{"title":"Clearance Items","description":"","products":[{"product_id":"purple-audio-biz-demo-deal-open-box","title":"Purple Audio Biz Mk 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003ePurple Audio Biz\u003c\/strong\u003e is a unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500” racks.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A\/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum output level +27dBu\u003c\/li\u003e\r\n\u003cli\u003eFrequency response 10hz – 70kHz +\/- 1db (3db down at 100kHz)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTransformer input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eMic mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 60dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 75dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003eLine mode\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 35dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 50dB in dual mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDirect input:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum gain 30dB in single mode\u003c\/li\u003e\r\n\u003cli\u003eMaximum gain 40dB in dual mode\u003c\/li\u003e\r\n\u003cli\u003eBeginning Serial Number 1600 February 2008:\u003c\/li\u003e\r\n\u003cli\u003eOver Current Resettable Fused (prevents any module problem from affecting your rack)\u003c\/li\u003e\r\n\u003cli\u003eROHS – Lead Free\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Purple Audio","offers":[{"title":"Default Title","offer_id":46834213912713,"sku":"181810","price":698.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/purple-audio-biz-mk_5631_1_1_a4a54633-ca2d-4d7f-a357-9b33e667609d.jpg?v=1780352060"},{"product_id":"neve-1073lb-demo-deal-open-box","title":"Neve 1073LB 500 Series Mic Preamp (Demo Deal)","description":"\u003cp\u003eDropped on the studio world in 1970, Neve's 1073 Audio Preamplifier immediately made its bones on the recording studio scene. Renowned for its ability to capture, complement and create a uniquely great sound no matter the source, the 1073 has been the go-to recording preamp of leading artists and producers from hit recordings too numerous to mention. If you think of any famous recordings of the past 45 years, chances are more than good that the artists' voices, instruments or illegal activities first saw tape through a Neve 1073.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd now it is available in the 500 series format.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe \u003cstrong\u003eNeve 1073LB\u003c\/strong\u003e is still manufactured in Great Britain to the exacting specs of Neve's classic 1073 preamp. Featuring painstakingly recreated original spec hand-wound input and output transformers, matched components, as well as specially recreated tantalum coupling caps, the 1073LB bathes your ears in vintage Neve glory. With a build quality the British Admiralty would approve, the 1073LB's massive input level switch contacts are gold-plated to withstand decades of marathon tracking sessions.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAs magical as owning a rare piece of vintage kit can appear, the lack of modern conveniences can ultimately detract from the recording experience. That's why the boffins at Neve gave the 1073LB switchable microphone input impedance, signal presence LED and intelligent protected switching on the front combi-XLR input connector so you don't accidentally fry a line-level device with 48v. The new Fine Trim control lets you squeeze the maximum level of sparkling clean signals or crank the gain for some Revolution distortion. The 1073LB Preamp's smart Audio Processing Input design and Lunchbox Insert architecture allows you to create a classic Neve 1073 channel strip when used with a Neve 1073LB Series EQ.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd all this sonic potential installs in an empty slot of your compatible 500 series rack, ready to inject your microphone or line level signals into that legendary universe of Neve sound.\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e The Neve 1073LB will not work with the A-Designs 500HR 2-slot rack or the Empirical Labs EL500 2-slot rack.\u003c\/p\u003e\r\n\r\n\r\n\u003cp\u003e\u003ca href=\"\/neve-1073-mic-pre\" target=\"_blank\"\u003eClick here to learn more about the history of the Neve 1073 Preamplifier.\u003c\/a\u003e\u003c\/p\u003e","brand":"Neve","offers":[{"title":"Default Title","offer_id":46834214207625,"sku":"205250","price":930.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve-1073lb_16264_1_1_1_f1db2e8d-d61d-4fe5-b068-0d2f42930a8d.jpg?v=1780352186"},{"product_id":"great-river-mp-500nv","title":"Great River MP-500NV 500 Series Microphone Preamp\/DI","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreat River MP-500NV\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles.\u003cspan\u003e \u003c\/span\u003eModern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options.\u003cspan\u003e \u003c\/span\u003eAll microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications.