{"title":"All Price Drops","description":null,"products":[{"product_id":"neve-1073lb","title":"Neve 1073LB 500 Series Mic Preamp","description":"500 Series Mic Preamp","brand":"Neve","offers":[{"title":"Default Title","offer_id":46774449602697,"sku":"16264","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/neve-1073lb_16264_1_1.jpg?v=1779485870"},{"product_id":"great-river-mp-500nv","title":"Great River MP-500NV 500 Series Microphone Preamp\/DI","description":"\u003cp\u003e\u003cspan\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreat River MP-500NV\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles.\u003cspan\u003e \u003c\/span\u003eModern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options.\u003cspan\u003e \u003c\/span\u003eAll microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a \"500 Series\" rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications.\u003cspan\u003e \u003c\/span\u003eAll specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out - 125ma current draw.\u003c\/span\u003e\u003c\/p\u003e","brand":"Great River Electronics","offers":[{"title":"Default Title","offer_id":46834367398025,"sku":"8888","price":716.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/great-river-mp500nv-23_8888_1.jpg?v=1780350779"},{"product_id":"ssl-vhd-500-series-mic-pre","title":"SSL VHD 500 Series Microphone Preamp","description":"\u003cp\u003eThe \u003cstrong\u003eSSL VHD 500\u003c\/strong\u003e preamp harnesses versatile VHD-based preamp technology from the flagship SSL Duality console to deliver a wide range of tonal options for recording engineers. Combining SuperAnalogue circuitry with SSL’s patented Variable Harmonic Drive (VHD) system, the SSL VHD 500 can dial in everything from crystalline clean records to aggressive, highly saturated tones.\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_0\"\u003eVARIABLE HARMONIC DRIVE\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL VHD 500 preamp is a highly flexible preamp, well suited for any style of recording. In standard mode, the VHD 500 utilizes SuperAnalogue circuitry to deliver ultra-clean recordings. Engage the VHD circuit to generate rich harmonic distortion using an all-analog signal path for a rich, warm tone. \u003c\/p\u003e\r\n\r\n\u003cp\u003eAs you increase the input gain, the VHD system outputs more harmonics, which can be controlled using the Drive knob. Turn the knob to the left to create gentle valve-style warmth with a touch of transistor edge. Turn the knob to the right for trashy “transistor-esque” sound full of 3rd order harmonics. Or leave the knob somewhere in the middle for a blend of both and a world of sonic options in-between\u003c\/p\u003e\r\n\r\n\u003ch3 id=\"toc_1\"\u003ePROFESSIONAL PREAMP FEATURES\u003c\/h3\u003e\r\n\r\n\u003cp\u003eThe SSL VHD 500 preamp features three rotary controls for input gain, trim and Drive. The input gain controls range from +20 to +75 dB gain, while the trim knob can be used for adjustments up to +\/-20 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VHD 500 also offers a selection of professional features. A ‘signal present’ LED makes it easy to tell when VHD 500 is receiving signal, saving you valuable time when troubleshooting. A switchable 15 Hz to 500 Hz LF Filter section allows you to fine-tune the low-end of any recording and remove unwanted rumble for cleaner, clearer recordings. \u003c\/p\u003e\r\n\r\n\u003cp\u003eIdeal for a wide range of applications, the VHD 500 features a Hi-Z impedance switch for capturing direct guitar performances, a +48V phantom power button for use with condenser microphones, a PAD switch to enable line level processing, and a Phase Invert Switch for stereo recordings.\u003c\/p\u003e","brand":"SSL","offers":[{"title":"Default Title","offer_id":46834446401673,"sku":"44826","price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/ssl_vhd_500_series_mic_pre.jpg?v=1780351255"},{"product_id":"spectra-1964-stx100-mk2-500-series-preamp","title":"Spectra 1964 STX100 Mk2 500 Series Preamp","description":"500 series microphone preamp","brand":"Spectra 1964","offers":[{"title":"Default Title","offer_id":46834456821897,"sku":"123842","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/spectra-1964-stx-100-mk2_123842_1.jpg?v=1780351814"},{"product_id":"cranborne-audio-camden-500-series-microphone-preamp-stereo-pair","title":"Cranborne Audio Camden 500 Series Microphone Preamp - Stereo Pair","description":"\u003cp\u003ePut simply, the \u003cstrong\u003eCranborne Audio Camden 500\u003c\/strong\u003e is the most astoundingly clean, linear, and transparent preamp you’ve ever heard.\u003c\/p\u003e\r\n\u003cp\u003eCamden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigors of modern workflow and production techniques. It features a completely original, custom-designed ‘Camden’ preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.8dB EIN (150 ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7 dB from 5 Hz to 200 kHz at max gain and \u0026lt;2° phase shift @ 20 Hz – 20 kHz.\u003c\/p\u003e\r\n\u003cp\u003eFor moments when that extra bit of ‘British’ character is required, rather than use a transformer and learn to live with its drawbacks, Cranborne Audio developed Mojo - two discrete analog saturation styles that transform Camden 500 into the fattest, warmest, and most characterful preamp in your arsenal - all at the turn of a dial. Perhaps best of all, unlike transformer and other legacy designs, Mojo can be subtle, it can also be exaggerated, but it can also be bypassed.