone. While testdriving the prototype I got addicted to it--the BAX gave me a foot like no other EQ I have does. It’s no surprise that the first piece of signal processing from Dangerous is something that currently does not exist and something I need to have.”\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003e-David Kutch, The Mastering Palace\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e “The BAX EQ is my new favorite box to put across my whole mix. It lets me achieve that modern pop brightness without any of the usual sibilance or harshness. The super low-end is fat without being muddy and it’s incredibly smooth and balanced. 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The result is pure emotive expression with audiophile accuracy.\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eStepped controls throughout for repeatability and identical stereo operation\u003c\/li\u003e\n\u003cli\u003eBroad Q Shelving\u003c\/li\u003e\n\u003cli\u003e7-position High Pass and Low\u003c\/li\u003e\n\u003cli\u003ePass Filters--2-pole Butterworth configuration (12 dB\/oct)\u003c\/li\u003e\n\u003cli\u003e8-position High and Low Frequency Select\u003c\/li\u003e\n\u003cli\u003e+\/- 5dB Cut and Boost controls in 1\/2 dB steps\u003c\/li\u003e\n\u003c\/ul\u003e \u003cbr\u003e ‚ÄúUnlike anything you have heard, but exactly like what you‚Äôve been looking for.‚Äù\u003cbr\u003e \u003cstrong\u003e-Phil Demetro, Lacquer Channel Mastering\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e ‚ÄúI want this box for the 60 Hz band alone. While testdriving the prototype I got addicted to it--the BAX gave me a foot like no other EQ I have does. It's no surprise that the first piece of signal processing from Dangerous is something that currently does not exist and something I need to have.‚Äù\u003cbr\u003e \u003cstrong\u003e-David Kutch, The Mastering Palace\u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e ‚ÄúThe BAX EQ is my new favorite box to put across my whole mix. It lets me achieve that modern pop brightness without any of the usual sibilance or harshness. The super low-end is fat without being muddy and it‚Äôs incredibly smooth and balanced. 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Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247633875081,"sku":"37252","price":1150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37252_1.jpg?v=1784045690"},{"product_id":"dangerous-music-monitor-sr-216-used","title":"Dangerous Music MONITOR SR #216 (Used)","description":"The \u003cb\u003eDangerous Music SR\u003c\/b\u003e is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!\u003cbr\u003e\u003cbr\u003eThe \u003ca class=\"bluelinks\" href=\"https:\/\/vintageking.com\/New-Brands\/Dangerous-Music-Inc\/Dangerous-Monitor-ST\"\u003eMonitor ST\u003c\/a\u003e is a remote-control accessed input source switcher\/speaker switcher\/cue system\/talkback system \/headphone amplifier all in a one rack space package.\u003cbr\u003e\u003cbr\u003eConfigure and control your entire system from the comfort of your sweet spot.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeaturing:\u003c\/b\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAnalog stepped-attenuator volume control -\u003c\/b\u003e No level control IC’s used – pristine, accurate and repeatable. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e4 input sources -\u003c\/b\u003e Switch between your DAW outputs, DVD player, CD player, tape machines, etc. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e3 speaker outputs -\u003c\/b\u003e Switch between up to 3 sets of monitors \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable input gain offsets -\u003c\/b\u003e Adjust for and store level offsets for different source devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput level compensation for –10dBV and +4dBu sources -\u003c\/b\u003e Instantly adjust and store gain compensation for consumer devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput 4 has continuously variable level offset -\u003c\/b\u003e Compensate for commercial CD levels and perform true A\/B comparisons without compromising sound quality. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable output level offsets -\u003c\/b\u003e Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eAssignable subwoofer output -\u003c\/b\u003e Choose and store which sets of speakers you want to use with your sub \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable subwoofer level offset -\u003c\/b\u003e Adjust and store subwoofer levels, easily alternate between sub function and LFE function \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSelectable subwoofer filtering -\u003c\/b\u003e Select and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eComprehensive speaker Mute and Solo -\u003c\/b\u003e Easily mute and solo speakers in any combination \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFlexible stereo cue system with main and auxiliary inputs\u003c\/b\u003e - Make your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOnboard cue power amp -\u003c\/b\u003e 40 watts of clean power for your headphones \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTalkback system with dual control and dedicated slate output -\u003c\/b\u003e Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkback \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSR Unit has selected source output -\u003c\/b\u003e Send source signals to meters or any other external device\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002% \u003c\/li\u003e\n\u003cli\u003eIMD: 0.003% \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB \u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB \u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV \u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev \u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002% THD+N \u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247648784521,"sku":"37654","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37654_1.jpg?v=1784045733"},{"product_id":"dangerous-music-monitor-st-176-used","title":"Dangerous Music MONITOR ST #176 (Used)","description":"Like new unit, with a 6 month warranty.","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247648817289,"sku":"37653","price":1750.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37653_1_26e01ad8-ed64-43f1-9c9c-4310f426f6a7.jpg?v=1784045733"},{"product_id":"dangerous-d-box-1421-used","title":"Dangerous D-Box #1421 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. 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For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247652880521,"sku":"37755","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37755_1.jpg?v=1784045747"},{"product_id":"dangerous-d-box-2138-used","title":"Dangerous D-Box #2138 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247658254473,"sku":"37776","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37776_1.jpg?v=1784045760"},{"product_id":"dangerous-music-2-bus-149-used","title":"Dangerous Music 2-BUS #149 (Used)","description":"We all know what incredible tools Digital Audio Workstations are. But have you ever noticed that some of the finer points of your music get lost in the final step? So have we. When you mix digitally in your PC, you can lose information and sound quality. \u003cbr\u003e\u003cbr\u003eThat's why we created the \u003cb\u003eDangerous 2-BUS LT\u003c\/b\u003e: the analog summing mixer designed specifically for the digital audio environment. 16 channels in, 2 channels out – one great-sounding mix. \u003cul\u003e\n\u003cli\u003eAnalog summing for under $1500 \u003c\/li\u003e\n\u003cli\u003eFully linkable with 2-BUS and 2-BUS LT \u003c\/li\u003e\n\u003cli\u003eCost-effective alternative to the Dangerous 2-BUS \u003c\/li\u003e\n\u003c\/ul\u003eThe 2-BUS LT is a 16x2 summing amplifier designed to help users of digital audio workstations (DAWs) better mix performance through the use of the existing equipment in their studios. As engineers and musicians, the Dangerous team and their colleagues have noted that while digital audio workstations offer unprecedented flexibility in multi-track recording and editing, the resulting mix from these systems generally doesn't equal those of high-end analog recording consoles in terms of sound quality and preservation of spatial detail. \u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Essential Tool for Serious Digital Audio Mixing \u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eIt will change the way you mix \u003c\/li\u003e\n\u003cli\u003eIncredible imaging \u003c\/li\u003e\n\u003cli\u003eMore punch and detail \u003c\/li\u003e\n\u003cli\u003eFor pro and project studios \u003c\/li\u003e\n\u003cli\u003eIntegrate your analog gear into the studio of the future \u003c\/li\u003e\n\u003c\/ul\u003eDangerous Music's 2-BUS LT allows the full potential of your digital audio workstation to be realized – audibly. It sums 16 channels of audio to a stereo pair in a high quality analog environment while occupying only one rack space.