\u003cspan\u003e \u003c\/span\u003eAll specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out - 125ma current draw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":46834367398025,"sku":"8888","price":716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/great-river-mp500nv-23_8888_1.jpg?v=1780350779"},{"product_id":"mercury-d-series-am16d-demo-deal","title":"Mercury D Series AM16D (Demo Deal)","description":"\u003cp\u003eAfter 20 years of custom racking vintage modules and 15 years of manufacturing Mercury products... David Marquette and the Mercury design team have designed the first Mercury D Series Module for Mercury G810 Rack Systems and any 500 series rack. Going to back to an old favorite and previous, classic inspired Mercury product, the Mercury AM16, they now offer the \u003cstrong\u003eMercury D Series AM16D Studio Microphone Amplifier Module\u003c\/strong\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Mercury AM16D is a D Series \/ 500 Series version of the original American, modular, transistor type preamplifier built in the 1960s. The AM16 is well known for being very musical overall, open and airy on the top end and having a tube-like \"air\" characteristic not found in most amplifiers of the same type.\u003c\/p\u003e\r\n\r\n\r\n\r\n\u003cbr\u003e\r\n\u003cp\u003eThe Mercury AM16D has transformer coupled inputs and outputs with custom wound transformers that are modeled after the originals. These transformers are the same transformers Mercury used in their older 2U 19\" version, the Mercury AM16. The amplifier gain is set at 50dB like the original \"AM16 R\" high gain setting. They have added features that make the Mercury AM16D more flexible than the original, or even a modern rack solution of vintage modules.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMercury worked with many of the vintage AM16 modules in the past. At Marquette Audio Labs, they have been racking and modifying modules since 1994 and the ‘vintage Langevin’ AM16 has always been a favorite. They have always had continuous great feedback from clients about the musical characteristics of the AM16. But the original modules have not been made for some 30+ years and supply is not able to meet demand. The Mercury AM16D solves that problem with the same fully discrete, \"transistor type\" circuitry and more importantly the same musical quality and performance of the original modules.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe original AM16 Amplifier literature stated: \"The AM16 is primarily a microphone pre-mixing amplifier (mic pre). However, its performance also qualifies it for use as a post-mixing (booster) and as a low-level program amplifier. Of special note is the low noise generation figure.\"\u003c\/p\u003e\r\n\r\n\u003cp\u003eMercury Recording Equipment has achieved their goal with the Mercury AM16D: to make it possible to use the amplifier to its original, full potential. The Mercury AM16D can be used as a microphone amplifier (mic pre) and you can also use it as a line amplifier (booster) by using the Input Gain and Output Fader controls, Note: You can set at 0dB to accept Line Level inputs and or increase gain and turn down Output for ‘musical break up.’ You can use it to warm up tracks or as a front end of your G8 Sum-It Mixer. The Direct Input on the Mercury AM16D was designed for direct recording of bass and electric guitar as well as keyboards and drum machines, etc... The Mercury FDI Direct Input on the Mercury AM16 is very full sounding. There is more mid range and low end presence than most DIs as well as an open and airy top end that the AM16 is famous for.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":46834446237833,"sku":"51170","price":711.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/mercury_d_series_am16d_1.jpg?v=1780351250"},{"product_id":"spectra-1964-stx100-mk2-500-series-preamp","title":"Spectra 1964 STX100 Mk2 500 Series Preamp","description":"500 series microphone preamp","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":46834456821897,"sku":"123842","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/spectra-1964-stx-100-mk2_123842_1.jpg?v=1780351814"},{"product_id":"h2-audio-2128-500-series-microphone-preamp-demo-deal-open-box","title":"H2 Audio Helios 2128 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eH2 Audio 2128\u003c\/strong\u003e is the microphone preamp circuit from the 0011 in a 500 series package. It features the same quality preamp with 70 dB of gain, 20 dB pad, phase control, 48V phantom power and selectable High pass filter. Also added is a Cinemag input transformer, output amp section with transformer out and output fader.\u003c\/p\u003e\n\u003cp\u003eThe Helios 0011 \"Type 69\" channel module was the heart one of the most legendary recording desks of the late 60's British Invasion. Helios is one of the first console manufacturers that mass-produced mixing desks for the recording studio industry in England and eventually worldwide. The list of artists whose music passed through a Helios desk between 1964 to 1980 is staggering, and the sonic characteristics are synonymous with a whole generation of music. H2 Audio has painstakingly recreated the original Helios 0011, adhering to the original design and sound. In doing so, H2 Audio has created the most sonically accurate version of this recording industry legend to date.