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eCLEAN, PRECISE, AND NATURAL\u003c\/h3\u003e\r\n\u003cp\u003eWhilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8 dB to 68 dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eVINTAGE, WARM, AND COLORED\u003c\/h3\u003e\r\n\u003cp\u003eCamden 500 features mojo - a new type of saturation circuit that consists of an array of filters and discrete second\/third order harmonic generators that allow precise emulation of the saturation and low-end reinforcement behaviors of vintage transformer and valve-based equipment. The key to Mojo is that it can be dialed in to taste; use subtle amounts for gentle saturation, or dial it in to well beyond the point that destructive clipping would usually occur with transformer-based. Perhaps the very best part of Mojo is that it can be bypassed to reveal the pristine base sound of the Camden 500.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eTHUMP\u003c\/h3\u003e\r\n\u003cp\u003eThump is a style that works best on - but is not limited to - low-frequency based instruments. Thump excites low-end content by boosting harmonics in the range of ~100 Hz to 20 Hz and below without increasing the fundamental frequencies - resulting in fuller low-end on all reproduction mediums. As Thump is not EQ-based, the additional harmonic content is shaped by the source and it’s existing low-end frequency content resulting in a natural addition of extra “Thump”. Similar-sounding EQ moves will result in extreme wooliness as all sonic energy is boosted - even unwanted audio in-between the hits.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_3\"\u003eCREAM\u003c\/h3\u003e\r\n\u003cp\u003eCream introduces a vintage smoothness that enables tracks to sit deep within a complex mix in a way that cannot be replicated with EQ. The Cream setting drastically increases THD whilst smoothing-out the low-mids. As with Thump, Cream is not EQ based and is purely achieved by blending 2 saturation stages with the dry signal and additional harmonics. Cream varies entirely on the harmonic signature of the incoming source. It will increase high-end forwardness and create unique harmonic-based tonal shaping effects on mid-range instruments, but it will also add low-end on full range sources as well as unique “compression-style” effect on transients.\u003c\/p\u003e","brand":"Cranborne Audio","offers":[{"title":"Default Title","offer_id":46834462654601,"sku":"181676","price":598.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/cranborne-camden_181676_1.jpg?v=1780352057"},{"product_id":"rupert-neve-designs-portico-517-b-stock","title":"Rupert Neve Designs 517 500 Series Microphone Preamp\/Compressor (B-Stock)","description":"\u003cp\u003eBased on the Portico 5017 Mobile Pre, the \u003cstrong\u003eRupert Neve Designs 517\u003c\/strong\u003e provides world class, transformer-coupled preamp, compressor and DI circuitry, with Vari-phase, Silk and DI\/mic blending capabilities in a single-slot 500 Series module. As the first 500 series module designed by Mr. Rupert Neve, the 517 incorporates outstanding sonic quality with an indispensable feature set.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eMICROPHONE PREAMP AND INSTRUMENT AMPLIFIER\u003c\/h3\u003e  \u003cp\u003eThe 517's mic pre includes 66 dB gain, and is based on the Portico 5017 design. The mic pre also incorporates a polarity reverse switch and phantom power. The separate instrument amplifier includes 30 dB of gain, a ground lift, variable phase and an instrument Thru connection.\u003c\/p\u003e  \u003ch3 id=\"toc_1\"\u003eBLENDED USE\u003c\/h3\u003e  \u003cp\u003eUsed as a single channel device for instruments, the 517 can be used to phase align, combine and compress direct and amplified signals. To achieve this, use the DI for the instrument’s direct signal and the mic preamp for the speaker cabinet signal. The blend control is used for mixing direct and amplified signals to achieve the desired tonal blend between the two sources, and the variphase is used to minimize or extenuate phase cancellations between the two signals. To compress the blended signal, the internal compressor jumper must be set to the blend path (this is the default setting). This technique could also be used to create a single, mixed output of a guitar and vocals.\u003c\/p\u003e  \u003ch3 id=\"toc_2\"\u003eTHE COMPRESSOR\u003c\/h3\u003e  \u003cp\u003eBased around a LDR (light dependent resister) design, the 517's opto-coupler compressor has been simplified to a single threshold control with auto make up gain. By default, the compressor is set to a fixed 2:1 ratio with fixed attack and release. To set the compressor, simply dial the threshold control down until the desired amount of compression is achieved. An LED light indicates when the compressor is active.\u003c\/p\u003e  \u003ch3 id=\"toc_3\"\u003eVARI-PHASE\u003c\/h3\u003e  \u003cp\u003eIn addition to the standard polarity reverse, the 517's vari-phase control may be used to adjust phase incrementally. This control is useful any time two signals derived from the same source are combined. For instance, even with careful placement, the combination of close miced drums and overheads, can often yield hollow sounding results. By using the variable phase adjust, the direct signal can be phase rotated until the signals are naturally aligned. This technique is also extremely useful when combined with the internal blend control on instruments. A bassist, using both direct and miced signals can blend the two into a single output, using the vari-phase to reach an optimal alignment. By adjusting the phase in the 517, the musician or engineer can find the absolute best mic position without regard to the phase relation to the direct signal.\u003c\/p\u003e  \u003ch3 id=\"toc_4\"\u003eSILK\u003c\/h3\u003e  \u003cp\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. This enhances the source’s harmonic content by utilizing the custom Rupert Neve Designs output transformer.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472583305,"sku":"486536","price":809.