\u003cbr\u003e\u003cbr\u003eThe 2-BUS LT delivers quality you would expect from a full-scale analog console, but from a compact unit that was specifically designed for the home, project, and professional digital studio. \u003cbr\u003e\u003cbr style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecifications: \u003c\/span\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 1 Hz-100 kHz within 0.3 dB \u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion: 0.006% in audio band \u003c\/li\u003e\n\u003cli\u003eIntermodulation Distortion: 0.007% IMD60 4:1 \u003c\/li\u003e\n\u003cli\u003eCrosstalk @ 1 kHz: -97 dB \u003c\/li\u003e\n\u003cli\u003eNoise floor: -81 dBu total energy in audio band \u003c\/li\u003e\n\u003cli\u003eMax level: +27 dBu \u003c\/li\u003e\n\u003cli\u003eNominal operating level: +4 dBu \u003c\/li\u003e\n\u003cli\u003eInput impedance: 25 kohm balanced \u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 ohms balanced (600 ohm drive capable) \u003c\/li\u003e\n\u003cli\u003eGain accuracy: +\/- .25 dB \u003c\/li\u003e\n\u003cli\u003ePower consumption: 25 watts \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247658582153,"sku":"38003","price":1995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_38003_1_934f8ed3-7a76-4e1e-b311-cc4e0a294cb5.jpg?v=1784045761"},{"product_id":"dangerous-music-monitor-sr-573-used","title":"Dangerous Music MONITOR SR #573 (Used)","description":"The \u003cb\u003eDangerous Music SR\u003c\/b\u003e is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!\u003cbr\u003e\u003cbr\u003eThe \u003ca class=\"bluelinks\" href=\"https:\/\/vintageking.com\/New-Brands\/Dangerous-Music-Inc\/Dangerous-Monitor-ST\"\u003eMonitor ST\u003c\/a\u003e is a remote-control accessed input source switcher\/speaker switcher\/cue system\/talkback system \/headphone amplifier all in a one rack space package.\u003cbr\u003e\u003cbr\u003eConfigure and control your entire system from the comfort of your sweet spot.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeaturing:\u003c\/b\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAnalog stepped-attenuator volume control -\u003c\/b\u003e No level control IC’s used – pristine, accurate and repeatable. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e4 input sources -\u003c\/b\u003e Switch between your DAW outputs, DVD player, CD player, tape machines, etc. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e3 speaker outputs -\u003c\/b\u003e Switch between up to 3 sets of monitors \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable input gain offsets -\u003c\/b\u003e Adjust for and store level offsets for different source devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput level compensation for –10dBV and +4dBu sources -\u003c\/b\u003e Instantly adjust and store gain compensation for consumer devices \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput 4 has continuously variable level offset -\u003c\/b\u003e Compensate for commercial CD levels and perform true A\/B comparisons without compromising sound quality. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable output level offsets -\u003c\/b\u003e Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eAssignable subwoofer output -\u003c\/b\u003e Choose and store which sets of speakers you want to use with your sub \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eProgrammable subwoofer level offset -\u003c\/b\u003e Adjust and store subwoofer levels, easily alternate between sub function and LFE function \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSelectable subwoofer filtering -\u003c\/b\u003e Select and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eComprehensive speaker Mute and Solo -\u003c\/b\u003e Easily mute and solo speakers in any combination \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eFlexible stereo cue system with main and auxiliary inputs\u003c\/b\u003e - Make your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers. \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOnboard cue power amp -\u003c\/b\u003e 40 watts of clean power for your headphones \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTalkback system with dual control and dedicated slate output -\u003c\/b\u003e Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkback \u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSR Unit has selected source output -\u003c\/b\u003e Send source signals to meters or any other external device\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eSpecifications\u003c\/b\u003e \u003cbr\u003e \u003cul\u003e\n\u003cli\u003eGain Tracking Accuracy: better than 0.05dB for 6 channels \u003c\/li\u003e\n\u003cli\u003eTHD+N: 0.002% \u003c\/li\u003e\n\u003cli\u003eIMD: 0.003% \u003c\/li\u003e\n\u003cli\u003eFrequency Response: 1Hz-100kHz -0.1dB \u003c\/li\u003e\n\u003cli\u003eCrosstalk Rejection: \u0026gt;96dB \u003c\/li\u003e\n\u003cli\u003eNominal Input Level: +4dBu or -10dBV \u003c\/li\u003e\n\u003cli\u003eCrossover: -3dB @ 57Hz 18dB\/octave modified Butterworth\/Chebyshev \u003c\/li\u003e\n\u003cli\u003eHeadphone amp: 0.002% THD+N \u003c\/li\u003e\n\u003cli\u003eHeadroom: +25dBu to main outputs \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247674507401,"sku":"37526","price":850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_37526_1.jpg?v=1784045806"},{"product_id":"dangerous-2-bus-lt-956-used","title":"Dangerous 2-Bus LT #956 (Used)","description":"\u003cp\u003eFor those seeking a powerful, straightforward summing mixer, or those who wish to expand the number of channels in their current analog summing rigs, meet the \u003cstrong\u003eDangerous Music 2-BUS LT\u003c\/strong\u003e. Built with the same award-winning active summing electronics that have made head designer Chris Muth legendary, the 2-BUS LT strips away non-essentials in order to bring the world’s best analog sound within reach of anyone. You get sixteen channels of pristine analog summing, dual stereo outputs to feed both your monitoring chain and your mix path, and an expansion port for linking any of the summing mixers together for even more channels.\u003c\/p\u003e \u003ch3\u003eUNVEIL YOUR SOUND WITH ACTIVE ANALOG SUMMING\u003c\/h3\u003e \u003cp\u003eUnlike passive summing boxes that require huge amounts of make-up gain to restore the lost audio, or line mixers masquerading as “summing mixers,” the active electronics in the 2-BUS LT result in what Dangerous users describe as “a huge soundstage,” “holographic sound,” and “audible three-dimensionality.” Panning is wide and precise, reverbs spacious and deep, bass powerful and engaging, treble and mids articulate and interesting. And within all that spacious sound, you get an incredibly focused and strong center image. When summing in analog, you’re also allowing multiple converter channels to share the workload of getting your sounds into the analog environment. Once there, the 2-BUS LT’s exceptional summing circuits will provide all the headroom plus a vast soundstage, allowing your mixes to truly shine.\u003c\/p\u003e \u003ch3\u003eEMULATION IMPOSSIBLE\u003c\/h3\u003e \u003cp\u003eMany analog processors – from delays and reverbs to EQs, compressors and more – have been beautifully modeled in the digital realm, but analog summing remains impossible to emulate digitally. We’ve all experienced the frustration of a mix collapsing when relying on a single digital master fader to handle it all. The middle gets crowded, panning becomes blurry, reverbs lose dimension, and soon the mix just lacks appeal. By summing individual tracks or subgroups of tracks (often called “stems”) with the 2-BUS LT’s analog circuits, you get crystal clear sonic imaging and a wide-open soundstage. No matter how high your track count, all your recorded audio, software instruments, samplers, effects and plugins will sing with the detail, punch and clarity that only real analog summing can deliver. You’ll struggle less, work faster and enjoy mixing more!\u003c\/p\u003e \u003ch3\u003eMAKING THE ANALOG INVESTMENT\u003c\/h3\u003e \u003cp\u003eWhen you buy analog equipment, you’re making a real investment that will hold its value for decades. Analog technology is time-tested. It won’t require an expensive upgrade, become incompatible with your computer or DAW, or start crashing. No matter what music production system you’re using in ten, fifteen, twenty years, the superior summing capabilities of the 2-BUS LT will always be a relevant, compatible and valuable centerpiece in your studio.