\u003c\/p\u003e","brand":"H2 Audio","offers":[{"title":"Default Title","offer_id":46834464129161,"sku":"193394","price":729.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/h2-2128-500_147855_1_49ff33c1-4515-4fd6-aee0-c7d55b7d2dd5.jpg?v=1780352128"},{"product_id":"phoenix-audio-drs-1r-500-demo-deal-open-box","title":"Phoenix Audio DRS-1R 500 Series Microphone Preamp (Demo Deal)","description":"The\u003cspan style=\"font-weight: bold;\"\u003e Phoenix Audio DRS-1R Mic Pre\/DI\u003c\/span\u003e uses their well proven and loved Class A output stage (DSOP-2), but also has Phoenix's latest breakthrough in transformerless Class A, Discrete Mic Input Technology which gives a \"valve-like\" sound. The DRS-1 also incorporates the Phoenix Audio high input impedance DI circuitry.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eSpecifications\u003c\/span\u003e\u003cbr\u003e \u003cul\u003e\n\u003cli\u003eClass A (DSOP2) Output specs. Frequency response: 20Hz to 20kHz +-0.5dB, Maximum Output = +26dBu @ 1kHz, Noise = -90dB @ 20Hz to 20kHz. \u003c\/li\u003e\n\u003cli\u003eOutput connections: XLR's on rear panel of API rack \u003c\/li\u003e\n\u003cli\u003ePhoenix Audio’s unique Class A, transformerless, True balanced Micinput stage. Microphone input: XLR'sRear Panels of API rack \u003c\/li\u003e\n\u003cli\u003eGain Range (Mic input): -30 to -70 in 5dB steps With 10dB more available on the output fader. \u003c\/li\u003e\n\u003cli\u003eGain reduction: -30dB push-button Mic\/Line switch (Mic input) \u003c\/li\u003e\n\u003cli\u003eHigh Input Impedance DI: Mono 1\/4\" Jack on front panel \u003c\/li\u003e\n\u003cli\u003eGain Meter: LED Metering. (Green = -2dbu, +4dbu \u0026amp; 0dBu, Yellow = +13dbu Red= +16dBu) \u003c\/li\u003e\n\u003cli\u003e Phantom Power: Switchable phantom on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: on Push-button Switch, 120hz 6db per octave \u003c\/li\u003e\n\u003cli\u003ePhase Reverse: on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eMute : on Push-button Switch \u003c\/li\u003e\n\u003cli\u003eFrequency Response Mic Input Stage: -0.4dB @ 40Hz, -0.3dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eFrequency Response: DI Input Stage: -0.3dB @ 40Hz, - 0.5dB @ 25kHz \u003c\/li\u003e\n\u003cli\u003eTypical Headroom: +24dB on Mic-Pre stage\u003c\/li\u003e\n\u003cli\u003eDI Stage gain: Maximum of 20dB \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46834464194697,"sku":"195222","price":636.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/phoenix_drs-1r_500_new_ebay.jpg?v=1780352135"},{"product_id":"trident-80b-pre-500-series-microphone-preamp-demo-deal-open-box","title":"Trident 80B-PRE 500 Series Microphone Preamp (Demo Deal)","description":"\u003cp\u003eThe \u003cstrong\u003eTrident 80B-PRE 500 Series Preamp\u003c\/strong\u003e is the perfect solution for those seeking the legendary sound of the Trident Series 80B console in the 500 Series Format. With a Lundahl transformer-coupled microphone preamp and electronically balanced line input, the preamp boasts a wide frequencey range and accommodates a variety of signal levels with ease. Additionally, a high-quality Lundahl output transformer ensures exceptional sound quality. With its LED meter display, the 80B-500 Series Preamp is an essential tool for any recording studio.\u003c\/p\u003e\n\u003ch3 id=\"toc_0\"\u003eFAITHFUL RECREATION OF THE LEGENDARY TRIDENT SERIES 80B CONSOLE PREAMP\u003c\/h3\u003e\n\u003cp\u003eThe 80B-500 Series Preamp features a unique design that can handle signal levels from -60 dBu to as high as +15 dBu without the need for a separate pad switch. Its smooth gain adjustment, particularly at high signal levels, sets it apart from other designs that tend to have a cramped level adjustment at the end of the control. And with near-theoretical minimum noise figures and an extremely fast transient response, you can be confident that your recordings will be crystal-clear and distortion-free.\u003c\/p\u003e\n\u003cp\u003eWith a frequency response that extends to above 40 kHz, the 80B-500 Series Preamp is perfect for use with high-quality condenser microphones. But it also brings out the best in dynamic and ribbon microphones, thanks to its high gain and low noise. This is particularly useful when working with ribbon microphones, which often have an inherently low output level.\u003c\/p\u003e\n\u003cp\u003eIn addition to its unique design, the 80B-500 Series Preamp also includes a range of features that make it an indispensable tool for recording engineers and home studio enthusiasts. These features include a high-quality transformer-coupled microphone amplifier, 48-volt switchable Phantom Power, a high-quality Output transformer, an electronically balanced Line Input amplifier, separate Microphone \u0026amp; Line level controls, a front-facing (Hi Z) ¼” Line Input, a variable Low Pass Filter (LPF), a variable High Pass Filter (HPF), a switchable Phase control (Polarity), and an Output meter LED display.