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-517_486536_1.jpg?v=1780352422"},{"product_id":"rupert-neve-designs-portico-511-mic-pre-b-stock","title":"Rupert Neve Designs 511 500 Series Microphone Preamp (B-Stock)","description":"\u003cp\u003eThe \u003cstrong\u003eRupert Neve Designs 511\u003c\/strong\u003e 500 Series microphone preamp combines some of the best features of leading Neve channels, including the 517 preamp, and the 5012’s sweepable High-Pass Filter. The Portico 511 is a great addition to any recording studio's 500 series rack, an extremely versatile preamplifier that is suitable for any application. This transformer-based, Class A preamp can have up to 66 dB of dynamic range, each click of the preamp is in 6 dB increments for easy recall. The 511 is a TLA non-reactive design that precludes the loading of microphones with limited driving capability, this gives the 511 its signature Neve sound quality with very musical harmonic distortion.\u003c\/p\u003e  \u003ch3 id=\"toc_0\"\u003eWHAT IS SILK?\u003c\/h3\u003e  \u003cp\u003eOne of the key features of the 511 is the Silk\/Texture control. The Silk circuit was initially developed for the original Portico series mic preamplifiers, and was only a single switch – on or off – that added a specified amount of musical, pleasing harmonic saturation to the unit’s output stage. Taking this concept one step further, the Texture knob is designed to adjust the actual amount of harmonic content from the source material. \u003c\/p\u003e  \u003cp\u003eSo how does it work? By reducing negative feedback across the output transformer and adjusting this feedback’s frequency response, the Silk\/Texture circuit provides the sweet, musical saturation found in Rupert’s legendary vintage designs – but with complete \u0026amp; precise control over the amount of classic tone you want.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46834472616073,"sku":"486535","price":719.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert-neve-designs-511_486535_1.jpg?v=1780352423"},{"product_id":"focal-twin6-be-single-red","title":"Focal Twin6 Be - Single, Red","description":"\u003cp\u003eThe \u003cspan style=\"font-weight: bold;\"\u003eFocal Twin6 Be\u003c\/span\u003e is an active, three-way, professional near-field\/midfield speaker (three built-in amplifiers - 2x150 +100W rms), comprised of two 6.5\" (16.5cm) “W” cone sandwich composite drivers, loaded by two large section laminar bass ports and a Focal inverted dome pure Beryllium tweeter.  Both 6.5” drivers handle low frequencies but only one of the two is passing lo-mid frequencies.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eAbout Focal Professional Studio Monitors\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eListen to your music, not to your speakers\u003c\/span\u003e\u003cbr\u003eThese few words embody the philosophy of the Focal Professional Division.  It is crucial for engineers, be it in music production, post-production or broadcast, to be able to completely trust what they are hearing.  Our products are designed from the ground up to be professional tools that reproduce the reality of sound without enhancements or degradations.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eSpecific tools for specific needs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “reveals”\u003c\/span\u003e\u003cbr\u003eA tracking engineer needs to be able to capture the exact tone of the instrument he’s recording with his microphones; he needs to discern the slightest shift in microphone position, EQ, or compression on his monitors.  A mixing engineer needs to be able to place various instruments and vocals in his mix with precision.  The smallest details need to come out clearly on his monitors, i.e., reverbs and spaces, and they need to be reproduced at their proper levels without any artificial alteration of the soundstage.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eA speaker that “translates”\u003c\/span\u003e\u003cbr\u003eThe mixing engineer also needs to be able to make sure that his mix sounds as good on other speaker systems in other environments.  Usually, when a mix is done, the engineer will make a copy of it and go listen to it in a car or on a boom box, just to make sure that everything sounds the same everywhere.  In essence, the engineer wants to make sure his mix translates well everywhere it gets listened to.  A completely transparent speaker, that doesn’t impart a “color” to the sound, is the best way to insure perfect mix translation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-weight: bold;\"\u003eOur Speakers “reveal” and “translate” better than others. Why?\u003c\/span\u003e\u003cbr\u003eFocal Professional Division designs its products from the ground up to fulfill the specific needs of professional sound engineers: to reproduce sound as naturally and precisely as possible.  The truth, and nothing but the truth.  Our R\u0026amp;D labs have put all their knowledge and savvy into action to combat any coloration or distortion that could appear throughout all areas of the speaker.  Even the slightest coloration can hinder the integrity of the signal’s reproduction.  It’s easy to understand how a self vibrating speaker enclosure can blur the original signal, and the same goes for the drivers, the integrated amplifier, the padding, the finish, etc, etc.\u003c\/p\u003e","brand":"Focal","offers":[{"title":"Default Title","offer_id":47247302525065,"sku":"10783","price":1699.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/focal_twin6be.jpg?v=1784052393"},{"product_id":"beyerdynamic-mc-930-stereo-set","title":"beyerdynamic MC 930 Cardioid Condenser Mic - Stereo Set","description":"\u003cp\u003eThis high-quality, universal condenser microphone features an exceptional price\/performance ratio.  Features of the \u003cstrong\u003eMC 930\u003c\/strong\u003e are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB.\u003cspan\u003e  The MC 930 is suitable for miking choirs, orchestras and solo instruments.  Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels.  The switchable bass roll-off filter with 6 dB\/Octave at 250 Hz compensates for proximity effects.  With the WS 101 wind screen the MC 930 can be used for vocal applications and speech.  The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations.  Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear.  It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e Studio, home recording, live applications, vocals, choirs, overhead, instruments\u003c\/span\u003e\u003c\/p\u003e","brand":"beyerdynamic","offers":[{"title":"Default Title","offer_id":47247307276425,"sku":"5830","price":1149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/beyerdynamic_mc930_stereo.jpg?v=1784052408"},{"product_id":"se-electronics-se4400a","title":"sE Electronics sE4400A Dual-Diaphragm Condenser Microphone","description":"The sE Electronics SE4400a is the latest in a lineage of mics started 6 years ago with our sE2200a. Based on the same capsule tuning, but with a dual capsule to give multi polar pattern function, this mic is a rarity… a true all-rounder.\u003cbr\u003e\u003cbr\u003eIt has 4 polar patterns, Cardioid, Hypercardioid, Figure of 8 and Omni. 2 bass cuts at 60Hz and 120Hz; 2 pads at 10 and 20dB. The chassis is small… very small, but still manages to house a twin diaphragm 1” capsule and all the top grade electronics and switches. This flat, round edged chassis design allow the mic to be used flat onto a drumhead or guitar cab, or pushed through into the skin of a kick drum. It is also perfect for sung vocals and voice over work, because although it’s the smallest mic of it’s type, it still ‘looks’ big when used full face on. It is extremely thin at less than 3\/4” and fits neatly in the palm of your hand.\u003cbr\u003e\u003cbr\u003eSpecifications:\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 20Hz-20KHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 14.1mv\/pa-37db ± 1dB\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid, Figure 8, Omni, supercardioid\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 50 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 17dB(A weighted)\u003c\/li\u003e\n\u003cli\u003eMax SPL for 0.5% THD@1000Hz: 130dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Phantom power 48V±4V\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin\u003c\/li\u003e\n\u003c\/ul\u003esE4400a has a unique, black, non-reflective, non-marking, rubberised finish which is ideal for live stage, theatre, TV and broadcast applications which require lighting.\u003cbr\u003e\u003cbr\u003eFinally, the capsule has been specially tuned after almost 2 years of pre-market tests with professional studios and broadcasters, to really be something that very few mics can; the true all-rounder. Vital in professional studio or broadcast applications where an engineer needs to know he can reach for a mic that will handle any job, and equally for the home studio user who is on a budget and needs one mic to suit every occasion. The mic is multi-functional yet uncluttered, the sound is smooth and flattering and yet, because the capsules are hand made (like all sE mics) and then individually tuned, it benefits from lacking the usual hyped top end of most modern mass produced mics from automated machines.\u003cbr\u003e\u003cbr\u003eIt comes with a unique shock mount which allows you to fit the mounted mic into tiny spaces, or invert the shock clamp to extend the mic fully outside the shock mount for close mic-ing applications or vocals. It also comes with a full, steel re-enforced, black aluminium, signature sE flight case.\u003cbr\u003e\u003cbr\u003eAvailable also as a stereo pair, hand-matched at the factory, this mic is set to be a classic.","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":47247317008521,"sku":"12939","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/se_electronics_se4400a_869bdde5-3a63-468a-8267-9dc5d6d0af75.jpg?v=1784052438"},{"product_id":"sennheiser-e609-silver-microphone","title":"Sennheiser e609 Silver Microphone","description":"\u003cp\u003eThe \u003cstrong\u003eSennheiser e 609 Silver\u003c\/strong\u003e is based on the legendary MD 409 microphone. Able to withstand high SPLs without distorting, the e609 Silver's flat-profile capsule facilitates extremely close miking of guitar cabinets and is also suitable for drum miking, particularly toms. The e609 Silver's super-cardioid design improves isolation in live sound reinforcement and recording applications while its increased output and wider frequency response improves performance. 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With certain configurations, you also get built-in sample rate conversion and a soft clip feature for worry-free recording. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and smooth out inconsistent levels from incoming sources.\u003cbr\u003e\u003cbr\u003e HD I\/O comes in three configurations, so you can choose the interface that best suits your connection needs. What’s more, you can expand your analog or digital I\/O by simply installing an HD I\/O option card into any empty bay (HD I\/O 16x16 Analog cannot be expanded, as all four bays are occupied).\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 8x8x8\u003c\/span\u003e\u003cbr\u003e The perfect choice when you need a balance of analog and digital I\/O for your music or post-production projects, with the option to expand your I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e8 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e8 analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003eVersatile digital I\/O:\u003c\/li\u003e\r\n\u003cli\u003e8 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e8 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eOne empty bay for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e \u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Analog\u003c\/span\u003e\u003cbr\u003e The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).\u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality analog I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e16 analog outputs (using DB25)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O 16x16 Digital\u003c\/span\u003e\u003cbr\u003e The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infraStructure, and want the option to expand the I\/O.