\u003c\/p\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247680569481,"sku":"38917","price":1150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_38917_1.jpg?v=1784045824"},{"product_id":"dangerous-d-box-1335-used","title":"Dangerous D-Box #1335 (Used)","description":"The \u003cb\u003eDangerous D-Box\u003c\/b\u003e is perfect for the modern workflow and compact environment of the mobile and small-footprint DAW studio setup \u003cul\u003e\n\u003cli\u003eAnalog Summing\u003c\/li\u003e\n\u003cli\u003eMonitor Control\u003c\/li\u003e\n\u003cli\u003eOn-board D\/A conversion\u003c\/li\u003e\n\u003cli\u003eTalkback\u003c\/li\u003e\n\u003cli\u003eHeadphone Cue\u003c\/li\u003e\n\u003cli\u003eSimultaneous Input Monitoring\u003c\/li\u003e\n\u003c\/ul\u003eMore and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear.\u003cul\u003e\n\u003cli\u003eUnmatched Analog Summing Section\u003c\/li\u003e\n\u003cli\u003eSuperb Onboard D\/A Converter\u003c\/li\u003e\n\u003cli\u003e2 Speaker Outputs\u003c\/li\u003e\n\u003cli\u003eAffordable for all DAW studio owners\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eSumming Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e8 input dedicated fixed-gain analog summing buss\u003c\/li\u003e\n\u003cli\u003eMaster output trim with 10 dB range\u003c\/li\u003e\n\u003cli\u003eInputs 7-8 with pan control\u003c\/li\u003e\n\u003cli\u003eSignal present indicators for all inputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eMonitor Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eAnalog and digital capable input selector designed specifically to facilitate the analog summing workflow\u003c\/li\u003e\n\u003cli\u003eProgrammable exclusive\/additive function- listen to selected inputs individually or combined\u003c\/li\u003e\n\u003cli\u003eHigh-quality onboard D\/A conversion 2 digital inputs - AES or PDIF 32kHZ - 100kHz sample rate\u003c\/li\u003e\n\u003cli\u003eAuxiliary stereo analog input- +4 dBU or - 10 dBV programmable\u003c\/li\u003e\n\u003cli\u003e2 sets of speaker outputs\u003c\/li\u003e\n\u003cli\u003eMono function\u003c\/li\u003e\n\u003c\/ul\u003e\u003cb\u003eCue\/Talkback Section:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003eBuilt-in talkback microphone with \"momentoggle\" switching\u003c\/li\u003e\n\u003cli\u003e2 headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eAuxiliary talkback switch input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":47247686402185,"sku":"39696","price":1195.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/used_39696_1.jpg?v=1784045842"},{"product_id":"dangerous-master-used","title":"Dangerous Master (Used)","description":"\u003cp\u003eFor years the top mastering engineers at the hottest facilities have been using custom-designed gear that was not available to the rest of us…until now. \u003cstrong\u003eThe Dangerous Master Audio Processor\u003c\/strong\u003e represents the latest generation of the legendary Sterling Sound\/Chris Muth mastering transfer consoles. Working side-by side over several decades with many of the best mastering engineers in the business, Chris and the equipment designed in this unique collaborative environment have set the standard for the form, function and sonic performance of the modern mastering setup.\u003c\/p\u003e  \u003ch4 id=\"toc_0\"\u003eHighlights\u003c\/h4\u003e  \u003cul\u003e \u003cli\u003eUnparalleled fidelity, detail and imaging\u003c\/li\u003e \u003cli\u003ePristine, uncolored signal path\u003c\/li\u003e \u003cli\u003e100% Analog sum-and-difference processing\u003c\/li\u003e \u003cli\u003eStepped controls throughout\u003c\/li\u003e \u003cli\u003eIntegrates seamlessly with the Dangerous Monitor\u003c\/li\u003e \u003c\/ul\u003e  \u003cp\u003eThe Dangerous Master is the no-compromise heart of the mastering studio. Its transparent circuitry seamlessly integrates the power of analog signal processing by allowing easy insertion of equalizers, compressor\/limiters and de-essers. 100% stepped switching provides accurate and repeatable level control as well as easy pre-post monitoring with level matching through the Input Monitor Offset feature. The S\u0026amp;M mid-side processing loop allows unprecedented control of the stereo image.\u003c\/p\u003e  \u003cp\u003eThe integrated Input Monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences.\u003c\/p\u003e  \u003cp\u003eThe S\u0026amp;M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. 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