\u003c\/p\u003e\n\u003ch3 id=\"toc_1\"\u003eCLASSIC SOUND IN A MODERN, CONVENIENT FORMAT\u003c\/h3\u003e\n\u003cp\u003eThe Series 80B-500 Preamp is derived from the legendary Series 80B Consoles designed by Trident Audio Developments in the late 1970’s. It incorporates an exact replica of the preamp design that gave the original console its unique sound. These consoles have been used to record just about every major artist in the past three decades, including Elton John, Dire Straits, David Bowie, Rod Stewart and Stevie Wonder to name but a few. More recently they have been used to record artists such as Radiohead and Pavarotti.\u003c\/p\u003e\n\u003cp\u003eThe Trident Audio Developments Series 80B-500 Preamp brings a historic pedigree and is offered at a price that is now affordable to all studios and home recorders.\u003c\/p\u003e\n\u003ch3 id=\"toc_2\"\u003eTHE SOUND AND THE CIRCUITRY OF THE CONSOLES USED TO RECORD COUNTLESS HITS\u003c\/h3\u003e\n\u003cp\u003eIn the late ’70s Trident Audio developed a new series of recording consoles to update Trident’s sound for a new generation of musical talent. The result was the Trident Series 80, the sound of which quickly became a favorite among the top artists. The Series 80B doesn’t just capture the sound of these legendary consoles, it is the exact same painstakingly re-created circuitry.\u003c\/p\u003e\n\u003cp\u003eThe Series 80B-500 Preamp is one of Trident’s most sought microphone preamps. Loaded with transformers and a HiZ front input, the Series 80B Preamp is the classic sound of the consoles.\u003c\/p\u003e","brand":"Trident","offers":[{"title":"Default Title","offer_id":46834464620681,"sku":"201805","price":551.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/trident-80b-pre-500_192805_1_defeb2b6-3f8d-40eb-ae80-f4ebd8277133.jpg?v=1780352148"},{"product_id":"rupert-neve-designs-portico-517-b-stock","title":"Rupert Neve Designs 517 500 Series Microphone Preamp\/Compressor (B-Stock)","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a single-slot 500 Series module. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMP AND INSTRUMENT AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe 517's mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBLENDED USE\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eBased around a LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVARI-PHASE\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517's vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSILK\u003c\/h3\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. 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This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? 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With so much history behind the Trident name, Toft Audio Designs is proud to announce that the Series 80 boards have been redesigned by the original designer himself, Malcolm Toft. 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The ATB's EQ section is regarded as one of the best sounding Equalizers on the market today! The super musical four-band EQ on the Toft ATB unleashes all your creativity without any limits or boundaries. The Toft ATB equalizer is your ultimate tool in your arsenal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eAll Pro\u003c\/strong\u003e\u003cbr\u003e There is no doubt that the Toft ATB Console was designed to be used in professional studios. Designed by Malcom Toft, the ATB console went through countless grueling tests to meet Toft's detailed standards. For this reason, the ATB console is trusted and used by the some of the best engineers and producers around the world. There is nothing stopping you from tracking a platinum album with the ATB Series Consoles. The ATB16 comes nothing short of perfect for a pro in need of a high-end console with limited amounts of space. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMaster Thy Control\u003c\/strong\u003e\u003cbr\u003e The Toft ATB Series Console is loaded with a master control section only seen in more expensive, high-end recording consoles. The ATB features everything from the super accurate meters, wide-range of routing capabilities, talk-back function, to the eight-bus mix-down section. From top to bottom, you have everything you'll need to take control of your mix and produce the best possible recording. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Final Word\u003c\/strong\u003e\u003cbr\u003e The ATB is the best possible solution for your studio setup. Whether you are in a project studio or a major recording facility, the ATB is sure to impress even the most demanding critics. Make no doubt about it, the Toft ATB console is a dream come to life. \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Toft Audio","offers":[{"title":"Default Title","offer_id":47247370944649,"sku":"8446","price":5249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/toft_audio_designs_atb_meter_bridge_24_channel_1_d4f1a971-bfde-4b99-8d04-f86bee32e51b.jpg?v=1784052584"},{"product_id":"toft-audio-designs-atb-series-console-32-channel","title":"Toft Audio Designs ATB Series Console - 32 Channel","description":"\u003cp\u003eOver the years, the Trident Series 80 console has heard its praises time and time again for its excellent quality, pristine accuracy, and most of all, its premium vintage equalizer. 