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eVersatile digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e16 channels of AES\/EBU I\/O (supports 192 kHz single-wire and dual-wire)\u003c\/li\u003e\r\n\u003cli\u003e16 channels of TDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e16 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cstrong\u003eAdditional digital I\/O:\u003c\/strong\u003e \r\n\u003cul\u003e\r\n\u003cli\u003e2 channels of AES\/EBU I\/O (supports 192 kHz single-wire)\u003c\/li\u003e\r\n\u003cli\u003e2 channels of S\/PDIF I\/O\u003c\/li\u003e\r\n\u003cli\u003e8 channels of ADAT I\/O (supports S\/MUX II and IV)\u003cbr\u003e \u003cbr\u003e \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cstrong\u003eTwo empty bays for I\/O expansion\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eAs your needs grow or change, you can easily add more analog inputs, analog outputs, or digital I\/O by installing an option card. You can install one option card in HD I\/O 8x8x8 and up to two in HD I\/O 16x16 Digital. While HD I\/O 16x16 Analog comes with the maximum four cards, you can customize your I\/O by swapping out any card.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O AD Option:\u003c\/span\u003e Adds 8 high-fidelity analog inputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O DA Option:\u003c\/span\u003e Adds 8 high-fidelity analog outputs (using DB25)\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eHD I\/O Digital Option:\u003c\/span\u003e Adds 8 channels each of AES\/EBU (supports 192 kHz single-wire and dual-wire), TDIF, and ADAT (supports S\/MUX II and IV) I\/O\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eHD I\/O and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, and routing right from your Pro Tools software interface. You’ll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface with Pro Tools|HD and other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.\u003c\/p\u003e","brand":"Avid","offers":[{"title":"Default Title","offer_id":47247414395017,"sku":"15930","price":2932.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avid-hd-io-8x8x8_15930_1.jpg?v=1784044924"},{"product_id":"avid-hd-i-o-digital-option","title":"Avid HD Expansion Card I\/O Digital Option","description":"Digital expansion card for Pro Tools|HD HD I\/O interfaces","brand":"Avid","offers":[{"title":"Default Title","offer_id":47247416524937,"sku":"15949","price":687.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/avid_hd_io_digital.jpg?v=1784044932"},{"product_id":"se-electronics-voodoo-vr1","title":"sE Electronics Voodoo VR1 Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003esE Electronics Voodoo VR1\u003c\/strong\u003e ribbon microphone marks a new era in ribbon technology. Whereas most ribbon microphones have a dark, muted high-frequency response, the VR1 utilizes a clever mechanical device to achieve nearly full-range frequency response that extends well beyond that of most other ribbon microphones, approaching nearly 20 kHz. This provides an extended level of top-end detail, so the result includes not only the distinctly natural low-end and midrange that most ribbons provide, but also minimal loss in high frequency content. Guitar and brass tones retain their “edge”, cymbals still sound rich and full, and a supremely natural sound is achieved from top to bottom.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdditionally, the VR1 can handle very high sound pressure levels and thus can be utilized for applications not normally considered for most ribbon microphones, including loud brass, drums, and electric guitar cabinets, both in the studio and on stage.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe VR1 is a passive ribbon, so it does not require phantom power – though it is “phantom protected”, so it will not be damaged by accidental application of phantom power. Given its lower output, it is ideally suited for loud sources such as electric guitars, drum overheads, and brass.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":47247427174537,"sku":"16955","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/se-electronics-voodoo-vr1-24_16955_1.jpg?v=1784044965"},{"product_id":"se-electronics-voodoo-vr2","title":"sE Electronics Voodoo VR2 Ribbon Microphone","description":"\u003cp\u003eThe \u003cstrong\u003esE Electronics Voodoo VR-2 Active Ribbon Microphone\u003c\/strong\u003e marks a new era for ribbon mic technology – until now the only ribbon mic in the world to perform across 20 Hz - 20 kHz was the sE\/Rupert Neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world. This was achieved using state of the art transformers and a Rupert Neve designed circuit board to reveal HF usually absent. The Voodoo mics however achieve full frequency response using a new mechanical device (patent pending), designed by Siwei Zou, the company CEO.\u003c\/p\u003e\r\n\u003cp\u003eThis extraordinary technical achievement allows the traditional ribbon capsule to develop and capture frequencies from 20 Hz to 20 kHz like no other ribbon on the planet. The sound is revolutionary; where the RNR1 is simply a stunning mic in its own class entirely, the Voodoo range brings traditional ribbon sound to the project and commercial studio, but extends it to perform as well as most condensers do.\u003c\/p\u003e\r\n\u003cp\u003eThe result is superbly detailed and wonderfully open and natural sounding recordings of acoustic instruments and guitar cabs. The VR2 is an ‘active’ version of the VR1, which is the more traditional ‘passive’ ribbon design. These mics’ unique ability to perform, coupled with searingly good looks, are sure to make the VR1 and VR2 classics of their time.\u003c\/p\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":47247427207305,"sku":"16956","price":419.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/se-vr2_16956_1.jpg?v=1784044965"},{"product_id":"jbl-vrx918sp","title":"JBL VRX918SP 18\"  Powered Flying Line Array Subwoofer - Single","description":"\u003cp\u003eThe\u003cstrong\u003e JBL VRX918SP\u003c\/strong\u003e is a powered, suspendable subwoofer system containing a 2268FF neodymium magnet, patented Differential Drive®, 18\" woofer in a front-loaded, vented enclosure. The VRX918SP was designed specifically for use in arrays with the VRX932LAP Line Array speaker and VRX-AF Array Frame. 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It also includes novel features such as a fully automatable Shake control that will shake the virtual strings around for those thunderous spring effects, and a Tension control that tightens or loosens the springs to cover a wide range of spring reverb sounds. \u003cbr\u003e\u003cbr\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":47247459418249,"sku":"12975","price":71.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/softube_springreverb_1.jpg?v=1784045068"},{"product_id":"softube-vintage-amp-room-native","title":"Softube Vintage Amp Room - Native - Electronic Delivery","description":"Amplifier simulation plugins ** Non-returnable Item **","brand":"Softube","offers":[{"title":"Default Title","offer_id":47247459778697,"sku":"12967","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/softube_vintageamproom_1_1.jpg?v=1784045069"},{"product_id":"softube-valley-people-dyna-mite","title":"Softube Valley People Dyna-Mite - Native - Electronic Delivery","description":"\u003cp\u003e\u003cspan style=\"font-size: small; color: #333333;\"\u003e\u003cspan id=\"internal-source-marker_0.6554932745463208\" style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThere  are some processors that attain near-legendary status. Then there are  some that quietly cruise under the radar, favored by those in the know  but largely unknown to the masses. The \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eSoftube Valley People Dyna-Mite\u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e falls squarely into the latter - those who knew about it used it  religiously, while the rest of us had no idea. Softube's Valley People  Dyna-Mite is a faithful re-creation of the classic 1980s dynamics  multipurpose tool. The original Valley People Dyna-Mite works wonders on  drums, bass, and countless other sources, imparting its special flavor  to your tracks. So, what does it do? Well, it's capable of limiting,  compressing, expanding, gating, keying, ducking, de-essing, and more. If  it needs dynamics loving, the Valley People Dyna-Mite can do it! \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFaithful replica of the Valley People Dyna-mite\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eMulti-dynamics tool capable of limiting, compressing, expanding, gating, keying, ducking, de-essing, etc.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLimiting:  Peak and average limiting, including negative ratio (-20:1) limiting  and detector HF filtering (for de-essing purposes)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eExpanding: Hard or soft, with extreme gate settings and detector HF filtering\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eDucking or Keying modes with external sidechain (where available)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThreshold knob with auto make-up gain\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eRelease ranging from 0.05 to 5 sec\/20dB with Anticipatory Release Computation (ARC) to reduce pumping\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eOutput volume with accurately modeled output distortion and clip LED\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eInnovative Range knob that controls maximum amount of expansion or limiting\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eBuilt-in interactive guide that displays current settings and active mode\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eNative\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eMac OS X (10.4 or higher)\/PC (XP or higher)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eVST\/AU\/RTAS\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e                        \u003c\/span\u003e\u003c\/p\u003e","brand":"Softube","offers":[{"title":"Default Title","offer_id":47247459909769,"sku":"17524","price":119.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/softube_valley_people_dyna-mite_1.jpg?v=1784045069"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-processor","title":"Rupert Neve Designs Portico II Master Buss Processor","description":"\u003cp\u003eWith input and output transformers designed and implemented by Mr. Rupert Neve, the high-voltage 72V topology found in the \u003cstrong\u003eRupert Neve Designs Portico II Master Buss Processor\u003c\/strong\u003e (MBP) will integrate flawlessly with virtually any system. Additionally, the MBP incorporates mastering grade detented pots throughout to fine tune its revolutionary dynamics, tone, and stereo field controls. This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing for the sweet, musical performance that has been a part of countless recordings.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_0\"\u003eThe Compressor\u003c\/h3\u003e\r\n\u003cp\u003eThe MBP’s two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. With the stereo link control engaged, Ch. A settings act as the master control for convenient operation. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother more musical vintage response (feed-back). Peak mode alters the compressor’s attack to react to peak transients with a roughly 0.1ms response time. When the Peak switch is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. SC HPF inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003c\/p\u003e\r\n\u003cp\u003eTo further control the side chain, there is also an insert “send” and “return” that may be paired with an external EQ or other filters for additional manipulation. The “return” may also be used as a “Key” input for ducking one signal to another (for instance, a voice-over keying the compressor to duck a background music track).