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You can play in bass parts using the pads on SR18 or connect a MIDI keyboard for fast, musical low end.\u003c\/p\u003e\r\n\u003cp\u003eSR18 can be powered by AC or batteries, so whenever or wherever you need to lay down a groove, you’re ready to roll. 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Speed up and enhance your work-flow with functionality far beyond what a mouse and keyboard can provide, so you can focus on being creative.\u003cbr\u003e \u003cbr\u003e Artist Control features EUCON (Extended User Control), a high-speed open control protocol that has been adopted by many of the world’s leading software developers. Pro Tools, Media Composer, Apple Logic, Apple Final Cut Pro, Steinberg Cubase, and many other applications support EUCON, giving you highly responsive control over almost all software functions. You gain high-resolution, high-speed control over almost all software functions, and a tightly connected “software as hardware” experience.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eFeatures\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eView and access top-level information, track record arm\/solo\/mute\/select commands, Soft Keys, surround panning, and more using the customizable LED-backlit touchscreen\u003c\/li\u003e\r\n\u003cli\u003eTrigger keyboard shortcuts, macro commands, and more through unlimited programmable touchscreen Soft Keys and 12 physical Soft Keys\u003c\/li\u003e\r\n\u003cli\u003eGet highly responsive control through high-speed Ethernet connectivity\u003c\/li\u003e\r\n\u003cli\u003e4 touch-sensitive 100mm long throw motorized faders\u003c\/li\u003e\r\n\u003cli\u003e8 touch-sensitive rotary encoders\u003c\/li\u003e\r\n\u003cli\u003eData wheel and transport controls with modifier keys to assign wheel function\u003c\/li\u003e\r\n\u003cli\u003eDedicated monitor\/control room level and talkback mic controls\u003c\/li\u003e\r\n\u003cli\u003eFootswitch jack to punch in and out of recording\u003c\/li\u003e\r\n\u003cli\u003eSupports EUCON, HUI, and Mackie Control protocols\u003c\/li\u003e\r\n\u003cli\u003eControls multiple applications and workstations\u003c\/li\u003e\r\n\u003cli\u003eSlim, compact design for easy studio integration and portability\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":47247411478665,"sku":"15121","price":1099.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avid_artist_control_e2b88547-3f85-436e-a126-a3644290f98c.jpg?v=1784052709"},{"product_id":"toft-audio-designs-atb-series-console-8-channel","title":"Toft Audio Designs ATB Series Console - 8 Channel","description":"\u003cp\u003eOver the years, the Trident Series 80 console has heard its praises time and time again for its excellent quality, pristine accuracy, and most of all, its premium vintage equalizer. This powerful combination produced an enormous amount of hit records and is still revered as one of the best analog recording consoles made to date. With so much history behind the Trident name, Toft Audio Designs is proud to announce that the Series 80 boards have been redesigned by the original designer himself, Malcolm Toft. The end result is none other than the new Toft ATB Series Consoles. \u003cbr\u003e \u003cbr style=\"font-weight: bold;\"\u003e \u003cspan style=\"font-weight: bold;\"\u003eToft ATB 8-Channel\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e8 Premium Channel Strip Modules\u003c\/li\u003e\n\u003cli\u003e8 Mix Busses with outputs\u003c\/li\u003e\n\u003cli\u003eDirect Outs on every channel\u003c\/li\u003e\n\u003cli\u003eInline Monitoring for every input channel strip\u003c\/li\u003e\n\u003cli\u003eAdditional 8 Monitor Returns in Group Section\u003c\/li\u003e\n\u003cli\u003eVintage Series 80 EQ for every input channel\u003c\/li\u003e\n\u003cli\u003e6 Aux Sends every input channel strip\u003c\/li\u003e\n\u003cli\u003e8 Fully-Dedicated Stereo Aux Returns\u003c\/li\u003e\n\u003cli\u003eSuper Accurate 12-Stage LED Meter\u003c\/li\u003e\n\u003cli\u003eMeter Bridge\u003c\/li\u003e\n\u003cli\u003eFully balanced outputs\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eBest EQ Money Can Buy\u003c\/strong\u003e\u003cbr\u003e The Toft ATB Console packs the same powerful equalizer that was used on the Trident Series 80 boards. The ATB's EQ section is regarded as one of the best sounding Equalizers on the market today! The super musical four-band EQ on the Toft ATB unleashes all your creativity without any limits or boundaries. The Toft ATB equalizer is your ultimate tool in your arsenal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eAll Pro\u003c\/strong\u003e\u003cbr\u003e There is no doubt that the Toft ATB Console was designed to be used in professional studios. Designed by Malcom Toft, the ATB console went through countless grueling tests to meet Toft's detailed standards. For this reason, the ATB console is trusted and used by the some of the best engineers and producers around the world. There is nothing stopping you from tracking a platinum album with the ATB Series Consoles. The ATB16 comes nothing short of perfect for a pro in need of a high-end console with limited amounts of space. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eMaster Thy Control\u003c\/strong\u003e\u003cbr\u003e The Toft ATB Series Console is loaded with a master control section only seen in more expensive, high-end recording consoles. The ATB features everything from the super accurate meters, wide-range of routing capabilities, talk-back function, to the eight-bus mix-down section. From top to bottom, you have everything you'll need to take control of your mix and produce the best possible recording. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eThe Final Word\u003c\/strong\u003e\u003cbr\u003e The ATB is the best possible solution for your studio setup. Whether you are in a project studio or a major recording facility, the ATB is sure to impress even the most demanding critics. Make no doubt about it, the Toft ATB console is a dream come to life. \u003cstrong\u003e\u003cbr\u003e \u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003chr\u003e\u003ch3\u003eWe've been buying, selling and restoring the world’s best consoles since 1993\u003c\/h3\u003e\u003cp\u003eShopping for a recording console can be an intimidating process. You can spend countless hours online searching for answers only to end up with more questions than when you started. That's why we’ve created our one-of-a-kind shopping experience to help you purchase the console that is exactly right for you and your studio.\u003c\/p\u003e\u003cp\u003eFinding the perfect console means being connected, and for over 20 years, we’ve been one of the biggest players in the worldwide audio marketplace. We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Toft Audio","offers":[{"title":"Default Title","offer_id":47247412363401,"sku":"15239","price":2999.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/toft_audio_designs_atb_series_console_8_channel_633da766-593c-47de-8db2-515eb577de67.jpg?v=1784052712"},{"product_id":"toft-audio-designs-atb-series-console-4-channel-pony","title":"Toft Audio Designs ATB Series Console - 4 Channel","description":"\u003cp\u003eOver the years, the Trident Series 80 console has heard its praises time and time again for its excellent quality, pristine accuracy, and most of all, its premium vintage equalizer. 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The ATB's EQ section is regarded as one of the best sounding Equalizers on the market today! The super musical four-band EQ on the Toft ATB unleashes all your creativity without any limits or boundaries. The Toft ATB equalizer is your ultimate tool in your arsenal. \u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eAll Pro\u003c\/strong\u003e\u003cbr\u003e There is no doubt that the Toft ATB Console was designed to be used in professional studios. Designed by Malcom Toft, the ATB console went through countless grueling tests to meet Toft's detailed standards. For this reason, the ATB console is trusted and used by the some of the best engineers and producers around the world. There is nothing stopping you from tracking a platinum album with the ATB Series Consoles. 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We’ve helped thousands of customers complete the console buying process, while also helping to facilitate brokered sales, gear trade-ins and purchasing classic desks for refurbishment.\u003c\/p\u003e\u003cp\u003eEach of our premium serviced consoles has passed through a rigorous multi-point inspection and meticulous testing to ensure the result is a world-class restoration. Upon completion, your console will be expertly crated and shipped to your studio, where our highly skilled technical experts can lead a worry-free integration.\u003c\/p\u003e\u003cp\u003eNo matter whether you’re interested in a vintage piece or the latest releases, our team of experts can answer even the toughest questions. From servicing and shipping consoles to creating custom furniture, patch bays and turnkey packages, we’ve been involved in every aspect of the industry. We work tirelessly to provide the best selection, service and support anywhere to help our customers find the console of their dreams. Want to see what we can do for you? Talk to one of our console experts by calling \u003ca href=\"tel:8886531184\"\u003e888.653.1184\u003c\/a\u003e or you can \u003ca href=\"\/contacts\"\u003eemail us\u003c\/a\u003e.\u003c\/p\u003e","brand":"Toft Audio","offers":[{"title":"Default Title","offer_id":47247412396169,"sku":"15251","price":1724.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/toft_atb_4_channel_1b79edac-bd3d-445d-83e7-ec4d5a3fa279.jpg?v=1784052712"},{"product_id":"grado-sr325e","title":"Grado SR325e","description":"\u003cp\u003e\u003cspan\u003e\u003cspan\u003eGrado chose a powder-coated aluminum housing for the \u003cstrong\u003eGrado SR325e\u003c\/strong\u003e because the added mass means smoother transitions from the lowest frequency range to the highest. They also went with an authentic 60‘s style, which goes perfectly with skinny ties and sullen glances. 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With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\u003cbr\u003e\u003cbr\u003e HD I\/O comes in three configurations, so you can choose the interface that best suits your connection needs. What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. 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You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":47247414395017,"sku":"15930","price":2932.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avid-hd-io-8x8x8_15930_1.jpg?v=1784044924"},{"product_id":"avid-hd-i-o-digital-option","title":"Avid HD Expansion Card I\/O Digital Option","description":"Digital expansion card for Pro Tools|HD HD I\/O interfaces","brand":"Avid","offers":[{"title":"Default Title","offer_id":47247416524937,"sku":"15949","price":687.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avid_hd_io_digital.jpg?v=1784044932"},{"product_id":"apogee-wyde-eye-0-5-meter-bnc-word-clock-cable","title":"Apogee Wyde Eye 0.5 Meter BNC Word Clock Cable","description":null,"brand":"Apogee Digital","offers":[{"title":"Default Title","offer_id":47247421735049,"sku":"8180","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/apogee_wyde_eye_bnc_cable.jpg?v=1784044947"},{"product_id":"universal-audio-uad-2-satellite-quad-firewire-dsp-accelerator","title":"Universal Audio UAD-2 Satellite Quad Firewire DSP Accelerator","description":"\u003cp\u003eThe UAD-2 Satellite QUAD Core is Universal Audio’s most powerful FireWire DSP accelerator, giving producers and engineers full access to award-winning UAD Powered Plug-Ins on Intel-based Macs and Windows 7 PCs*. 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Additionally, you can connect to Thunderbolt-equipped Macs via Apple’s Thunderbolt-to-FireWire adapter. \u003cbr\u003e\u003cbr\u003eThe UAD-2 Satellite QUAD Core includes UA’s “Analog Classics” plug-in bundle, and provides access to popular UAD plug-in titles from Ampex, Manley, Lexicon, EMT, Empirical Labs, Neve, Roland, Fairchild, Harrison, Little Labs, Studer, SSL, and more (sold separately). \u003cbr\u003e\u003cbr\u003eWith support for VST, Audio Units, RTAS, and full 64-bit operation, the UAD-2 Satellite QUAD Core is easy to use. Just install the software, connect the unit to an available FireWire 800 port, power up and start mixing with some of the world’s finest audio plug-ins.\u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cem\u003e* Requires Windows 7 64-bit edition operating system and a qualified PCIe-to-FireWire adapter. Visit \u003ca href=\"http:\/\/www.uaudio.com\/support\/uad\" target=\"_blank\"\u003ewww.uaudio.com\/support\/uad\u003c\/a\u003e for a complete list of compatible desktops and laptops\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUAD-2 Satellite Minimum System Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e(Win) Windows 7 64-Bit Edition w\/ SP1*\u003c\/li\u003e\n\u003cli\u003e(Mac) OS X 10.6.8 Snow Leopard, 10.7 Lion, or 10.8 Mountain Lion\u003c\/li\u003e\n\u003cli\u003e2 GB available disk space\u003c\/li\u003e\n\u003cli\u003eAvailable PCI Express (PCIe) slot for each UAD-2 card\u003c\/li\u003e\n\u003cli\u003eAvailable FireWire 800 port* for UAD-2 Satellite, Apollo, or Apollo 16\u003c\/li\u003e\n\u003cli\u003e1024 x 800 minimum display resolutions\u003c\/li\u003e\n\u003cli\u003eInternet connection to download software and authorize UAD plug-ins\u003c\/li\u003e\n\u003cli\u003eCompatible VST, Audio Units, or RTAS plug-in host application software\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":47247422783625,"sku":"16789","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/universal_audio_uad2_satellite_1_2.jpg?v=1784044950"},{"product_id":"focal-sm9-right","title":"Focal SM9 - Right","description":"\u003cp\u003eThe \u003cstrong\u003eFocal SM9 \u003c\/strong\u003ethree-way powered monitor establishes itself as a reference thanks to the precision of the stereo image, its capacity to reproduce each of the micro details of the audio signal , as well as unconditional respect of the original dynamics.\u003cbr\u003e \u003cbr\u003e This monitoring speaker establishes itself as a reference thanks to the precision of the stereo image, its capacity to reproduce each of the micro details of the audio signal, as well as unconditional respect of the original dynamics.\u003cbr\u003e \u003cbr\u003e One of the major SM9 innovations lies in the fact of offering two monitoring speakers in only one and unique cabinet.  The SM9 is thus composed of two monitors:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eA three-way monitor (Beryllium tweeter + 6.5\" “W” woofer + 8\" “W” subwoofer + 11\" passive radiator).  This monitor offers a frequency response from 30Hz to 40kHz for total control of the audio signal permitting extremely precise work.\u003c\/li\u003e\r\n\u003cli\u003eA two-way monitor (Beryllium tweeter + 6.5” “W” woofer).  This monitor offers a frequency response from 90Hz to 40kHz, permitting to check the mix transfer quality on systems with limited frequency response in the bass frequencies for example TV sets, computers, cars, iPod docks or any multimedia system.  This monitor also permits to check the midrange register, very hard to equalize and balance in terms of sound level compared to the other information contained in the audio signal.  The activation of this monitor is made by setting off the FOCUS mode on the side panel.