\u003c\/p\u003e\r\n\u003ch3 id=\"toc_1\"\u003eThe Limiter\u003c\/h3\u003e\r\n\u003cp\u003eThe Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. At first glance, one might scoff at the single knob operation, however this limiter is extremely intelligent, knowing how to appropriately respond to the various signals presented to it. Our new Adaptive Release Technology is behind this revolutionary performance. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (such as the “snap” of a snare drum) and slowly to more sluggish signals (such as a bass guitar). This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this manner, the MBP Limiter can provide a much more aggressive amount of limiting than typically possible, while maintaining the essential character of the music and remaining free of the modulation distortion usually found in a fast acting limiter.\u003c\/p\u003e\r\n\u003cp\u003eTypically there is a tradeoff between how fast limiter can react and the amount of modulation distortion in the lower frequencies. This is due to the lower frequencies finding their way into the side chain signal, triggering the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to look at with sine waves, but sounds quite undesirable with music. The MBP does not have this tradeoff, and one is able to have the best of both worlds: a quick, snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive time constant circuitry, the release time is also varied with the position of the knob. As the knob is turned counter clock-wise, the release time is increased accordingly, as typically one would want a longer release time with a larger amount of reduction.\u003c\/p\u003e\r\n\u003cp\u003eThe new limiter found in the MBP is designed to respond as fast as .03 mS in order to reduce the first half of a 20 kHz waveform over the threshold. It has a “medium knee” initial ratio and within 3 dB of the threshold attains a better than 10:1 ratio. A soft clipper circuit catches transients that may have been in the “knee” when the threshold knob is set quite high. Both the limiter and soft clipper are switched out of circuit with the knob is fully clockwise. The release times are fully automatic and adjust depending both on the average depth of limiting and the duration of the transients above the threshold. The limiters share the same discrete, class-A gain module and VCA with the compressors, so using the Limiter does not introduce more stages that the music would have to pass through. This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent.\u003c\/p\u003e\r\n\u003ch3 id=\"toc_2\"\u003eThe Stereo Field Editor\u003c\/h3\u003e\r\n\u003cp\u003eThe stereo field editor on the MBP takes traditional M-S techniques to new heights with width, depth and corresponding bandpass filters.\u003c\/p\u003e\r\n\u003cp\u003eThe width control enables the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of ambiance inherent in the recording. As the width control is rotated toward wide, the amount of difference material is boosted, often resulting in more ambient material, and accentuated stereo reverbs. Conversely, the stereo field is contracted when rotated to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interplay between the stereo field editor′s other controls, listening and experimentation are essential for the best results.\u003c\/p\u003e\r\n\u003cp\u003eThe depth control of the MBP adjusts the spatial positioning of elements in the sound stage. Center-panned elements like solo instrument or vocal can be brought forward in a mix, in relation to supporting instruments. In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension.\u003c\/p\u003e\r\n\u003cp\u003eTo fine tune the SFE, there are individual filters that allow a fine tuning of what information is reintroduced from the width and depth circuits, thus tailoring each effect to a specific bandwidth. For example, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, would filter out everything in the Mid signal except what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in the low frequencies in the center image. It is also possible to do the same thing with the Width EQ, except instead of boosting the width, cutting it, which removes low frequencies from the Sides, tightening up the low frequency perception in the center. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of band-passed Side information can provide a wonderful spreading of instruments, reverberation and background vocals, giving the illusion that the sounds are spread further out, enveloping the listener.\u003c\/p\u003e\r\n\u003cp\u003eAnother technique available on the SFE is routing the Mid and Side signals to the Channel A and Channel B compressors, respectively. Now whatever amount of Depth or Width is introduced is first routed to the compressors, allowing the user to utilize the compressor features on the Mid and Side information. Now it is possible to not only increase the side information, but to utilize the compressor to bring up some of the low level side information, or allow the user to tame an overly expressive lead singer. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":47247459975305,"sku":"18927","price":3595.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/rupert_neve_portico_ii_master_buss_compressor_1.jpg?v=1784045069"},{"product_id":"arturia-spark","title":"Arturia Spark","description":"Combining the power of analog synthesis, physical modelling and samples, through the intuitive workflow of a hardware drum machine, Spark is a highly creative beat production center.\u003cbr\u003e\u003cbr\u003eSpark will save you time when looking for the right drum kit, will get you hooked by its amazing simplicity, and will surprise you by its sonic possibilities.