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003ePure Beryllium inverted dome tweeter\u003c\/strong\u003e\u003cbr\u003e The inverted dome tweeter is a hallmark of Focal. 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Beautiful silky top end found in the most expense Tube Condenser Microphones.\u003cbr\u003e \u003cbr\u003eIncludes power supply, cable, mount and case. 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To my ears the top gets lifted at about a 3:1 ratio compared to the bottom, but I have yet to test it to see what the proportions actually are. \u003cbr\u003e\u003cbr\u003e The signal path is super minimal --- it's primarily a capacitance network made up of Wima and Panasonic caps --- but the switching architecture is extremely cool and allows for a lot of new possibilities. I wanted to create an eq that was artistic and right-brain in nature, to get you to think about sound in terms of textures and colors rather than numbers.\u003cbr\u003e\u003cbr\u003eTo that end, there are 2 engines per channel, the Focus Engine and the Clarity Engine, each of which can have 1 active band. I call them engines because they work on both ends of the spectrum despite being a single band. Anyway, there are 4 unique bands to choose from in each engine, each with its own slope and corner on top and bottom. So essentially it's a dual channel 2-band eq that behaves like a 4-band hi\/low eq, with 8 available filter shapes per channel which, because of the switching network, can be configured in 16 possible combinations.\u003cbr\u003e\u003cbr\u003eSonically, the filters are insanely smooth up top and do crazy cool things to the bottom, but the general idea is tighten\/define the lows and lift\/open the top with minimal coloration or phase smear. Each engine does that in its own way.\u003cbr\u003e\u003cbr\u003eThe Focus Engine is more of a broad push that totally clears the mud from sounds, lifts them up and forward, and can be aggressive at max boost but is always easy on the ears; combined with the tightass lows it brings a new level of detail and immediacy to the picture.\u003cbr\u003e\u003cbr\u003eThe Clarity Engine works further out in the spectra, with the highest band's corners being somewhere in the 40hz area on the bottom and the 40k range up top (!). I've never heard air or shimmer like it. You have to be careful, the top on the Clarity Engine is like crack, it's highly addictive and really easy to do more than is wise because it always sounds good, it just takes the lid off the sound and opens it up. Use with caution!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eBut it gets better\u003c\/span\u003e\u003cbr\u003eWhen your signal comes into the Clarity Control, it is passed full bandwidth to the output. It is also multed to each of the bands, and you use the gain control of each engine to blend that band in parallel with your original signal via an internal mix buss. This is very different than your typical console and channel eq's, which pass your signal thru each band in series, with each band doing its thing on the phase-altered signal of the band before it.\u003cbr\u003e\u003cbr\u003eThe parallel mix architecture means the phase coherence of your signal remains completely intact, and the bands are blended in behind it. The effect is kinda holographic and super tight, no hash or harshness at all.\u003cbr\u003e\u003cbr\u003eWhat's really cool is that the fullrange signal and each engine all have their own mute switches, so you can listen to just one or both filters in isolation and hear exactly what you're grabbing. You can also leave the full-range killed and bring the Clarity Control back in parallel on your own console, where you can compress, saturate, or otherwise play with the high and low freqs as their own entities. 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For the first time it is possible to shape the dynamic path of a signal as you want, as if for example you were changing the microphone distance and position after the recording has been made. \u003c\/p\u003e\u003cp\u003eWith no effort you can shorten or lengthen the attack of all kinds of percussive signals, such as the bass drum, snares, toms, congas etc. to give them more kick, or to flatten the signals. It s almost like being able to change the amount of drum damping after the recording. 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Small enough to be easily transported, X-Desk fulfills all the essentials of the audio mixing process, with typical SSL attention to detail and depth, including smooth 100mm faders, comprehensive artist \u0026amp; studio monitoring with Dim \u0026amp; Cut buttons, Stereo and Mono Aux sends, channel and Master Bus Inserts and accurate bar graph level metering. \u003cbr\u003e\u003cbr\u003eFor easy integration into your existing studio, X-Desk can be used as an elegant and and ergonomically refined desktop mixer with removable rack ears for standard 19\" rack mounting (7U space required). Like all Solid State Logic SuperAnalogue™ products, it is extremely robust, hand-built in the UK with an all metal chassis and high quality controls and components. 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