\u003cbr\u003eWith a complete library including vintage drum machines, electronic analog kits, acoustic \u0026amp; physical drums, Spark is your weapon of choice to create unique grooves whether you are producing in the studio or performing on stage.\u003cbr\u003e\u003cbr\u003ePristine quality sound engines including: TAE® Analog synthesis, Multi-layered sampling delivered by reference third-party companies, Physical modelling\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e480 Instruments \/ 30 Kits: \u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eVintage drum machines: Analog emulations of the TR-808, TR-909, Simmons SDS-V, and Eprom based LinnDrum, Drumtraks, DMX, and more*.\u003c\/li\u003e\n\u003cli\u003eElectronic kits covering the most popular modern music styles: Dub, House, Techno, Hip Hop, RnB… as well as experimental fields thanks to the physical modelling engine.\u003c\/li\u003e\n\u003cli\u003eAcoustic drum kits mixing physical modelling and samples for high audio realism.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e16 key – 64 step sequencer\u003c\/li\u003e\n\u003cli\u003e8 velocity \u0026amp; pressure sensitive pads\u003c\/li\u003e\n\u003cli\u003eTouch sensitive FX Pad with Repeat, Tape, Reverse, Strobe, Pan, Mix, Bit Crusher, 3 mode Filter and Roller\u003c\/li\u003e\n\u003cli\u003eAdvanced Loop mode with divide and move functions \u003c\/li\u003e\n\u003cli\u003eReal-time automation on all parameters \u003c\/li\u003e\n\u003cli\u003e16 track mixer with 9 high quality effects: compressor, reverb, bit crusher, multi-band EQ, chorus, delay, distortion, phase, plate reverb\u003c\/li\u003e\n\u003cli\u003eSong Mode with up to 64 patterns by song\u003c\/li\u003e\n\u003cli\u003eShuffle and Shift modes to humanize grooves\u003c\/li\u003e\n\u003cli\u003eHigh precision rotary encoders\u003c\/li\u003e\n\u003cli\u003eAluminum enclosure\u003c\/li\u003e\n\u003cli\u003eWorks as a universal MIDI controller towards any third-party software\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":47247482224777,"sku":"18333","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/arturia_spark.jpg?v=1784045140"},{"product_id":"joeco-blackbox-player-bbp1b-balanced-analog-i-o","title":"JoeCo BBP1B BlackBox Player - Balanced Analog I\/O","description":"Signle rack space 24-track dedicated playback for live performance - Balanced I\/O. No audio cables provided   ** SPECIAL ORDER ITEM **","brand":"JoeCo","offers":[{"title":"Default Title","offer_id":47247487172745,"sku":"18622","price":2999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/8706\/5737\/files\/joeco-bbp1b_18622_1.jpg?v=1784045157"},{"product_id":"jbl-vrx932lap","title":"JBL VRX932LA-1 12\" Two-Way Powered Line Array Speaker - Single, White","description":"\u003cp\u003e\u003cspan style=\"font-size: small; color: #333333;\"\u003e\u003cspan id=\"internal-source-marker_0.5495482203778571\" style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eWhile intended for smaller venues than the VerTec series, the \u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eJBL VRX932LAP\u003c\/span\u003e\u003cspan style=\"font-family: Arial; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e Active Constant Curvature Line Array is designed and built to the same  high standards and uses the same advanced, concert-proven drivers. The  VRX932LAP delivers extraordinary clarity, flexibility and, of course,  stunning JBL sound in an attractive, easy to handle and affordable  package. The VRX932LAP is a perfect fit for medium-sized venues that  don't want to sacrifice sound quality just because they're not as big as  other professional facilities. For compact power, it's the VRX932LAP.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eThe  VRX932LAP is a lightweight (52 lb.) compact 12\" two-way powered line  array speaker system designed for use in arrays of up to six units.  VRX932LAP is the ideal choice when line-array performance is needed but  the venue size doesn't call for the very long-throw characteristics of  larger line-arrays such as JBL's VerTec.. The Constant Curvature  waveguide mounts two compression drivers on a continuous arc. When  additional VRX932LAP speakers are added to the array the uninterrupted  arc continues. In effect, all the drivers work together as if they were a  single driver on a very long waveguide.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eCoverage Pattern: 100° x 15° nominal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePower Rating Active: 1750 W peak, 875 W continuous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eLF Driver: 1 x JBL 2262H 12 in Differential Drive woofer with neodymium-magnet, dual voice-coils and magnetic gap.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eHF Driver: 3 x JBL 2407J, 1.5 in voice-coil, neodymium compression driver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eNominal Impedance: Passive: 8 ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eEnclosure: 25\/15mm, 11-ply birch plywood.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eSuspension \/ Mounting: Optional VRX-AF line array frame kit; M-10 Eyebolt Kit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFinish: Black DuraFlex finish\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eGrille: Powder coated, black, 16-gauge perforated steel with acoustically transparent foam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eInput Connectors: XLR with loop through\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003ePower Rating (Continuous\/Peak): 875W \/ 1750W\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003e\u003cspan style=\"font-size: small; font-family: Arial; color: #333333; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;\"\u003eFrequency Response: 75 Hz - 20 kHz (±3 dB)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"list-style-type: disc; font-size: 15px; font-family: Arial; color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; 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